{"id":9992,"date":"2022-08-21T10:47:55","date_gmt":"2022-08-21T09:47:55","guid":{"rendered":"http:\/\/siefar.org\/?p=9992"},"modified":"2022-08-21T10:47:55","modified_gmt":"2022-08-21T09:47:55","slug":"les-silencieuses-au-theatre-de-lepee-de-bois","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/les-silencieuses-au-theatre-de-lepee-de-bois\/","title":{"rendered":"Les Silencieuses, au Th\u00e9\u00e2tre de l&#8217;Ep\u00e9e de Bois"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong><a href=\"http:\/\/siefar.org\/wp-content\/uploads\/2022\/08\/Affiche-Silencieuses-700px.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-9994 alignleft\" src=\"http:\/\/siefar.org\/wp-content\/uploads\/2022\/08\/Affiche-Silencieuses-700px-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" \/><\/a>(R\u00e9cit d&#8217;un voyage)<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>Th\u00e9\u00e2tre de l&#8217;Ep\u00e9e de Bois, Cartoucherie de Vincennes<\/strong><\/p>\n<p class=\"_04xlpA direction-ltr align-justify para-style-body\" style=\"text-align: justify;\"><strong><span class=\"JsGRdQ\">Pourquoi la parole \u00e9rotique a-t-elle \u00e9t\u00e9 si longtemps accapar\u00e9e par des hommes ?<\/span><\/strong><\/p>\n<p class=\"_04xlpA direction-ltr align-justify para-style-body\" style=\"text-align: justify;\"><span class=\"JsGRdQ\">\u00c0 en croire les manuels d\u2019\u00e9ducation des filles de l\u2019Antiquit\u00e9 \u00e0 nos jours, la femme id\u00e9ale est silencieuse, discr\u00e8te, humble et ob\u00e9issante. Notre spectacle part de la parole \u00e9rotique, monopole masculin, pour saisir peu \u00e0 peu la construction globale de cet ensilencement qui fait partie de notre h\u00e9ritage.<\/span><\/p>\n<p style=\"text-align: justify;\">\u00ab Prise de conscience \u00e9poustouflante de la mani\u00e8re dont les hommes ont musel\u00e9 la parole \u00e9rotique des femmes. \u00bb<br \/>\nMarie de Hennezel \u2013<strong> Psychologies Magazine<\/strong> \u2013 Nov. 2016<\/p>\n<p style=\"text-align: justify;\"><strong>De et avec Nicolas Raccah, mis en sc\u00e8ne par Fr\u00e9d\u00e9rique A\u00eft-Touati<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>Spectacle de la Compagnie Fatale-Aubaine, pr\u00e9sent\u00e9 par la Compagnie La Subversive<\/strong><\/p>\n<p class=\"_04xlpA direction-ltr align-start para-style-body\"><em><span class=\"JsGRdQ\">Et c\u2019est la guerre ! Des livres par dizaines\u2026<\/span><\/em><\/p>\n<p class=\"_04xlpA direction-ltr align-start para-style-body\"><em><span class=\"JsGRdQ\">On se r\u00e9gale \u00e0 contribuer au grand d\u00e9bat public.<\/span><\/em><\/p>\n<p class=\"_04xlpA direction-ltr align-start para-style-body\"><em><span class=\"JsGRdQ\">Une immense querelle litt\u00e9raire dont les femmes sont le sujet.<\/span><\/em><\/p>\n<p class=\"_04xlpA direction-ltr align-start para-style-body\"><em><span class=\"JsGRdQ\">C\u2019est convivial, la pol\u00e9mique, c\u2019est comme un jeu :<\/span><\/em><\/p>\n<p class=\"_04xlpA direction-ltr align-start para-style-body\"><em><span class=\"JsGRdQ\">On d\u00e9montre, on prouve, on d\u00e9balle, on r\u00e9fute, on cabriole,<\/span><\/em><\/p>\n<p class=\"_04xlpA direction-ltr align-start para-style-body\"><em><span class=\"JsGRdQ\">Et \u00e0 qui revient la parole ?<\/span><\/em><\/p>\n<p class=\"_04xlpA direction-ltr align-start para-style-body\"><em><span class=\"JsGRdQ\">Aux hommes, toujours, comme dans les po\u00e8mes \u00e9rotiques.<\/span><\/em><\/p>\n<p class=\"_04xlpA direction-ltr align-start para-style-body\"><em><span class=\"JsGRdQ\">Les femmes font office de balles, on se croirait au jeu de paume.<\/span><\/em><\/p>\n<p class=\"_04xlpA direction-ltr align-start para-style-body\"><em><span class=\"JsGRdQ\">On les exalte, on les d\u00e9nigre,<\/span><\/em><\/p>\n<p class=\"_04xlpA direction-ltr align-start para-style-body\"><em><span class=\"JsGRdQ\">On les c\u00e9l\u00e8bre, on les diffame,<\/span><\/em><\/p>\n<p class=\"_04xlpA direction-ltr align-start para-style-body\"><em><span class=\"JsGRdQ\">Et toujours l\u2019obsession binaire, hi\u00e9rarchique, entre les sexes :<\/span><\/em><\/p>\n<p class=\"_04xlpA direction-ltr align-start para-style-body\"><em><span class=\"JsGRdQ\">Qui est meilleur et qui est moindre ?<\/span><\/em><\/p>\n<p class=\"_04xlpA direction-ltr align-start para-style-body\"><em><span class=\"JsGRdQ\">Qui va gagner et qui va perdre ?<\/span><\/em><\/p>\n<p><a href=\"https:\/\/www.epeedebois.com\/un-spectacle\/les-silencieuses\/\"><strong>R\u00e9server<\/strong><\/a><\/p>\n<p><strong>Th\u00e9\u00e2tre de l&#8217;Ep\u00e9e de Bois<\/strong><\/p>\n<p>Cartoucherie de Vincennes, Paris 12 : <a href=\"https:\/\/www.epeedebois.com\/acces-et-contact\/\">contact et<\/a> <a href=\"https:\/\/www.epeedebois.com\/acces-et-contact\/\">acc\u00e8s<\/a><\/p>\n<p><strong>du 29 septembre au 2 octobre 2022, <\/strong><\/p>\n<p><strong>du jeudi au samedi \u00e0 19h, le samedi et dimanche \u00e0 14h30<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(R\u00e9cit d&#8217;un voyage) Th\u00e9\u00e2tre de l&#8217;Ep\u00e9e de Bois, Cartoucherie de Vincennes Pourquoi la parole \u00e9rotique a-t-elle \u00e9t\u00e9 si longtemps accapar\u00e9e par des hommes ? \u00c0 en croire les manuels d\u2019\u00e9ducation des filles de l\u2019Antiquit\u00e9 \u00e0 nos jours, la femme id\u00e9ale est silencieuse, discr\u00e8te, humble et ob\u00e9issante. Notre spectacle part de la parole \u00e9rotique, monopole masculin, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":9994,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[12],"tags":[],"categorie_personnage":[],"class_list":["post-9992","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-manifestations-culturelles"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/9992","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=9992"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/9992\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=9992"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=9992"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=9992"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=9992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}