{"id":3380,"date":"2013-02-05T15:33:34","date_gmt":"2013-02-05T14:33:34","guid":{"rendered":"http:\/\/715"},"modified":"2026-06-15T11:25:32","modified_gmt":"2026-06-15T09:25:32","slug":"agnes-cousson","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/agnes-cousson\/","title":{"rendered":"Agn\u00e8s COUSSON"},"content":{"rendered":"<div class=\"corpsTexte\">\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<span style=\"font-size: 12pt;\"><br \/>\n<strong><span style=\"font-family: Times;\">France *<\/span><\/strong><br \/>\n<span style=\"color: #0000ee; font-family: Times;\"><b><u><a href=\"mailto:agnes.cousson@univ-grenoble-alpes.fr\">agnes.cousson@univ-grenoble-alpes.fr<\/a><\/u><\/b><\/span><br \/>\n<\/span>\n<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">&nbsp;<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<span style=\"font-size: 12pt;\"><br \/>\n<strong><span style=\"font-family: Times;\">Professeure des universit\u00e9s * Universit\u00e9 Grenoble Alpes, UFR LLASIC, d\u00e9partement de lettres * UMR 5316 Litt&amp;Arts, Centre RARE * Litt\u00e9rature fran\u00e7aise * XVIIe si\u00e8cle<\/span><\/strong><br \/>\n<\/span>\n<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<span style=\"font-size: 12pt;\"><span style=\"font-family: Times;\">Bureau D303, b\u00e2timent Stendhal D, 1180 rue des Universit\u00e9s, 38400 Saint-Martin-d\u2019H\u00e8res<\/span><\/span>\n<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">&nbsp;<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<span style=\"font-size: 12pt;\"><br \/>\n<em><span style=\"font-family: Times;\">\u00c9critures de soi du XVIIe si\u00e8cle ; \u00e9crits personnels, religieux, mondains et savants, en particulier correspondances, m\u00e9moires, r\u00e9cits de vie, relations, entretiens et autres formes d\u2019\u00e9criture de soi ; po\u00e9tique et rh\u00e9torique des \u00e9critures de soi ; histoire des id\u00e9es, des repr\u00e9sentations et des sensibilit\u00e9s ; Port-Royal ; Madame de Sabl\u00e9 ; r\u00e9ception du XVIIe si\u00e8cle.<\/span><\/em><br \/>\n<\/span>\n<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">&nbsp;<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<span style=\"font-size: 12pt;\"><span style=\"color: #800000;\"><strong><span style=\"font-family: Times;\">OUVRAGES ET \u00c9DITIONS<\/span><\/strong><\/span><\/span>\n<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<span style=\"font-size: 12pt;\"><span style=\"font-family: Times;\">&#8211; Agn\u00e8s Cousson, <em>Madame de Sabl\u00e9 (1599-1678). \u00ab Le lustre du si\u00e8cle \u00bb<\/em>, Paris, Honor\u00e9 Champion, coll. \u00ab Lumi\u00e8re classique \u00bb, 2025.<\/span><\/span>\n<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<span style=\"font-size: 12pt;\"><span style=\"font-family: Times;\">&#8211; Madame de Sabl\u00e9, <em>\u0152uvres compl\u00e8tes<\/em>, \u00e9d. critique par Agn\u00e8s Cousson, Paris, Honor\u00e9 Champion, coll. \u00ab Sources classiques \u00bb, 2025.<\/span><\/span>\n<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<span style=\"font-size: 12pt;\"><span style=\"font-family: Times;\">&#8211; Agn\u00e8s Cousson et Arnaud Wydler (dir.), <em>L\u2019Inscription du fait religieux dans les \u00e9crits personnels en France au XVIIe si\u00e8cle<\/em>, Paris, Classiques Garnier, 2025.<\/span><\/span>\n<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<span style=\"font-size: 12pt;\"><span style=\"font-family: Times;\">&#8211; Agn\u00e8s Cousson (dir.), <em>L\u2019Entretien du XVIIIe si\u00e8cle \u00e0 nos jours<\/em>, Paris, Classiques Garnier, 2021.<\/span><\/span>\n<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<span style=\"font-size: 12pt;\"><span style=\"font-family: Times;\">&#8211; Agn\u00e8s Cousson (dir.), <em>L\u2019Entretien au XVIIe si\u00e8cle<\/em>, Paris, Classiques Garnier, 2018.