{"id":5508,"date":"2017-06-30T12:42:37","date_gmt":"2017-06-30T11:42:37","guid":{"rendered":"http:\/\/siefar.org\/?p=5508"},"modified":"2017-06-30T12:42:37","modified_gmt":"2017-06-30T11:42:37","slug":"marie-gabrielle-lallemand-2","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/marie-gabrielle-lallemand-2\/","title":{"rendered":"Marie-Gabrielle LALLEMAND"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong>Caen, France * <\/strong><a href=\"mailto:marie-gabrielle.lallemand@unicaen.fr\">marie-gabrielle.lallemand@unicaen.fr<\/a><\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">\u00a0<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong>Professeure des Universit\u00e9s * Universit\u00e9 de Caen-Normandie\u00a0* Langue et litt\u00e9rature fran\u00e7aises, XVIIe si\u00e8cle<\/strong><\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">\u00a0<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><em>Romans baroques, \u00e9pistolaire, genre litt\u00e9raire<\/em><\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">\u00a0<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><span style=\"color: #800000;\"><strong>OUVRAGES<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\">&#8211; (avec M. Speyer, dir.), <em>Usages du copier-coller aux XVI<sup>e<\/sup> et XVII<sup>e<\/sup> si\u00e8cles: extraire, r\u00e9employer, recomposer<\/em>, Caen, Presses universitaires de Caen, 2021.<\/p>\n<p> &#8211; <em>La Lettre dans le r\u00e9cit. Etude de l\u2019\u0153uvre de Mlle de Scud\u00e9ry<\/em>, <em>Papers on French Seventeenth Century Literature<\/em>, \u00ab\u00a0Biblio 17, Paris-Seattle-T\u00fcbingen\u00a0\u00bb, 2000.<\/span><\/div>\n<div style=\"text-align: justify;\">\n<div style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">\u00a0<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><span style=\"color: #800000;\"><strong>\u00c9DITION CRITIQUE<\/strong><\/span><br \/> &#8211; <em>La Promenade de Versailles, Madeleine de Scud\u00e9ry<\/em>, Paris, H. Champion, 2002.<\/span><\/p>\n<div style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">\u00a0<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><span style=\"color: #800000;\"><strong>ARTICLES<\/strong><\/span><br \/> &#8211; \u00ab\u00a0On the proper use of curiosity. Mademoiselle de Scud\u00e9ry\u2019s Celinte\u00a0\u00bb, in\u00a0<em>Women and Curiosity in Early Modern England and France<\/em>, Leyde, Brill, 2016, p. 107-122.<br \/> &#8211; \u00ab\u00a0Refuser l\u2019h\u00e9ritage du long roman. Les histoires ins\u00e9r\u00e9es dans <em>La Princesse de Cl\u00e8ves<\/em>\u00a0\u00bb, in F. Meier, B. Diaz, F. Wild (dir.), <em>Les H\u00e9ritages litt\u00e9raires dans la litt\u00e9rature fran\u00e7aise (XVIe-XXe si\u00e8cle)<\/em>, Paris, Garnier, 2014, p. 53-67.<br \/> &#8211; \u00ab\u00a0Victor Cousin lecteur de Mlle de Scud\u00e9ry\u00a0\u00bb, <em>R.H.L.F.<\/em>, mars 2011 (\u00ab\u00a0Le XVIIe si\u00e8cle vu par les autres si\u00e8cles\u00a0\u00bb, dir. S. Guellouz), p. 181-197.<br \/> &#8211; \u00ab\u00a0Factuel et fictionnel dans Artam\u00e8ne et Cl\u00e9lie\u00a0: une pratique singuli\u00e8re de Mlle de Scud\u00e9ry\u00a0\u00bb,\u00a0<em>\u0152uvres et critiques<\/em>, volume XXXV, 1, 2010 (\u00ab\u00a0Ecrivaines du XVIIe si\u00e8cle\u00a0\u00bb, dir. R. Zaiser), p. 51-60.