{"id":3408,"date":"2015-08-03T18:59:00","date_gmt":"2015-08-03T17:59:00","guid":{"rendered":"http:\/\/745"},"modified":"2015-08-03T18:59:00","modified_gmt":"2015-08-03T17:59:00","slug":"chanel-de-halleux","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/chanel-de-halleux\/","title":{"rendered":"Chanel de HALLEUX"},"content":{"rendered":"
Bruxelles, Belgique\u00a0\u00a0*\u00a0<\/strong>chanel.de.halleux@ulb.be<\/a><\/strong><\/span><\/div>\n
Litt\u00e9rature fran\u00e7aise, histoire des sociabilit\u00e9s, XVIIIe<\/sup> si\u00e8cle, tournant des Lumi\u00e8res<\/strong><\/span><\/div>\n
\u00a0<\/span>\u00a0<\/span><\/div>\n
\u00c9DITION CRITIQUE<\/strong><\/span>
– Fanny de Beauharnais, La Fausse inconstance ou le triomphe de l\u2019honn\u00eatet\u00e9, pi\u00e8ce en cinq actes, en prose<\/em>, in A. Evain, P. Gethner & H. Goldwyn (dir.), Th\u00e9\u00e2tre de femmes de l\u2019Ancien R\u00e9gime, vol. 5 : XVIIIe<\/sup>-XIXe\u00a0<\/sup>si\u00e8cle<\/em>, Paris, Classiques Garnier (\u00e0 para\u00eetre). <\/span><\/div>\n
\u00a0<\/span><\/div>\n
ARTICLES<\/strong><\/span><\/span><\/div>\n
–\u00a0\u00ab Babil et philosophie au f\u00e9minin dans La Marmotte philosophe<\/em> de Fanny de Beauharnais \u00bb, dans H\u00e9l\u00e8ne Boons (dir.), Le pari du babil. Parler pour ne rien dire au si\u00e8cle des Lumi\u00e8res, <\/i>dossier th\u00e9matique de la Revue d’histoire litt\u00e9raire de la France, <\/i>120e<\/sup> ann\u00e9e, n\u00b02, \u00e0 para\u00eetre.
– \u00ab\u202fA Salon Hostess’ Entry intro the Literary Field: Fanny de Beauharnais and the \u201cSchool of Dorat\u201d (1770-1780)\u202f\u00bb, dans Laurie Postlewate et al. (dir.), Women and Community in the Ancien R\u00e9gime\u202f: Traditional and New Media<\/em>, dossier th\u00e9matique de\u00a0The Scholar & Feminist Online\u00a0<\/em>[en ligne<\/a>]<\/span><\/div>\n
– \u00ab\u202fLa soci\u00e9t\u00e9 de Fanny de Beauharnais pendant la R\u00e9volution fran\u00e7aise\u202f: r\u00e9seaux et mondanit\u00e9 au service de l\u2019homme de lettres\u202f\u00bb<\/a>, Lumen\u202f: travaux choisis de la Soci\u00e9t\u00e9 canadienne d’\u00e9tude du dix-huiti\u00e8me si\u00e8cle<\/em>, 35, 2016 [en ligne]. <\/span><\/div>\n
– \u00ab Strat\u00e9gie d\u2019\u00e9vitement et traitement fictionnel : la f\u00e9minit\u00e9 dans les Lettres sur le Bosphore de la comtesse de La Fert\u00e9-Meun \u00bb, Astrolabe<\/em>, 44, octobre-novembre 2013 [en ligne]<\/a>.<\/span><\/div>\n
\u00a0<\/span><\/div>\n
NOTICE<\/strong><\/span>
\u2013 \u00ab Louise Julie Careau<\/a> \u00bb, in\u00a0Dictionnaire des femmes de l\u2019ancienne France<\/em>, SIEFAR, 2019.<\/span><\/div>\n
\u00a0<\/div>\n
NON PUBLIE<\/strong><\/span>
– \u00ab Les voyageuses fran\u00e7aises au tournant des Lumi\u00e8res : la narration viatique dans quelques \u0153uvres au f\u00e9minin \u00bb, m\u00e9moire de master en langues et litt\u00e9ratures fran\u00e7aises et romanes, sous la direction de Val\u00e9rie Andr\u00e9, Universit\u00e9 libre de Bruxelles, 2010.<\/span><\/div>\n
– Th\u00e8se de doctorat : Fanny de Beauharnais (1737-1813), une h\u00f4tesse mondaine en qu\u00eate de renomm\u00e9e litt\u00e9raire<\/em> (soutenue \u00e0 l\u2019Universit\u00e9 libre de Bruxelles le 19 d\u00e9cembre 2018).<\/span><\/div>\n
\u00a0<\/div>\n","protected":false},"excerpt":{"rendered":"

Bruxelles, Belgique\u00a0\u00a0*\u00a0chanel.de.halleux@ulb.be Litt\u00e9rature fran\u00e7aise, histoire des sociabilit\u00e9s, XVIIIe si\u00e8cle, tournant des Lumi\u00e8res \u00a0\u00a0 \u00c9DITION CRITIQUE – Fanny de Beauharnais, La Fausse inconstance ou le triomphe de l\u2019honn\u00eatet\u00e9, pi\u00e8ce en cinq actes, en prose, in A. Evain, P. Gethner & H. Goldwyn (dir.), Th\u00e9\u00e2tre de femmes de l\u2019Ancien R\u00e9gime, vol. 5 : XVIIIe-XIXe\u00a0si\u00e8cle, Paris, Classiques Garnier […]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3408","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3408","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3408"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3408\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3408"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3408"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3408"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3408"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}