{"id":9187,"date":"2021-06-25T12:57:19","date_gmt":"2021-06-25T11:57:19","guid":{"rendered":"http:\/\/siefar.org\/?p=9187"},"modified":"2021-06-25T12:57:19","modified_gmt":"2021-06-25T11:57:19","slug":"parution-de-nos-adherentes-marie-gabrielle-lallemand-miriam-speyer-ed","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/parution-de-nos-adherentes-marie-gabrielle-lallemand-miriam-speyer-ed\/","title":{"rendered":"Parution de nos adh\u00e9rentes Marie-Gabrielle Lallemand &#038; Miriam Speyer (\u00e9d.)"},"content":{"rendered":"<h3><em>Usages du copier-coller aux XVI<sup>e<\/sup> et XVII<sup>e<\/sup> si\u00e8cles<\/em>,<br \/>\nCaen, Presses universitaires de Caen, 2021, 248 pages.<\/h3>\n<p><b>ISBN : 978-2-38185-012-2, 18 \u20ac<\/b><\/p>\n<p><a href=\"http:\/\/siefar.org\/wp-content\/uploads\/2021\/06\/LallemandSpeyer_CopierColler.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-9189 alignright\" src=\"http:\/\/siefar.org\/wp-content\/uploads\/2021\/06\/LallemandSpeyer_CopierColler.jpg\" alt=\"Copier-Coller_PUCaen_2021\" width=\"207\" height=\"312\" \/><\/a>Parmi les formes d\u2019intertextualit\u00e9 dont G\u00e9rard Genette fait la typologie \u00e0 l\u2019ouverture de <em>Palimpsestes<\/em> (1982), c\u2019est-\u00e0-dire parmi les formes de \u00ab pr\u00e9sence effective d\u2019un texte dans l\u2019autre \u00bb, nous nous sommes int\u00e9ress\u00e9s au plagiat, \u00ab emprunt non d\u00e9clar\u00e9 mais encore litt\u00e9ral \u00bb, dont l\u2019avatar moderne est le copier-coller. C\u2019est dans la m\u00eame optique que Genette que les auteurs des articles ici rassembl\u00e9s envisagent la pratique du r\u00e9emploi : sans <em>a priori<\/em> n\u00e9gatif, comme un proc\u00e9d\u00e9 de composition et d\u2019\u00e9criture. Les articles que l\u2019on trouvera dans ce volume montrent qu\u2019au lieu d\u2019\u00eatre le signe d\u2019une absence de cr\u00e9ativit\u00e9, l\u2019extraction et le r\u00e9emploi sont, \u00e0 l\u2019\u00e9poque envisag\u00e9e, des activit\u00e9s non seulement habituelles, mais bien les vecteurs de la cr\u00e9ation, tant pour les \u00e9crivains que pour les acteurs du march\u00e9 du livre. Le plagiat engage alors \u00e0 consid\u00e9rer dans toute leur complexit\u00e9 les notions d\u2019\u0153uvre et d\u2019auteur.<\/p>\n<p>L&#8217;ouvrage contient, parmi d&#8217;autres, des contributions sur Marie-Catherine Desjardins de Villedieu, Madeleine de Scud\u00e9ry et Henriette de Coligny, comtesse de La Suze.<\/p>\n<p>Consulter la <b><a href=\"https:\/\/www.lcdpu.fr\/livre\/?GCOI=27000100250050&amp;fa=sommaire\" target=\"_blank\" rel=\"noopener noreferrer\">table des mati\u00e8res<\/a><\/b> de l&#8217;ouvrage.<br \/>\nL&#8217;ouvrage est <b>disponible en librairie et au <a href=\"https:\/\/www.lcdpu.fr\/livre\/?GCOI=27000100250050\" target=\"_blank\" rel=\"noopener noreferrer\">Comptoir des presses d&#8217;universit\u00e9<\/a><\/b>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Usages du copier-coller aux XVIe et XVIIe si\u00e8cles, Caen, Presses universitaires de Caen, 2021, 248 pages. ISBN : 978-2-38185-012-2, 18 \u20ac Parmi les formes d\u2019intertextualit\u00e9 dont G\u00e9rard Genette fait la typologie \u00e0 l\u2019ouverture de Palimpsestes (1982), c\u2019est-\u00e0-dire parmi les formes de \u00ab pr\u00e9sence effective d\u2019un texte dans l\u2019autre \u00bb, nous nous sommes int\u00e9ress\u00e9s au plagiat, [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":9189,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6,10],"tags":[],"categorie_personnage":[],"class_list":["post-9187","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-dernieres-parutions"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/9187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=9187"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/9187\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=9187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=9187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=9187"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=9187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}