<br \/> &#8211; \u00ab\u00a0Eloquence masculine et \u00e9loquence f\u00e9minine dans <em>L\u2019Astr\u00e9e<\/em> d\u2019Honor\u00e9 d\u2019Urf\u00e9\u00a0\u00bb,\u00a0in A. Paupert et C. Liaroutzos (dir.), <em>La Discorde des deux langages<\/em>, num\u00e9ro sp\u00e9cial de\u00a0<em>Textuel<\/em>, 49, 2007, p. 171-185.<br \/> &#8211; \u00ab\u00a0Les Exil\u00e9s\u00a0: forme et signification\u00a0\u00bb, in N. Grande &#038;\u00a0E. Keller-Rahb\u00e9 (dir.), <em>Madame de Villedieu ou les audaces du roman<\/em>, num\u00e9ro sp\u00e9ciale de\u00a0<em>Litt\u00e9ratures classiques<\/em>, 61, printemps 2007, p. 57-70.<br \/> &#8211; \u00ab\u00a0Rh\u00e9torique romanesque dans L\u2019Ariane de Desmarets de Saint-Sorlin\u00a0\u00bb, in\u00a0<em>Les Femmes illustres. Hommage \u00e0 Rosa Galli Pellegrini<\/em>, num\u00e9ro sp\u00e9cial de\u00a0<a href=\"http:\/\/www.publifarum.farum.it\"><em>Publif@rum<\/em><\/a>, 3, 2006.<br \/> &#8211; \u00ab\u00a0Du h\u00e9ros et du galant chez Mlle de Scud\u00e9ry\u00a0\u00bb, <em>Elseneur <\/em>(PU de Caen), 20, 2005 ( \u00ab\u00a0Avatars litt\u00e9raires de l\u2019h\u00e9ro\u00efsme\u00a0\u00bb, dir. Ph. de Lajarte), p. 117-136.<br \/> &#8211; \u00ab\u00a0Bertaut dans l\u2019<em>Histoire de la po\u00e9sie<\/em> de Mlle de Scud\u00e9ry et dans celle de Fontenelle\u00a0\u00bb, in M.-G. Lallemand et Ch. Liaroutzos (dir.), <em>De la Grande Rh\u00e9torique \u00e0 la po\u00e9sie galante\u00a0: l\u2019exemple des po\u00e8tes caennais aux XVIe et XVIIe si\u00e8cles,<\/em>\u00a0Caen, PU de Caen, 2004, p. 175-194.<br \/> &#8211; \u00ab\u00a0La Moraliste et la romanci\u00e8re\u00a0\u00bb, in D. Denis et A.-E. Spica, <em>Madeleine de Scud\u00e9ry\u00a0: une femme de Lettres au XVIIe si\u00e8cle<\/em>, Artois PU, 2002, p. 79-91.<br \/> &#8211; \u00ab\u00a0Saint-\u00c9vremond et Ninon de Lenclos\u00a0: correspondance\u00a0\u00bb, in S. Guellouz (dir.), <em>Entre Baroque et Lumi\u00e8res\u00a0: Saint-\u00c9vremond (1614-1703)<\/em>, Caen, PU de Caen, 2000, p. 113-125.<\/span><\/p>\n<div style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">\u00a0<\/span><\/div>\n<div style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">\u00a0<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Caen, France * marie-gabrielle.lallemand@unicaen.fr \u00a0 Professeure des Universit\u00e9s * Universit\u00e9 de Caen-Normandie\u00a0* Langue et litt\u00e9rature fran\u00e7aises, XVIIe si\u00e8cle \u00a0 Romans baroques, \u00e9pistolaire, genre litt\u00e9raire \u00a0 OUVRAGES &#8211; (avec M. Speyer, dir.), Usages du copier-coller aux XVIe et XVIIe si\u00e8cles: extraire, r\u00e9employer, recomposer, Caen, Presses universitaires de Caen, 2021. &#8211; La Lettre dans le r\u00e9cit. Etude [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"categorie_personnage":[],"class_list":["post-5508","post","type-post","status-publish","format-standard","hentry","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/5508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=5508"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/5508\/revisions"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=5508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=5508"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=5508"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=5508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}