{"id":4161,"date":"2016-04-23T17:17:37","date_gmt":"2016-04-23T16:17:37","guid":{"rendered":"http:\/\/siefar.org\/?p=4161"},"modified":"2016-04-23T17:17:37","modified_gmt":"2016-04-23T16:17:37","slug":"theatre-de-femmes-t2","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/theatre-de-femmes-t2\/","title":{"rendered":"Parution de notre \u00e9diteur partenaire Classiques Garnier"},"content":{"rendered":"<p><a href=\"http:\/\/siefar.org\/wp-content\/uploads\/2016\/04\/Couverture-CG.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-4167\" src=\"http:\/\/siefar.org\/wp-content\/uploads\/2016\/04\/Couverture-CG.png\" alt=\"Couverture-CG\" width=\"200\" height=\"299\" \/><\/a><strong>Paris, Classiques Garnier, mars 2016,\u00a0604 p., 39 \u20ac, ISBN\u00a0978-2-8124-4744-0<\/strong><\/p>\n<p>R\u00e9\u00e9dition du tome 2 (XVIIe s.), paru en 2009 aux Publications de l&#8217;Universit\u00e9 de Saint-Etienne<\/p>\n<p style=\"text-align: justify;\">Apr\u00e8s les premi\u00e8res exp\u00e9riences, rares mais foisonnantes, du XVIe si\u00e8cle, le th\u00e9\u00e2tre des femmes prend son essor dans les ann\u00e9es 1650. Des animatrices de salons, des po\u00e9tesses, des romanci\u00e8res, une religieuse m\u00eame voient leurs pi\u00e8ces publi\u00e9es, recens\u00e9es dans les grands journaux, jou\u00e9es par des troupes professionnelles \u00e0 l\u2019H\u00f4tel de Bourgogne, au th\u00e9\u00e2tre du Marais, \u00e0 la Cour\u2026 Les neuf pi\u00e8ces rassembl\u00e9es ici, qui s\u2019\u00e9chelonnent de 1655 \u00e0 1680, rel\u00e8vent de tous les genres alors pratiqu\u00e9s : la com\u00e9die en un acte, la tragi-com\u00e9die, la com\u00e9die-ballet et la trag\u00e9die. Elles sont l\u2019\u0153uvre de la Lyonnaise Fran\u00e7oise Pascal, de Mme de Villedieu, de la s\u0153ur de La Chapelle, de la protestante Anne de La Roche-Guilhen, et de la po\u00e9tesse Mme Deshouli\u00e8res.<\/p>\n<p style=\"text-align: justify;\"><em>Aurore Evain, com\u00e9dienne, dramaturge et metteuse en sc\u00e8ne, m\u00e8ne des recherches sur le th\u00e9\u00e2tre des femmes de l\u2019Ancien R\u00e9gime ; Perry Gethner, professeur \u00e0 Oklahoma State University, a publi\u00e9 la premi\u00e8re anthologie consacr\u00e9e aux femmes dramaturges de cette \u00e9poque ; Henriette Goldwyn, professeure \u00e0 New York University, a consacr\u00e9 plusieurs \u00e9tudes \u00e0 celles du XVIIe si\u00e8cle.<\/em><\/p>\n<p style=\"text-align: center;\"><strong>TABLE DES MATI\u00c8RES<\/strong><\/p>\n<p>INTRODUCTION<\/p>\n<p>FRAN\u00c7OISE PASCAL (1632 \u2013 apr\u00e8s 1698)<br \/>\nNotice<br \/>\nL\u2019Amoureux extravagant<br \/>\nL\u2019Amoureuse vaine et ridicule<br \/>\nS\u00e9sostris<br \/>\nLe Vieillard amoureux ou l\u2019heureuse feinte<\/p>\n<p>S\u0152UR DE LA CHAPELLE (2e moiti\u00e9 du xviie si\u00e8cle)<br \/>\nNotice<br \/>\nL\u2019Illustre Philosophe, ou l\u2019histoire de sainte Catherine d\u2019Alexandrie<\/p>\n<p>MADAME DE VILLEDIEU (1640 ? \u2013 1683)<br \/>\nNotice<br \/>\nManlius<br \/>\nLe Favori<\/p>\n<p>ANNE DE LA ROCHE-GUILHEN (1644-1707)<br \/>\nNotice<br \/>\nRare-en-Tout<\/p>\n<p>ANTOINETTE DESHOULI\u00c8RES (1637-1694)<br \/>\nNotice<br \/>\nGens\u00e9ric<\/p>\n<p>GLOSSAIRE<br \/>\nCOMPL\u00c9MENT BIBLIOGRAPHIQUE<br \/>\nINDEX<\/p>\n<p><a href=\"https:\/\/www.classiques-garnier.com\/editions\/index.php?option=com_virtuemart&amp;page=shop.product_details&amp;flypage=flypage_garnier.tpl&amp;product_id=2263&amp;vmcchk=1&amp;Itemid=1\"><strong>Acheter en ligne<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paris, Classiques Garnier, mars 2016,\u00a0604 p., 39 \u20ac, ISBN\u00a0978-2-8124-4744-0 R\u00e9\u00e9dition du tome 2 (XVIIe s.), paru en 2009 aux Publications de l&#8217;Universit\u00e9 de Saint-Etienne Apr\u00e8s les premi\u00e8res exp\u00e9riences, rares mais foisonnantes, du XVIe si\u00e8cle, le th\u00e9\u00e2tre des femmes prend son essor dans les ann\u00e9es 1650. Des animatrices de salons, des po\u00e9tesses, des romanci\u00e8res, une religieuse [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4167,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6,10],"tags":[],"categorie_personnage":[],"class_list":["post-4161","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-dernieres-parutions"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/4161","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=4161"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/4161\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=4161"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=4161"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=4161"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=4161"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}