{"id":6305,"date":"2018-05-28T15:27:45","date_gmt":"2018-05-28T14:27:45","guid":{"rendered":"http:\/\/siefar.org\/?p=6305"},"modified":"2018-05-28T15:27:45","modified_gmt":"2018-05-28T14:27:45","slug":"trotot","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/trotot\/","title":{"rendered":"Parution de notre adh\u00e9rente Caroline Trotot"},"content":{"rendered":"

\"Trotot\"<\/a>Savoirs et fabrique d\u2019identit\u00e9<\/span><\/strong><\/em><\/p>\n

Paris, Classiques Garnier, mars 2018, 292 p., 34\u20ac,\u00a0ISBN:\u00a0978-2-406-07236-2<\/strong><\/p>\n

Directrice d’ouvrage:<\/i>\u00a0Trotot (Caroline)<\/span><\/strong><\/p>\n

Contributeurs:<\/i>\u00a0Bah Ostrowiecki (H\u00e9l\u00e8ne)<\/span>,\u00a0Carr (Thomas)<\/span>,\u00a0Hyde (Melissa)<\/span>,\u00a0Meeker (Natania)<\/span>,\u00a0Plagnol-Di\u00e9val (Marie-Emmanuelle)<\/span>,\u00a0Seth (Catriona)<\/span>,\u00a0Sofio (S\u00e9verine)<\/span>,\u00a0Soubbotnik (Michael)<\/span>,\u00a0Szabari (Antonia)<\/span>,\u00a0Trotot (Caroline)<\/span>,\u00a0Winn (Colette H.)<\/span>,\u00a0Yandell (Cathy)<\/span><\/strong><\/p>\n

\u00a0Ce recueil de travaux interdisciplinaires \u00e9tudie comment les femmes ont repr\u00e9sent\u00e9 leurs savoirs et s\u2019en sont servi pour fabriquer leur identit\u00e9 de la Renaissance \u00e0 l\u2019aube du\u00a0xix<\/span>e<\/sup>\u00a0si\u00e8cle, \u00e0 travers des cr\u00e9ations litt\u00e9raires ou picturales. Le volume rend manifeste leur contribution aux arts et aux savoirs modernes.<\/p>\n

\n
\n
Sommaire<\/strong><\/div>\n<\/div>\n<\/div>\n
\n
\u00a0<\/div>\n
\n
Introduction<\/span>
Les femmes cr\u00e9atrices et les savoirs, perspectives transfrontali\u00e8res<\/span><\/a><\/div>\n<\/div>\n<\/div>\n
\n
\n
Le corps dialogique dans l\u2019autoportrait de Catherine Des Roches<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
La reine martyre<\/span>
Constructions identitaires dans les derni\u00e8res lettres de Marie Stuart<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
Les\u00a0M\u00e9moires<\/i>\u00a0de Marguerite de Valois, exp\u00e9rience des savoirs, savoirs de l\u2019exp\u00e9rience<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00ab Ignorante et indocile \u00bb : \u00c9lisabeth dans ses lettres \u00e0 Descartes<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
Autoportrait de femme en latiniste absente<\/span>
Lucy Hutchinson ou le r\u00e9cit de la rencontre et de la perte<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
Religieuses et la\u00efques jans\u00e9nistes aux prises avec l\u2019interdiction de Saint Paul<\/span>
Le cas de Marie-Catherine Homassel Hecquet<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
Une artiste en r\u00e9sidence dans le monde des fleurs<\/span>
L’art botanique de Madeleine Fran\u00e7oise Basseporte<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00ab Que sais-je ? Qui suis-je ? \u00bb<\/span>
Autoportraits et \u00e9criture intime au\u00a0xviii<\/span><\/span>e<\/sup>\u00a0si\u00e8cle<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
Autobiographies et m\u00e9moires fragment\u00e9s et obliques<\/span>
L’exemple de Mme de Genlis<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00ab Peinte par elle-m\u00eame ? \u00bb<\/span>
Femmes artistes, professeures et \u00e9tudiantes d\u2019Anguissola \u00e0 Haudebourt-Lescot<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00ab Portrait de l\u2019artiste \u00e0 son chevalet \u00bb<\/span>
La pratique de l\u2019autoportrait par les artistes femmes et hommes dans le dernier tiers du\u00a0xviii<\/span><\/span>e<\/sup>\u00a0si\u00e8cle<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
Index<\/a><\/span><\/div>\n<\/div>\n<\/div>\n
\n
\n
R\u00e9sum\u00e9s\/Abstracts<\/i><\/a><\/span><\/div>\n<\/div>\n<\/div>\n
\n
\n
Table des mati\u00e8res<\/span><\/a><\/div>\n<\/div>\n<\/div>\n

\u00a0<\/p>\n

Commander en ligne<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Savoirs et fabrique d\u2019identit\u00e9 Paris, Classiques Garnier, mars 2018, 292 p., 34\u20ac,\u00a0ISBN:\u00a0978-2-406-07236-2 Directrice d’ouvrage:\u00a0Trotot (Caroline) Contributeurs:\u00a0Bah Ostrowiecki (H\u00e9l\u00e8ne),\u00a0Carr (Thomas),\u00a0Hyde (Melissa),\u00a0Meeker (Natania),\u00a0Plagnol-Di\u00e9val (Marie-Emmanuelle),\u00a0Seth (Catriona),\u00a0Sofio (S\u00e9verine),\u00a0Soubbotnik (Michael),\u00a0Szabari (Antonia),\u00a0Trotot (Caroline),\u00a0Winn (Colette H.),\u00a0Yandell (Cathy) \u00a0Ce recueil de travaux interdisciplinaires \u00e9tudie comment les femmes ont repr\u00e9sent\u00e9 leurs savoirs et s\u2019en sont servi pour fabriquer leur identit\u00e9 de la Renaissance \u00e0 […]<\/p>\n","protected":false},"author":2,"featured_media":6306,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6,10],"tags":[],"categorie_personnage":[],"class_list":["post-6305","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-dernieres-parutions"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/6305","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=6305"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/6305\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=6305"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=6305"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=6305"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=6305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}