{"id":3373,"date":"2012-11-26T21:13:56","date_gmt":"2012-11-26T21:13:56","guid":{"rendered":"http:\/\/708"},"modified":"2012-11-26T21:13:56","modified_gmt":"2012-11-26T21:13:56","slug":"audrey-gilles","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/audrey-gilles\/","title":{"rendered":"Audrey GILLES"},"content":{"rendered":"<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong>Avignon,\u00a0France * <\/strong><\/span><a href=\"mailto:audrey.gilles0@gmail.com\"><span style=\"font-size: small;\">audrey.gilles0@gmail.com<\/span><\/a><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong>Docteure\u00a0de l\u2019Universit\u00e9 d\u2019Aix-Marseille et de l&#8217;Universit\u00e9 d\u2019Ottawa \u2013 Professeure agr\u00e9g\u00e9e du secondaire &#8211; CIELAM * Litt\u00e9rature fran\u00e7aise, XVIe si\u00e8cle<\/strong><\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><em><span style=\"font-size: small;\">Plaisirs f\u00e9minin, M\u00e9decine, Repr\u00e9sentation des corps et des sexualit\u00e9s, \u00c9criture f\u00e9minine, Masculinit\u00e9s, L\u2019Heptam\u00e9ron, H\u00e9lisenne de Crenne, Papillon de Lasphrise.<\/span><\/em><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: small;\">\u00a0<\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"color: #800000;\"><strong>OUVRAGE<\/strong><\/span><br \/>\n&#8211; <em>Plaisirs f\u00e9minins dans la litt\u00e9rature fran\u00e7aise de la Renaissance<\/em>, Paris, Classiques Garnier (\u00e0 para\u00eetre).<\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"color: #800000;\"><strong>ARTICLES<\/strong><\/span><br \/>\n&#8211; \u00ab \u00c9rotisation du corps masculin dans <em>L\u2019Heptam\u00e9ron<\/em>, entre polyphonie et polyscopie \u00bb, <em>Horizons du masculin. Pour un imaginaire du genre<\/em>, Anne Debrosse et Marie Saint Martin (dir.), Paris, Classiques Garnier, 2020, p. 295-306.<br \/>\n&#8211; \u00ab <a href=\"http:\/\/siefar.org\/wp-content\/uploads\/2019\/02\/GILLES-CHIKHAOUI_Valois.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Marguerite de Valois, d\u00e9dicataire des <em>Erreurs populaires<\/em> de Laurent Joubert: un patronage audacieux ?<\/a> \u00bb, <em>Femmes et m\u00e9c\u00e9nat en France, du Moyen \u00c2ge \u00e0 la fin de l\u2019Ancien R\u00e9gime<\/em>, Nathalie Grande, Claudine N\u00e9delec et Julie Piront (dir.), [En ligne], 1, 2019.<br \/>\n&#8211; \u00ab Figures masculines et langue virile dans Le Laquais de Pierre de Larivey \u00bb, <em>Masculinit\u00e9 et th\u00e9\u00e2tre<\/em>, Sabine Chaouche (dir.), <em>European Drama and Performances Studies<\/em>, Paris, Classiques Garnier, 2018, p. 191-210.<br \/>\n&#8211; \u00ab Marguerite de Navarre au lyc\u00e9e \u00bb, <em>Litt\u00e9ratures d\u2019hier, publics d\u2019aujourd\u2019hui<\/em>, V\u00e9ronique Lochert et Anne R\u00e9ach-Ng\u00f4 (dir.), <em>Litt\u00e9ratures Classiques<\/em>, n\u00b091, 2016, p. 33-44.<br \/>\n&#8211; \u00ab Qu\u00eate du plaisir et dialectique priv\u00e9\/public du moi f\u00e9minin dans <em>Les Angoysses douloureuses qui procedent d&#8217;amour<\/em> d\u2019H\u00e9lisenne de Crenne \u00bb, Topique(s) du public et du priv\u00e9 dans la litt\u00e9rature romanesque d\u2019Ancien R\u00e9gime, Marta Teixera Anacleto (dir.), Leuven, Peeters, \u00ab La R\u00e9publique des Lettres \u00bb, 2015, p. 277-286.<br \/>\n&#8211; \u00ab <a href=\"http:\/\/cornucopia16.com\/blog\/2014\/07\/28\/audrey-gilles-chikhaoui-se-souvenir-du-viol-de-lucrece-plaisir-et-chastete-chez-lorenzo-valla-castiglione-et-marguerite-de-navarre\/\" target=\"_blank\" rel=\"noopener\">Viol et volupt\u00e9 : se souvenir de Lucr\u00e8ce chez Valla, Castiglione et Marguerite de Navarre<\/a> \u00bb, <em>Viol et ravissement<\/em>, <em>Le Verger \u2013 Revue en ligne de l\u2019association Cornucopia<\/em>, n\u00b04, juin 2013.<br \/>\n&#8211; \u00ab Qu\u00eate du plaisir et dialectique priv\u00e9\/public du moi f\u00e9minin dans <em>Les Angoysses douloureuses qui proc\u00e8dent d&#8217;amour <\/em>d&#8217;H\u00e9lisenne de Crenne \u00bb, in M. T. Anacleto (dir.), <em>Topique(s) du public et du priv\u00e9 dans l\u2019espace de l\u2019\u00e9criture romanesque europ\u00e9enne (du Moyen-\u00e2ge \u00e0 la fin du XVIII<sup>e<\/sup> si\u00e8cle)<\/em>, Louvain, Peeters, \u00ab La R\u00e9publique des Lettres \u00bb, d\u00e9but 2013 (\u00e0 para\u00eetre).