{"id":6612,"date":"2018-12-19T14:01:56","date_gmt":"2018-12-19T13:01:56","guid":{"rendered":"http:\/\/siefar.org\/?p=6612"},"modified":"2018-12-19T14:01:56","modified_gmt":"2018-12-19T13:01:56","slug":"parutions-dec2018","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/parutions-dec2018\/","title":{"rendered":"Parutions annonc\u00e9es en d\u00e9cembre 2018"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"color: #800000;\"><strong>OUVRAGES<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><strong>Emilie DU CHATELET,<\/strong> <em>Correspondance<\/em>, dir. Ulla K\u00f6lving et Andrew Brown, <em>et al.<\/em>, Centre international d\u2019\u00e9tude du XVIIIe si\u00e8cle, 2018, 1242 p., 60\u20ac au lieu de 120 \u20ac jusqu&#8217;au 31\/12\/18, ISBN 978-2-84559-136-3<\/p>\n<p style=\"text-align: justify;\"><strong>Marie-Jo BONNET<\/strong>, <em>Gloire et exclusion des femmes peintres: 1770 \u20131804<\/em> (r\u00e9\u00e9d. de son Histoire des artistes femmes pendant la R\u00e9volution fran\u00e7aise sous un nouveau titre), \u00e9dition Chrys\u00e9is, num\u00e9rique, <a href=\"http:\/\/www.chryseiseditions.com\/gloire-et-exclusion-des-femmes-pein\">en ligne<\/a>\u00a0<\/p>\n<p style=\"text-align: justify;\"><strong>Elizabeth STORR COHEN &amp; Margaret Louise REEVES<\/strong> (dir.), <em>The Youth of Early Modern Women<\/em>, Amsterdam, Amsterdam UP, nov. 2018, 344p., 105\u20ac<\/p>\n<p style=\"text-align: justify;\"><strong>Annelle CURULLA,<\/strong> <em>Gender and Religious Life in French Revolutionary Drama<\/em>, Liverpool, Liverpool UP (\u201cOxford University Studies in the Enlightenment\u201d), nov. 2018, \u00a365.00<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #800000;\"><strong>ARTICLE\u00a0<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><strong>Linda E. MITCHELL,<\/strong> \u201cGive Me Back My Son!\u201d. Eleanor of Aquitaine, Emotion Talk, and the Gendering of Political Rhetoric\u201d, Historical Reflections, vol. 44, Issue 2, juin 2018.<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #800000;\"><strong>PRESSE<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><strong><em>Le Monde des id\u00e9es<\/em><\/strong>, Marion Dupont, \u00ab\u00a0Le trajet du terme &#8220;autrice&#8221; au sein de la Langue\u00a0\u00bb, 7 d\u00e9cembre 2018 (<a href=\"https:\/\/www.lemonde.fr\/idees\/article\/2018\/12\/07\/le-trajet-du-terme-autrice-au-sein-de-la-langue-francaise_5394089_3232.html\">en ligne<\/a>)<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #800000;\"><strong>JEU<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\">&#8211; <strong>\u00ab\u00a0Tu la connais ?\u00a0\u00bb, Jeu des 7 familles<\/strong>, Centre Hubertine Auclert [7 \u00e9poques, 5 types de personnalit\u00e9s\u00a0: savantes, artistes, \u00e9crivaines, cheffes, h\u00e9ro\u00efnes]. <a href=\"https:\/\/www.centre-hubertine-auclert.fr\/formulaire-de-commande-jeu-de-7-familles-tu-la-connais\">Commande en ligne\u00a0<\/a><\/p>\n<p style=\"text-align: justify;\">\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>OUVRAGES Emilie DU CHATELET, Correspondance, dir. Ulla K\u00f6lving et Andrew Brown, et al., Centre international d\u2019\u00e9tude du XVIIIe si\u00e8cle, 2018, 1242 p., 60\u20ac au lieu de 120 \u20ac jusqu&#8217;au 31\/12\/18, ISBN 978-2-84559-136-3 Marie-Jo BONNET, Gloire et exclusion des femmes peintres: 1770 \u20131804 (r\u00e9\u00e9d. de son Histoire des artistes femmes pendant la R\u00e9volution fran\u00e7aise sous un [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3767,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10],"tags":[],"categorie_personnage":[],"class_list":["post-6612","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dernieres-parutions"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/6612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=6612"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/6612\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=6612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=6612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=6612"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=6612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}