<\/span><\/span>\n<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<span style=\"font-size: 12pt;\"><span style=\"font-family: Times;\">&#8211; Agn\u00e8s Cousson, <em><a href=\"1\/\">L\u2019\u00c9criture de soi. Lettres et r\u00e9cits autobiographiques des religieuses de Port-Royal. Ang\u00e9lique et Agn\u00e8s Arnauld, Ang\u00e9lique de Saint-Jean Arnauld d\u2019Andilly, Jacqueline Pascal<\/a><\/em>, Paris, H. Champion, 2012.<\/span><\/span>\n<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">&nbsp;<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<span style=\"font-size: 12pt;\"><span style=\"color: #800000;\"><strong><span style=\"font-family: Times;\">ARTICLES ET CHAPITRES R\u00c9CENTS<\/span><\/strong><\/span><\/span>\n<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<span style=\"font-size: 12pt;\"><span style=\"font-family: Times;\">&#8211; \u00ab \u201cJe n\u2019ai pas moins de plaintes \u00e0 vous faire que de tr\u00e8s humbles remerciements \u00e0 vous rendre\u201d : dire sa gratitude \u00e0 Mme de Sabl\u00e9 \u00bb, in Ellen Delvall\u00e9e et C\u00e9cile Lignereux (dir.), <em>Rh\u00e9torique du remerciement (XVIe-XVIIIe si\u00e8cles)<\/em>, Paris, Classiques Garnier, 2026, p. 69-87.<\/span><\/span>\n<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<span style=\"font-size: 12pt;\"><span style=\"font-family: Times;\">&#8211; \u00ab Madame de Sabl\u00e9, la \u201cVittoria Colonna fran\u00e7aise\u201d \u00bb, in Emmanuel Bury (dir.), <em>Cultures f\u00e9minines du Grand Si\u00e8cle<\/em>, Paris, Classiques Garnier, 2025.<\/span><\/span>\n<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<span style=\"font-size: 12pt;\"><span style=\"font-family: Times;\">&#8211; \u00ab \u201cJe reviens donc \u00e0 ce qui me regarde\u201d. Digressions et r\u00e9flexions dans les <em>M\u00e9moires<\/em> de Mademoiselle de Montpensier \u00bb, in M. Hersant, N. Kremer et C. Ramond (dir.), <em>Digressions, r\u00e9flexions et dissertations dans le r\u00e9cit \u00e0 l\u2019\u00e9poque classique<\/em>, Peeters, 2025.<\/span><\/span>\n<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<span style=\"font-size: 12pt;\"><span style=\"font-family: Times;\">&#8211; \u00ab Introduction : Spiritualit\u00e9 et r\u00e9flexivit\u00e9. \u00c9crire pour soi au XVIIe si\u00e8cle \u00bb, <em>Revue Bossuet<\/em>, 2025.<\/span><\/span>\n<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<span style=\"font-size: 12pt;\"><span style=\"font-family: Times;\">&#8211; \u00ab Demander, prier, conjurer : la <em>petitio<\/em> dans les lettres de Racine \u00bb, in E. Delvall\u00e9e et C. Lignereux (dir.), <em>Rh\u00e9torique de la requ\u00eate (XVIe-XVIIe si\u00e8cles)<\/em>, Paris, Classiques Garnier, 2024, p. 77-93.<\/span><\/span>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>France * agnes.cousson@univ-grenoble-alpes.fr &nbsp; Professeure des universit\u00e9s * Universit\u00e9 Grenoble Alpes, UFR LLASIC, d\u00e9partement de lettres * UMR 5316 Litt&amp;Arts, Centre RARE * Litt\u00e9rature fran\u00e7aise * XVIIe si\u00e8cle Bureau D303, b\u00e2timent Stendhal D, 1180 rue des Universit\u00e9s, 38400 Saint-Martin-d\u2019H\u00e8res &nbsp; \u00c9critures de soi du XVIIe si\u00e8cle ; \u00e9crits personnels, religieux, mondains et savants, en particulier [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"categorie_personnage":[],"class_list":["post-3380","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3380"}],"version-history":[{"count":3,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3380\/revisions"}],"predecessor-version":[{"id":16365,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3380\/revisions\/16365"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3380"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}