<br \/>\n&#8211; \u00ab Corps masculins, plaisirs f\u00e9minins : Jeanne Flore, H\u00e9lisenne de Crenne et Louise Lab\u00e9 \u00bb, in W. Spurlin, A. Tomiche &#038; P. Zoberman (dir.), <em>\u00c9critures du corps : nouvelles perspectives,<\/em> Paris, Classiques Garnier, \u00ab Rencontres \u00bb, 2013, p. 165-174.<br \/>\n&#8211; \u00ab Henri Estienne, Ambroise Par\u00e9 et Montaigne face \u00e0 la confusion des genres : faits divers sur l&#8217;hermaphrodisme et le travestissement f\u00e9minin \u00e0 la Renaissance \u00bb, <em>Litt\u00e9ratures classiques<\/em>, 78, 2, ao\u00fbt 2012 (\u00ab \u00c9critures de l\u2019actualit\u00e9, XVI<sup>e<\/sup>-XVIII<sup>e<\/sup> \u00bb), p. 111-125.<br \/>\n&#8211; \u00ab From the Table to the Bed : Controlling Female Sexuality through Food in French Renaissance Literature \u00bb, <em>Menu. Journal of Food and Hospitality Research<\/em>, 1, janvier 2012 (<\/span><a href=\"http:\/\/www.institutpaulbocuse.com\/fr\/food-hospitality\/revue-scientifique\"><span style=\"font-size: small;\">en ligne<\/span><\/a><span style=\"font-size: small;\">).<br \/>\n&#8211; \u00ab La Volupt\u00e9 pour les \u00e9pouses, une revendication f\u00e9minine ? Jouissance par mariage chez Marguerite de Navarre, Bonaventure des P\u00e9riers et Jeanne Flore \u00bb, <em>Revue Malice, Cahiers du Cielam<\/em>, 1, 2012 (<\/span><a href=\"http:\/\/ufr-lacs.univ-provence.fr\/cielam\/node\/310\"><span style=\"font-size: small;\">en ligne<\/span><\/a><span style=\"font-size: small;\">).<br \/>\n&#8211; \u00ab La Beaut\u00e9 monstrueuse de la courtisane dans quelques sonnets renaissants fran\u00e7ais \u00bb, <em>RHR<\/em>, 70, juin 2010, p. 27-38.<br \/>\n&#8211; \u00ab Circulations des substances, circulations des discours et circulations des textes : l&#8217;importance du plaisir dans l&#8217;acte g\u00e9n\u00e9rationnel chez Ambroise Par\u00e9 \u00bb, <em>E-lla<\/em>, 3, juin 2010 (<\/span><a href=\"http:\/\/revues.univ-provence.fr\/e-lla\/index299.html\"><span style=\"font-size: small;\">en ligne<\/span><\/a><span style=\"font-size: small;\">).<\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: #800000;\"><strong>COMPTES RENDUS<\/strong><\/span><br \/>\n&#8211; \u00ab a href=&#8221;http:\/\/www.revue-analyses.org\/index.php?id=1896&#8243; rel=&#8221;noopener noreferrer&#8221; target=&#8221;_blank&#8221;>L&#8217;amour en fuite : la jeune fille dans la litt\u00e9rature m\u00e9di\u00e9vale \u00bb, pour Yasmina Foehr-Janssens, <em>La Jeune fille et l&#8217;amour. Pour une po\u00e9tique courtoise de l&#8217;\u00e9vasion <\/em>(Gen\u00e8ve, Droz, 2010) : <em>@nalyses<\/em>, 7, 1, hiver 2012.<br \/>\n&#8211; H\u00e9lisenne de Crenne, <em>Les Ep\u00eetres famili\u00e8res et invectives. Le Songe<\/em>, \u00e9d. Jean-Philippe Beaulieu (Saint-Etienne, PUSE, 2008) : <em>RHR<\/em>, 71, d\u00e9cembre 2010.<br \/>\n&#8211; \u00ab a href=&#8221;http:\/\/www.fabula.org\/revue\/document5165.php&#8221; rel=&#8221;noopener noreferrer&#8221; target=&#8221;_blank&#8221;>Relire la Renaissance \u00e0 l\u2019aune de l\u2019\u00e9rotique homosexuelle \u00bb, pour Gary Ferguson, <em>Queer (Re)Readings in the French Renaissance. Homosexuality, Gender, Culture <\/em>(Ashgate, 2008) : <em>Acta Fabula,<\/em> sept. 2009.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Avignon,\u00a0France * audrey.gilles0@gmail.com Docteure\u00a0de l\u2019Universit\u00e9 d\u2019Aix-Marseille et de l&#8217;Universit\u00e9 d\u2019Ottawa \u2013 Professeure agr\u00e9g\u00e9e du secondaire &#8211; CIELAM * Litt\u00e9rature fran\u00e7aise, XVIe si\u00e8cle Plaisirs f\u00e9minin, M\u00e9decine, Repr\u00e9sentation des corps et des sexualit\u00e9s, \u00c9criture f\u00e9minine, Masculinit\u00e9s, L\u2019Heptam\u00e9ron, H\u00e9lisenne de Crenne, Papillon de Lasphrise. \u00a0 OUVRAGE &#8211; Plaisirs f\u00e9minins dans la litt\u00e9rature fran\u00e7aise de la Renaissance, Paris, Classiques [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"categorie_personnage":[],"class_list":["post-3373","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3373","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3373"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3373\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3373"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3373"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3373"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}