{"id":5543,"date":"2017-06-17T06:51:07","date_gmt":"2017-06-17T05:51:07","guid":{"rendered":"http:\/\/siefar.org\/?p=5543"},"modified":"2017-06-17T06:51:07","modified_gmt":"2017-06-17T05:51:07","slug":"nouvelle-parution","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/nouvelle-parution\/","title":{"rendered":"Nouvelle parution &#8211; partenariat Cornucopia \/ SIEFAR"},"content":{"rendered":"<p>Fruit du partenariat SIEFAR \/ Cornucopia, le dernier num\u00e9ro de la revue du site, portant sur le &#8220;<a href=\"http:\/\/Fruit du partenariat SIEFAR \/ Cornucopia, le dernier num\u00e9ro de la revue du site, portant sur le \">Corps des femmes \u00e0 la Renaissance<\/a>&#8220;, vient de para\u00eetre.<\/p>\n<p>En voici le sommaire :<\/p>\n<ul>\n<li><a href=\"http:\/\/cornucopia16.com\/?p=6558\">Anne Debrosse et Marie Goupil-Lucas-Fontaine : Introduction<\/a>.<\/li>\n<\/ul>\n<p><strong>Contraintes<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/cornucopia16.com\/?p=6560\">Beno\u00eet Ch\u00eane : Elizabeth Ier d\u2019Angleterre ou le refus de perdre la face<\/a>.<\/li>\n<li><a href=\"http:\/\/cornucopia16.com\/?p=6584\">Genevieve Gal\u00e1n Tam\u00e9s : Notes pour une histoire du corps f\u00e9minin dans le milieu conventuel de Mexico, XVIe et XVIIe si\u00e8cles<\/a>.<\/li>\n<li><a href=\"http:\/\/cornucopia16.com\/?p=6573\">Nadine Kuperty-Tsur : Assertivit\u00e9 f\u00e9minine contre abus d\u2019autorit\u00e9 masculine : Charlotte Duplessis-Mornay contre le pasteur B\u00e9rault (Montauban, 1584)<\/a>.<\/li>\n<li><a href=\"http:\/\/cornucopia16.com\/?p=6568\">Juliette Bertron : Madones et d\u00e9esses parodi\u00e9es. Les mod\u00e8les de la Renaissance italienne dans l\u2019\u0153il des artistes f\u00e9ministes<\/a>.<\/li>\n<\/ul>\n<p><strong>Maternit\u00e9<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/cornucopia16.com\/?p=6582\">Marie Saint Martin : Les seins de Clytemnestre : de la nourriture au sentiment de maternit\u00e9<\/a>.<\/li>\n<li><a href=\"http:\/\/cornucopia16.com\/?p=6575\">Livia L\u00fcthi : De la laideur des \u00ab retireuses de gr\u00e2ce \u00bb. Louise Bourgeois ou la beaut\u00e9 d\u2019\u00eatre sage-femme<\/a>.<\/li>\n<\/ul>\n<p><strong>Laideur<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/cornucopia16.com\/?p=6578\">Paola Pacifici : Femme poilue et \u00e0 barbe dans la peinture de la Renaissance : pour une esth\u00e9tique du merveilleux entre laideur et saintet\u00e9<\/a>.<\/li>\n<li><a href=\"http:\/\/cornucopia16.com\/?p=6571\">Olivier Chiquet : La laideur au f\u00e9minin dans la litt\u00e9rature artistique italienne de la Renaissance : le visage de la vieille H\u00e9l\u00e8ne<\/a>.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Fruit du partenariat SIEFAR \/ Cornucopia, le dernier num\u00e9ro de la revue du site, portant sur le &#8220;Corps des femmes \u00e0 la Renaissance&#8220;, vient de para\u00eetre. En voici le sommaire : Anne Debrosse et Marie Goupil-Lucas-Fontaine : Introduction. Contraintes Beno\u00eet Ch\u00eane : Elizabeth Ier d\u2019Angleterre ou le refus de perdre la face. Genevieve Gal\u00e1n Tam\u00e9s [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":5544,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8,10],"tags":[17,18,19],"categorie_personnage":[],"class_list":["post-5543","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites-de-la-siefar","category-dernieres-parutions","tag-corps","tag-femmes","tag-renaissance"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/5543","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=5543"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/5543\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=5543"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=5543"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=5543"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=5543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}