{"id":3722,"date":"2015-12-07T15:33:22","date_gmt":"2015-12-07T14:33:22","guid":{"rendered":"http:\/\/siefar.org\/?p=3722"},"modified":"2015-12-07T15:33:22","modified_gmt":"2015-12-07T14:33:22","slug":"nos-adherent-e-s-publient-2","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/nos-adherent-e-s-publient-2\/","title":{"rendered":"Nos adh\u00e9rent-e-s publient"},"content":{"rendered":"<div style=\"text-align: justify;\"><strong><a href=\"http:\/\/siefar.org\/wp-content\/uploads\/2015\/12\/Gethner-WomenPlays.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-3723\" src=\"http:\/\/siefar.org\/wp-content\/uploads\/2015\/12\/Gethner-WomenPlays-200x300.jpg\" alt=\"vol_36_new_master.indd\" width=\"200\" height=\"300\" \/><\/a>The Other Voice in Early Modern Europe &#8211; The Toronto Series, Vol. 36<\/strong><\/div>\n<div style=\"text-align: justify;\"><strong>2015,\u00a0320 p., ISBN\u00a0978-0-86698-530-7,\u00a0$34.95<\/strong><\/div>\n<div style=\"text-align: justify;\">The second half of the seventeenth century marked the first major breakthrough for women playwrights in France, as some of them succeeded in getting their works staged, published and taken seriously by critics and authority figures. The four works included here, translated into English for the first time, represent the diversity of genres cultivated by these writers, while reflecting both the cultural milieu of the era and a concern for the status of women. Fran\u00e7oise Pascal\u2019s Endymion, a tragicomedy with special effects, daringly reexamines a classical myth. Marie-Catherine Desjardins\u2019s Nitetis, a historical tragedy, focuses on the plight of a virtuous and astute queen married to an evil tyrant. Antoinette Deshouli\u00e8res\u2019sGenseric, also a historical tragedy, rejects prevailing models of male heroism and of conventional tragic plots. Catherine Durand\u2019s proverb comedies contain a scathing critique of aristocratic mores and give voice to women\u2019s desires for emancipation.<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\"><strong><a href=\"https:\/\/acmrs.org\/publications\/catalog\/francoise-pascal-marie-catherine-desjardins-antoinette-deshoulieres-and\">Commander\u00a0\/ Purchase<\/a><\/strong><\/div>\n<div class=\"views-field views-field-field-field-bkdscrptn\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Other Voice in Early Modern Europe &#8211; The Toronto Series, Vol. 36 2015,\u00a0320 p., ISBN\u00a0978-0-86698-530-7,\u00a0$34.95 The second half of the seventeenth century marked the first major breakthrough for women playwrights in France, as some of them succeeded in getting their works staged, published and taken seriously by critics and authority figures. The four works [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3723,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10],"tags":[],"categorie_personnage":[],"class_list":["post-3722","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dernieres-parutions"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3722","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3722"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3722\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3722"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3722"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3722"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3722"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}