{"id":4170,"date":"2016-04-23T17:30:57","date_gmt":"2016-04-23T16:30:57","guid":{"rendered":"http:\/\/siefar.org\/?p=4170"},"modified":"2016-04-23T17:30:57","modified_gmt":"2016-04-23T16:30:57","slug":"theatre-femmes-t4","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/theatre-femmes-t4\/","title":{"rendered":"Parution de notre \u00e9diteur partenaire Classiques Garnier"},"content":{"rendered":"<p><strong><a href=\"http:\/\/siefar.org\/wp-content\/uploads\/2016\/04\/Couverture-CG-t4.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-4172\" src=\"http:\/\/siefar.org\/wp-content\/uploads\/2016\/04\/Couverture-CG-t4.png\" alt=\"Couverture-CG-t4\" width=\"200\" height=\"299\" \/><\/a><\/strong><strong>Paris, Classiques Garnier, mars 2016, 489\u00a0p., 32 \u20ac, ISBN 978-2-8124-4747-1<\/strong><\/p>\n<p style=\"text-align: justify;\">Sous le r\u00e8gne de Louis XV, une g\u00e9n\u00e9ration d&#8217;autrices s&#8217;\u00e9rige \u00e0 l\u2019avant-garde du th\u00e9\u00e2tre des Lumi\u00e8res\u00a0 : s&#8217;illustrant entre autres dans les com\u00e9dies dites \u00ab\u00a0 s\u00e9rieuses\u00a0 \u00bb &#8211;\u00a0 pr\u00e9mices du drame\u00a0 -, l&#8217;op\u00e9ra-comique et le th\u00e9\u00e2tre d\u2019\u00e9ducation, elles contribuent \u00e0 la reforme du th\u00e9\u00e2tre et de la soci\u00e9t\u00e9. Ce tome rassemble les pi\u00e8ces comiques de Mlle Monicault et d&#8217;H\u00e9l\u00e8ne Riccoboni, jou\u00e9es avec succ\u00e8s au Th\u00e9\u00e2tre Italien. Le r\u00e9pertoire de la Com\u00e9die-Fran\u00e7aise y figure avec Anne-Marie du Boccage, derni\u00e8re femme \u00e0 y produire une trag\u00e9die au XVIIIe si\u00e8cle, et Fran\u00e7oise de Graffigny, autrice d&#8217;un des plus grands succ\u00e8s th\u00e9\u00e2traux de l&#8217;\u00e9poque. Le florissant th\u00e9\u00e2tre de soci\u00e9t\u00e9 est repr\u00e9sent\u00e9 par Marguerite de Staal-Delaunay, Mme de Montesson et Fran\u00e7oise Benoist.<\/p>\n<p style=\"text-align: justify;\"><em>Aurore Evain, com\u00e9dienne, dramaturge et metteuse en sc\u00e8ne, m\u00e8ne des recherches sur le th\u00e9\u00e2tre des femmes de l\u2019Ancien R\u00e9gime ; Perry Gethner, professeur \u00e0 Oklahoma State University, a publi\u00e9 la premi\u00e8re anthologie consacr\u00e9e aux femmes dramaturges de cette \u00e9poque ; Henriette Goldwyn, professeure \u00e0 New York University, a consacr\u00e9 plusieurs \u00e9tudes \u00e0 celles du XVIIe si\u00e8cle.<\/em><\/p>\n<p style=\"text-align: center;\"><strong>TABLE DES MATI\u00c8RES<\/strong><\/p>\n<p>INTRODUCTION<\/p>\n<p>MADEMOISELLE MONICAULT (apr\u00e8s 1668 \u2013 vers 1740 ou 1750)<br \/>\nNotice<br \/>\nLe D\u00e9dain affect\u00e9<\/p>\n<p>H\u00c9L\u00c8NE-VIRGINIE BALLETTI RICCOBONI (1686-1771)<br \/>\nNotice<br \/>\nLe Naufrage<\/p>\n<p>MADAME DE STAAL-DELAUNAY (1684-1750)<br \/>\nNotice<br \/>\nL\u2019Engouement<\/p>\n<p>ANNE-MARIE DU BOCCAGE (1710-1802)<br \/>\nNotice<br \/>\nLes Amazones<\/p>\n<p>FRAN\u00c7OISE DE GRAFFIGNY (1695-1758)<br \/>\nNotice<br \/>\nZiman et Zenise<br \/>\nPhaza<br \/>\nC\u00e9nie<\/p>\n<p>MADAME DE MONTESSON (1738-1806)<br \/>\nNotice<br \/>\nMarianne ou l&#8217;Orpheline<\/p>\n<p>FRAN\u00c7OISE-ALBINE BENOIST (1731-1808?)<br \/>\nNotice<br \/>\nLa Supercherie r\u00e9ciproque<\/p>\n<p>GLOSSAIRE<br \/>\nCOMPL\u00c9MENT BIBLIOGRAPHIQUE<br \/>\nINDEX<\/p>\n<p><strong><a href=\"https:\/\/www.classiques-garnier.com\/editions\/index.php?option=com_virtuemart&amp;page=shop.product_details&amp;flypage=flypage_garnier.tpl&amp;product_id=2265\">Acheter en ligne<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paris, Classiques Garnier, mars 2016, 489\u00a0p., 32 \u20ac, ISBN 978-2-8124-4747-1 Sous le r\u00e8gne de Louis XV, une g\u00e9n\u00e9ration d&#8217;autrices s&#8217;\u00e9rige \u00e0 l\u2019avant-garde du th\u00e9\u00e2tre des Lumi\u00e8res\u00a0 : s&#8217;illustrant entre autres dans les com\u00e9dies dites \u00ab\u00a0 s\u00e9rieuses\u00a0 \u00bb &#8211;\u00a0 pr\u00e9mices du drame\u00a0 -, l&#8217;op\u00e9ra-comique et le th\u00e9\u00e2tre d\u2019\u00e9ducation, elles contribuent \u00e0 la reforme du th\u00e9\u00e2tre et [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4172,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6,10],"tags":[],"categorie_personnage":[],"class_list":["post-4170","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-dernieres-parutions"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/4170","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=4170"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/4170\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=4170"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=4170"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=4170"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=4170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}