{"id":7371,"date":"2019-12-27T15:37:17","date_gmt":"2019-12-27T14:37:17","guid":{"rendered":"http:\/\/siefar.org\/?p=7371"},"modified":"2019-12-27T15:37:17","modified_gmt":"2019-12-27T14:37:17","slug":"parutions-decembre-2019","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/parutions-decembre-2019\/","title":{"rendered":"Parutions annonc\u00e9es en d\u00e9cembre 2019"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"color: #800000;\"><strong><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\">OUVRAGES<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\"><strong>Martine LAPIED<\/strong>, <em>L&#8217;Engagement politique des femmes dans le sud-est de la France de l&#8217;Ancien R\u00e9gime \u00e0 la R\u00e9volution. Pratiques et repr\u00e9sentations<\/em>, Aix-en-Provence, PU Aix-Marseille Universit\u00e9, 2019, 168 p., 16\u20ac<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\"><strong>Pamela L. CHEEK,<\/strong> <em>Heroines and Local Girl. The Transnational Emergence of Women&#8217;s Writing in the Long Eighteenth Century,<\/em> University of Pennsylvania Press, 2019, 280 pages, $79.95<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\"><strong>Madeleine de SCUDERY,<\/strong> <em>Lettres \u00e0 l\u2019abb\u00e9 Jean-Baptiste Boisot<\/em>, \u00e9d. Corinne Marchal, Paris, Classiques Garnier, sept. 2019, 363 p., 39 \u20ac, ISBN : 978-2-406-08619-2<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\"><strong>Madeleine de SCUDERY \u00a0 &amp; Roger de BUSSY-RABUTIN<\/strong>, <em>Correspondance,<\/em> \u00e9d. Christophe Blanquie, Paris, Classiques Garnier, sept. 2019, 375 p., 42\u20ac, ISBN : 978-2-406-07803-6<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\"><strong>MARIE-THERESE D\u2019AUTRICHE<\/strong>,<em> Lettres de l\u2019imp\u00e9ratrice Marie-Th\u00e9r\u00e8se \u00e0 Sophie d\u2019Enzenberg (1746-1780) \u00ab Le soleil m\u00eame me para\u00eet noir \u00bb,<\/em> \u00e9d. Jean-Pierre Lavandier, Pr\u00e9face d\u2019\u00c9lisabeth Badinter, Paris, H. Champion, 2019, 254 p., 40\u20ac<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\"><strong>Alain LOTTIN,<\/strong> <em>La D\u00e9sunion du couple sous l&#8217;Ancien R\u00e9gime. Les rapports de couple de la fin du XVIIe si\u00e8cle \u00e0 la R\u00e9volution fran\u00e7aise<\/em>, Villeneuve d\u2019Ascqu, Presses universitaires du Septentrion, 2e \u00e9dition, 2019, 204 p., 18 \u20ac<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\"><strong>Marie-Th\u00e9r\u00e8se INGUENAUD &amp; David SMITH,<\/strong> <em>Octavie Belot, Pr\u00e9sidente Durey de Meinieres. \u00c9tudes sur la vie et l\u2019\u0153uvre d\u2019une femme des Lumi\u00e8res.<\/em> Ouvrage accompagn\u00e9 des lettres parisiennes de Fran\u00e7ois-Antoine Devaux (1733-1734) et d&#8217;une introduction par English ShowalterParis, H. Champion, ao\u00fbt 2019, 340 p., 45\u20ac<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #800000;\"><strong><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\">ARTICLES ET REVUES<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\"><strong>Benoit GRENIER<\/strong>, &#8220;Femmes et propri\u00e9t\u00e9 seigneuriale au Canada (XVIIe-XIXe si\u00e8cles) : Les formes de l\u2019autorit\u00e9 des \u00ab seigneuresses \u00bb&#8221;, Num\u00e9ro sp\u00e9cial de\u00a0<em>Histoire, \u00e9conomie et soci\u00e9t\u00e9<\/em>, 4\/2019 (Paris, Armand Colin), 138 p., p.5-27\u00a0(en ligne\u00a0: <a href=\"https:\/\/www.revues.armand-colin.com\/histoire\/histoire-economie-societe\/histoire-economie-societe-42019\/femmes-propriete-seigneuriale-au-canada-xviie-xixe-siecles-formes-lautorite\">https:\/\/www.revues.armand-colin.com\/histoire\/histoire-economie-societe\/histoire-economie-societe-42019\/femmes-propriete-seigneuriale-au-canada-xviie-xixe-siecles-formes-lautorite<\/a>)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\"><strong>Nicole DUFOURNAUD, avec la collaboration d\u2019Eliane Viennot et Armel Dubois-Nay<\/strong>t, \u00ab\u00a0La Querelle des dames \u00e0 la Renaissance\u00a0\u00bb, EHNE, 2019, en ligne\u00a0: <a href=\"https:\/\/ehne.fr\/article\/humanisme-europeen\/les-humanistes-et-leurope\/la-querelle-des-dames-la-renaissance\">https:\/\/ehne.fr\/article\/humanisme-europeen\/les-humanistes-et-leurope\/la-querelle-des-dames-la-renaissance<\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\"><em><strong>Femmes artistes et \u00e9crivaines dans l\u2019ombre des grands hommes<\/strong><\/em>, Paris, Classiques Garnier, 2019. 