{"id":9696,"date":"2022-03-31T20:06:58","date_gmt":"2022-03-31T19:06:58","guid":{"rendered":"http:\/\/siefar.org\/?p=9696"},"modified":"2022-03-31T20:06:58","modified_gmt":"2022-03-31T19:06:58","slug":"anne-boutet","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/anne-boutet\/","title":{"rendered":"Anne BOUTET"},"content":{"rendered":"

Paris, France *<\/strong> anne.boutet[at]univ-eiffel.fr<\/p>\n

Docteure * PRAG – Universit\u00e9 Gustave Eiffel * Chercheuse associ\u00e9e – LISAA * Langue et litt\u00e9rature fran\u00e7aises, XVI-XVIIe<\/sup> si\u00e8cles <\/strong><\/p>\n

Marguerite de Navarre, Heptam\u00e9ron<\/i>, nouvelles de la Renaissance, romans comiques, litt\u00e9rature humorale, rire et fac\u00e9tie.<\/em><\/p>\n

OUVRAGES<\/strong><\/span><\/p>\n

– (dir., avec L. Daubigny, S. Geonget, M.-B. Le Hir), Le R\u00e9seau de Marguerite de Navarre<\/em>, Gen\u00e8ve, Droz, Cahier d’Humanisme et Renaissance n\u00b082, 2022.
\n– (dir., avec C. Bonnet, C. de Buzon, E. Gauthier), Didon se sacrifiant d’\u00c9tienne Jodelle<\/em>, Tours, Presses Universitaires Fran\u00e7ois Rabelais, 2015.<\/p>\n

ARTICLES<\/strong><\/span><\/p>\n

– \u00ab Mieux vaut la main que le gant d\u2019une dame ? Raillerie des codes romanesques courtois \u00e0 la nouvelle 57 de L\u2019Heptam\u00e9ron<\/em> de Marguerite de Navarre \u00bb, Op. cit.<\/em>, n\u00b021, automne 2020.
\n– \u00ab \u201cMadonna, voi m\u2019avete renduto pan per focaccia\u201d : art du bon pain, art du bon tour ? Emplois et symboles du pain dans le D\u00e9cam\u00e9ron<\/em> de Boccace (1339-1343) et ses traductions fran\u00e7aises par Laurent de Premierfait (1411-1418) et Antoine Le Ma\u00e7on (1545)<\/a> \u00bb, revue en ligne Cornucopia<\/em>, juin 2019.
\n– \u00ab Oultrey d\u2019ire et de courroux. De la col\u00e8re du p\u00e8re ou de l\u2019humeur col\u00e9rique des figures paternelles, sympt\u00f4mes d\u2019une agitation narrative dans les recueils de nouvelles du XVIe<\/sup> si\u00e8cle, en France \u00bb, Comparaison<\/em>, Bern, Peter Lang, 2016, p. 99-110 [femmes et filles face \u00e0 autorit\u00e9 masculine].
\n– \u00ab Quand \u201cl\u2019extremit\u00e9 de l\u2019amour ne congnoist nulle raison\u201d ou la tentation du romanesque au sein du r\u00e9cit bref de la Renaissance. \u00c9tude de la nouvelle 10 de l\u2019Heptam\u00e9ron<\/em> de Marguerite de Navarre<\/a> \u00bb, Actes du Colloque \u00ab Passion(s) : transports, sublimation \u00bb (15 juin 2012), Universit\u00e9 Paul-Val\u00e9ry, Montpellier, 2015. <\/p>\n","protected":false},"excerpt":{"rendered":"

Paris, France * anne.boutet[at]univ-eiffel.fr Docteure * PRAG – Universit\u00e9 Gustave Eiffel * Chercheuse associ\u00e9e – LISAA * Langue et litt\u00e9rature fran\u00e7aises, XVI-XVIIe si\u00e8cles Marguerite de Navarre, Heptam\u00e9ron, nouvelles de la Renaissance, romans comiques, litt\u00e9rature humorale, rire et fac\u00e9tie. OUVRAGES – (dir., avec L. Daubigny, S. Geonget, M.-B. Le Hir), Le R\u00e9seau de Marguerite de Navarre, […]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"categorie_personnage":[],"class_list":["post-9696","post","type-post","status-publish","format-standard","hentry","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/9696","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=9696"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/9696\/revisions"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=9696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=9696"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=9696"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=9696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}