{"id":5789,"date":"2017-10-18T13:01:07","date_gmt":"2017-10-18T12:01:07","guid":{"rendered":"http:\/\/siefar.org\/?p=5789"},"modified":"2017-10-18T13:01:07","modified_gmt":"2017-10-18T12:01:07","slug":"parutions-octobre-2017","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/parutions-octobre-2017\/","title":{"rendered":"Parutions annonc\u00e9es en octobre 2017"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong><span style=\"color: #800000;\">OUVRAGES<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>Jean GOLDZINKoldzink &amp; G\u00e9rard GENGEMBRE,<\/strong> <em>Madame de Sta\u00ebl, la femme qui osait penser<\/em>, Paris, Classiques Garnier, 2017, 307 p., ISBN 978-2-406-06441-1, 46 \u20ac<\/p>\n<p style=\"text-align: justify;\"><strong>Marie- Christine de VILLEDIEU<\/strong>, <em>Le Favori, tragi-com\u00e9die (1665)<\/em>, \u00e9d. Delphine Amstuntz, Paris, Hermann, ao\u00fbt 2017, 182 p.,19,00 \u20ac, ISBN 9782705694777<\/p>\n<p style=\"text-align: justify;\"><strong>Sophie MARINEZ,<\/strong> <em>Mademoiselle de Montpensier: Writings, Ch\u00e2teaux, and Female Self-Construction in Early Modern France<\/em>, Brill\/Rodopi, 2017, 416 p., 83\u20ac<\/p>\n<p style=\"text-align: justify;\"><strong>Collectif GEORGETTE SAND<\/strong>, <em>Ni vues ni connues<\/em>, pr\u00e9face de Michelle Perrot \/ postface de P\u00e9n\u00e9lope Bagieu, Editions Hugo &amp; Compagnie, Paris, octobre 2017, 259 p., 17 \u20ac<\/p>\n<p style=\"text-align: justify;\"><strong><span style=\"color: #800000;\">ARTICLES ET REVUES<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>Nicole PELLEGRIN\u00a0<\/strong>: \u00ab F\u00e9minismes d\u2019Ancien R\u00e9gime \u00bb et \u00ab Pizan, Christine de \u00bb \u00a0 in <em>Dictionnaire des f\u00e9minismes<\/em>, Christine Bard (dir.), Paris, PUF, 2017, pp. 547-550 et 1136-1138\u00a0; (avec P. Caron et A.-S. Traineau-Durozoy <em>et al<\/em>.) \u00ab Trois femmes du XVIIIe si\u00e8cle \u00e0 leur \u00e9critoire : les \u00e9pouses d&#8217;Argenson \u00bb, <em>Revue historique du Centre-Ouest<\/em>, t. XI, 2017, p. 7-66\u00a0; \u00ab Entre souvenirs de lettr\u00e9es et r\u00e8glementations conventuelles. Hypoth\u00e8ses pour une autre histoire de l&#8217;apprentissage f\u00e9minin des savoirs graphiques au XVIIIe si\u00e8cle \u00bb, <em>Revue historique du Centre-Ouest,<\/em> t. XI, 2017, p. 67-82.<\/p>\n<p style=\"text-align: justify;\"><strong>Flora MELE,<\/strong> \u00ab\u00a0\u00catre auteur d\u2019op\u00e9ras- comiques au xviiie si\u00e8cle. Le cas de Charles-Simon et Justine Favart\u00a0\u00bb, <em>Ecrire pour la sc\u00e8ne (XVe-XVIIIe si\u00e8cle),<\/em> num\u00e9ro sp\u00e9cial d\u2019<em>European Drama and Performance Studies<\/em>, n\u00b09.<\/p>\n<p style=\"text-align: justify;\"><strong><span style=\"color: #800000;\">RADIO \/ PODCAST<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>France culture,<\/strong> Le malheur d\u2019\u00eatre femme au Moyen \u00c2ge\u00a0: conf\u00e9rence de Pascale Bourgain et \u00e9mission \u00ab\u00a0Les femmes au Moyen-\u00c2ge, loin des id\u00e9es re\u00e7ues\u00a0\u00bb. <a href=\"https:\/\/www.franceculture.fr\/conferences\/campus-condorcet\/le-malheur-detre-femme-au-moyen-age-de-la-desinvolture-la-compassion\">https:\/\/www.franceculture.fr\/conferences\/campus-condorcet\/le-malheur-detre-femme-au-moyen-age-de-la-desinvolture-la-compassion<\/a>?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>OUVRAGES Jean GOLDZINKoldzink &amp; G\u00e9rard GENGEMBRE, Madame de Sta\u00ebl, la femme qui osait penser, Paris, Classiques Garnier, 2017, 307 p., ISBN 978-2-406-06441-1, 46 \u20ac Marie- Christine de VILLEDIEU, Le Favori, tragi-com\u00e9die (1665), \u00e9d. Delphine Amstuntz, Paris, Hermann, ao\u00fbt 2017, 182 p.,19,00 \u20ac, ISBN 9782705694777 Sophie MARINEZ, Mademoiselle de Montpensier: Writings, Ch\u00e2teaux, and Female Self-Construction in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3767,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10],"tags":[],"categorie_personnage":[],"class_list":["post-5789","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dernieres-parutions"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/5789","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=5789"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/5789\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=5789"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=5789"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=5789"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=5789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}