{"id":9220,"date":"2021-07-20T19:08:19","date_gmt":"2021-07-20T18:08:19","guid":{"rendered":"http:\/\/siefar.org\/?p=9220"},"modified":"2021-07-20T19:08:19","modified_gmt":"2021-07-20T18:08:19","slug":"womens-soundscapes","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/womens-soundscapes\/","title":{"rendered":"Women\u2019s Soundscapes in the Early Modern World"},"content":{"rendered":"<div style=\"font-size: 12pt; font-family: Calibri, Arial, Helvetica, sans-serif; color: #000000;\">\n<div style=\"font-size: 12pt; font-family: 'Times New Roman', Times, serif; margin: 0px;\"><span style=\"font-size: 12pt;\"><span style=\"font-family: Arial; font-weight: bold; color: #424242; font-style: italic; margin: 0px;\">Early Modern Women: <\/span><span style=\"font-family: Arial; font-weight: bold; color: #424242; font-style: italic; margin: 0px;\">An Interdisciplinary Journal<\/span><\/span><\/div>\n<div style=\"font-size: 12pt; font-family: 'Times New Roman', Times, serif; margin: 0px;\"><span style=\"font-size: 12pt;\"><span style=\"font-family: Arial; font-weight: 400; color: #424242; margin: 0px;\">Volume 17.1 (Fall 2022)<\/span><\/span><\/div>\n<div>\u00a0<\/div>\n<\/div>\n<div>\n<div style=\"font-size: 12pt; font-family: Calibri, Arial, Helvetica, sans-serif; color: #000000;\">\n<div style=\"font-size: 12pt; font-family: 'Times New Roman', Times, serif; margin: 0px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\"><span style=\"font-weight: 400; color: #424242; margin: 0px;\">Moving beyond attention to early modern women\u2019s \u201cvoices,\u201d this forum investigates their participation in soundscapes \u2014 the acoustic environment in which they were immersed, to which they responded, and which they shaped. These investigations may focus on architecture and the built environment, art and other visual representations, history (cultural, economic, social, and other approaches), literary and rhetorical studies, musicology, and other disciplines. We are aiming for contributions that address diverse global locales,<span class=\"Apple-converted-space\">\u00a0<\/span><\/span><span style=\"font-weight: 400; color: #424242; margin: 0px; background-color: #ffffff;\">and we encourage submissions that appeal to readers across disciplinary boundaries.<\/span><span style=\"font-weight: 400; color: #424242; margin: 0px;\">\u00a0We seek essays that examine but are not limited to the following topics:<\/span><\/span><\/p>\n<ul>\n<li dir=\"ltr\" style=\"font-size: 10.5pt; font-family: Arial; font-weight: 400; color: #424242;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\">Sounds and\/or silences in early modern women\u2019s writing and experience<\/span><\/li>\n<li dir=\"ltr\" style=\"font-size: 10.5pt; font-family: Arial; font-weight: 400; color: #424242;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\">Women\u2019s negotiation of sounds inside and outside of home\u00a0 spaces<\/span><\/li>\n<li dir=\"ltr\" style=\"font-size: 10.5pt; font-family: Arial; font-weight: 400; color: #424242;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\">Women and the sounds of commerce \u2014 negotiating, street vending, hawking<\/span><\/li>\n<li dir=\"ltr\" style=\"font-size: 10.5pt; font-family: Arial; font-weight: 400; color: #424242;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\">Women as patrons, creators, musicians, and\/or as auditors of music<\/span><\/li>\n<li dir=\"ltr\" style=\"font-size: 10.5pt; font-family: Arial; font-weight: 400; color: #424242;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\">Women and public or prohibited speech, including slander and verbal conflict<\/span><\/li>\n<li dir=\"ltr\" style=\"font-size: 10.5pt; font-family: Arial; font-weight: 400; color: #424242;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\">Women and visual representation of music making and other sounds<\/span><\/li>\n<li dir=\"ltr\" style=\"font-size: 10.5pt; font-family: Arial; font-weight: 400; color: #424242;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\">The construction\/architecture of spaces in relationship to women and sound\/silence<\/span><\/li>\n<\/ul>\n<p><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\"><span style=\"font-weight: 400; color: #424242; margin: 0px;\">Please send abstracts of 600 words to the editors (<\/span><span style=\"font-weight: 400; color: #424242; margin: 0px; background-color: #ffffff;\">emw@press.uchicago.edu<\/span><span style=\"font-weight: 400; color: #424242; margin: 0px;\">) by<span class=\"Apple-converted-space\">\u00a0<\/span><\/span><span style=\"font-weight: bold; color: #424242; margin: 0px;\">1<\/span><span style=\"font-weight: 400; color: #424242; margin: 0px;\">\u00a0<\/span><span style=\"font-weight: bold; color: #424242; margin: 0px;\">September 2021<\/span><span style=\"font-weight: 400; color: #424242; margin: 0px;\">. Decisions on the abstracts will be sent soon afterward. For the abstracts selected, completed essays of 3500 words will be due on<span class=\"Apple-converted-space\">\u00a0<\/span><\/span><span style=\"font-weight: bold; color: #424242; margin: 0px;\">1 December 2021<\/span><span style=\"font-weight: 400; color: #424242; margin: 0px;\">\u00a0and will be sent for peer review. Essays should follow the EMW Style Guide<span class=\"Apple-converted-space\">\u00a0<\/span><\/span><a href=\"https:\/\/na01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.journals.uchicago.edu%2Fpb-assets%2Fdocs%2Fjournals%2Femw-style-guide-1620063847753.pdf&amp;data=04%7C01%7C%7C005e1173d875443d4c4a08d93cbdaa34%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637607607568199874%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=0pbuyLh%2FzZ1%2BxXNLpBRcnhAqd5ffzv4zSU1H1Qf4%2FwY%3D&amp;reserved=0\" target=\"_blank\" rel=\"noopener noreferrer\" data-linkindex=\"0\"><span style=\"text-decoration: underline; font-weight: 400; color: #1155cc; margin: 0px;\">https:\/\/www.journals.uchicago.edu\/pb-assets\/docs\/journals\/emw-style-guide-1620063847753.pdf<\/span><\/a><span style=\"font-weight: 400; color: #424242; margin: 0px;\">. Final acceptance will be based on double blind peer review.<\/span><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Early Modern Women: An Interdisciplinary Journal Volume 17.1 (Fall 2022) \u00a0 Moving beyond attention to early modern women\u2019s \u201cvoices,\u201d this forum investigates their participation in soundscapes \u2014 the acoustic environment in which they were immersed, to which they responded, and which they shaped. These investigations may focus on architecture and the built environment, art and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4935,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9],"tags":[],"categorie_personnage":[],"class_list":["post-9220","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-appels-contribution"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/9220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=9220"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/9220\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=9220"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=9220"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=9220"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=9220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}