{"id":4154,"date":"2016-04-19T16:43:36","date_gmt":"2016-04-19T15:43:36","guid":{"rendered":"http:\/\/siefar.org\/?p=4154"},"modified":"2016-04-19T16:43:36","modified_gmt":"2016-04-19T15:43:36","slug":"villedieu-amours-grands-hommes","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/villedieu-amours-grands-hommes\/","title":{"rendered":"Parution de notre \u00e9diteur partenaire Classiques Garnier et de notre adh\u00e9rente Nathalie GRANDE"},"content":{"rendered":"

\"Villedieu-Grande\"<\/a>Paris, Classiques Garnier, f\u00e9vrier 2016, 243 p., 22 \u20ac, ISBN\u00a0978-2-86503-303-4<\/strong>
\nDans ce recueil de quatre nouvelles paru en 1671, Mme de Villedieu s\u2019amuse \u00e0 raconter \u00e0 la mode galante les amours de grands personnages historiques de l\u2019Antiquit\u00e9, philosophes (Solon, Socrate) ou conqu\u00e9rants (Jules C\u00e9sar, Pomp\u00e9e). La m\u00e9tamorphose qu’elle fait subir aux h\u00e9ros grecs ou romains donne ainsi lieu \u00e0 une d\u00e9capante, mais r\u00e9jouissante, r\u00e9ception de l’Antiquit\u00e9, dont les “Grands Hommes” sont loin de sortir indemnes !<\/p>\n

TABLE DES MATIERES<\/strong><\/p>\n

Introduction g\u00e9n\u00e9rale
\nLe genre de la nouvelle galante
\nLes Vies des hommes illustres m\u00e9tamorphos\u00e9es\u00a0en Vies des hommes galants
\nEffets de la galanterie
\nL\u2019h\u00e9ro\u00efsme au p\u00e9ril de la galanterie
\nGalanterie et subversion morale
\nGrands Hommes burlesques\u00a0:\u00a0ridicule et th\u00e9\u00e2tralit\u00e9
\n\u00c9ditions et r\u00e9ception
\nQuelques rep\u00e8res biobibliographiques\u00a0dans la vie de Madame de Villedieu
\n\u00c9tablissement du texte<\/p>\n

LES AMOURS DES GRANDS HOMMES
\n\u00c9pistre au Roy<\/p>\n

SOLON
\nIntroduction \u00e0 \u00ab Solon\u00bb
\nUn grand homme est un homme amoureux
\nSolon, moraliste galant
\nVanit\u00e9 de la philosophie
\nPremi\u00e8re partie.
\nSolon<\/p>\n

SOCRATE
\nIntroduction \u00e0 \u00abSocrate \u00bb
\nUne nouvelle galante entre fiction antique et histoire comique
\nLa pr\u00e9caution inutile, farce philosophique et morale
\nSocrate<\/p>\n

JULES C\u00c9SAR
\nIntroduction \u00e0 \u00ab Jules C\u00e9sar\u00bb
\nC\u00e9sar, le conqu\u00e9rant des c\u0153urs
\n\u00ab Jules C\u00e9sar\u00bb, un vaudeville antique.
\nCynisme galant, cynisme libertin
\nSeconde partie.
\nJules C\u00e9sar<\/p>\n

CATON D\u2019UTIQUE
\nIntroduction \u00e0 \u00abCaton d\u2019Utique \u00bb
\n\u00abPeindre Caton galant\u00bb
\nCaton complaisant, Pomp\u00e9e tromp\u00e9\u00a0:les \u00abGrands Hommes\u00bb face \u00e0 l\u2019al\u00e9a amoureux
\nComique et path\u00e9tique
\nCaton d\u2019Utique<\/p>\n

Annexe 1.
\nPrivil\u00e8ge du Ro
\nAnnexe 2.
\nR\u00e9sum\u00e9s des nouvelles
\nAnnexe 3.
\nJugements
\nBibliographie<\/p>\n

Acheter en ligne<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Paris, Classiques Garnier, f\u00e9vrier 2016, 243 p., 22 \u20ac, ISBN\u00a0978-2-86503-303-4 Dans ce recueil de quatre nouvelles paru en 1671, Mme de Villedieu s\u2019amuse \u00e0 raconter \u00e0 la mode galante les amours de grands personnages historiques de l\u2019Antiquit\u00e9, philosophes (Solon, Socrate) ou conqu\u00e9rants (Jules C\u00e9sar, Pomp\u00e9e). La m\u00e9tamorphose qu’elle fait subir aux h\u00e9ros grecs ou romains […]<\/p>\n","protected":false},"author":2,"featured_media":4155,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6,10],"tags":[],"categorie_personnage":[],"class_list":["post-4154","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-dernieres-parutions"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/4154","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=4154"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/4154\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=4154"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=4154"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=4154"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=4154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}