2 articles concernent le domaine \u00ab\u00a0femmes Ancien R\u00e9gime\u00a0\u00bb\u00a0: <strong>Eliane VIENNOT<\/strong>, \u00ab\u00a0&#8220;\u00c9crivaines porte-plume, un ph\u00e9nom\u00e8ne historiquement limit\u00e9&#8221; ; <strong>Laurence PLAZENET,<\/strong> &#8220;Georges ou Madeleine ? Sapho, \u00e9crivain et fratricide&#8221; (disponibles en ligne\u00a0: <a href=\"https:\/\/classiques-garnier.com\/femmes-artistes-et-ecrivaines-dans-l-ombre-des-grands-hommes.html\">https:\/\/classiques-garnier.com\/femmes-artistes-et-ecrivaines-dans-l-ombre-des-grands-hommes.html<\/a>)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #800000;\"><strong><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\">RADIOS\u00a0\/ PODCAST<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\"><strong>France Culture<\/strong>, &#8220;Sorci\u00e8res : la marque du diable&#8221;, 9 nov. 2019, avec C\u00e9line du Ch\u00e9n\u00e9, <a href=\"https:\/\/www.franceculture.fr\/emissions\/juke-box\/sorcieres-la-marque-du-diable\">https:\/\/www.franceculture.fr\/emissions\/juke-box\/sorcieres-la-marque-du-diable<\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #800000;\"><strong>VIDEOS<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\"><strong>&#8220;Autour des archives d&#8217;Argenson &#8211; Des femmes fran\u00e7aises et \u00e9trang\u00e8res \u00e0 leur \u00e9critoire de 1700 \u00e0 1840&#8221;<\/strong>, vid\u00e9os du colloque en ligne\u00a0: <a href=\"http:\/\/uptv.univ-poitiers.fr\/argenson19\">http:\/\/uptv.univ-poitiers.fr\/argenson19<\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\"><strong>Arte, Culture Po<\/strong>p : &#8220;O\u00f9 sont les femmes peintres de la Renaissance ?\u00a0\u00bb, avec Linda Flacone, 5 min, La Blogoth\u00e8que, 2019. Disponible du 24\/07\/2019 au 19\/06\/2024. <a href=\"https:\/\/www.arte.tv\/fr\/videos\/086962-024-A\/ou-sont-les-femmes-peintres-de-la-renaissance\/\">https:\/\/www.arte.tv\/fr\/videos\/086962-024-A\/ou-sont-les-femmes-peintres-de-la-renaissance\/<\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #800000;\"><strong><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\">PRESSE<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\"><strong>Emmanuelle GIULIANI<\/strong>, \u00ab\u00a0La puissance des abbesses m\u00e9di\u00e9vales\u00a0\u00bb, <em>La Croix,<\/em> no. 41564, \u00ab Les femmes, l&#8217;avenir de Dieu ? \u00bb, vendredi 22 novembre 2019, p. 26-27 :\u00a0<\/span><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\"><a href=\"https:\/\/www.la-croix.com\/Religion\/puissance-abbesses-medievales-2019-11-22-1201062107\">https:\/\/www.la-croix.com\/Religion\/puissance-abbesses-medievales-2019-11-22-1201062107<\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #800000;\"><strong><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\">BLOG<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\"><strong><em>Sarasvati\u00a0<\/em><\/strong>: Eliane VIENNOT, \u00ab\u00a0la \u00ab premi\u00e8re vague \u00bb date du Moyen \u00c2ge !\u00a0\u00bb, \u00a0 d\u00e9c. 2019, <a href=\"https:\/\/sarasvati.fr\/feminisme-la-premiere-vague-date-du-moyen-age\">https:\/\/sarasvati.fr\/feminisme-la-premiere-vague-date-du-moyen-age<\/a><\/span><\/p>\n<div id=\"ritekit-alerts\" style=\"text-align: justify;\">\u00a0<\/div>\n<div id=\"ritekit-alerts\">\u00a0<\/div>\n<div id=\"ritekit-alerts\">\u00a0<\/div>\n<div id=\"ritekit-alerts\">\u00a0<\/div>\n","protected":false},"excerpt":{"rendered":"<p>OUVRAGES Martine LAPIED, L&#8217;Engagement politique des femmes dans le sud-est de la France de l&#8217;Ancien R\u00e9gime \u00e0 la R\u00e9volution. Pratiques et repr\u00e9sentations, Aix-en-Provence, PU Aix-Marseille Universit\u00e9, 2019, 168 p., 16\u20ac Pamela L. CHEEK, Heroines and Local Girl. The Transnational Emergence of Women&#8217;s Writing in the Long Eighteenth Century, University of Pennsylvania Press, 2019, 280 pages, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3767,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10,14],"tags":[],"categorie_personnage":[],"class_list":["post-7371","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dernieres-parutions","category-non-classe"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/7371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=7371"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/7371\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=7371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=7371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=7371"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=7371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}