{"id":3353,"date":"2012-02-25T16:44:05","date_gmt":"2012-02-25T16:44:05","guid":{"rendered":"http:\/\/688"},"modified":"2012-02-25T16:44:05","modified_gmt":"2012-02-25T16:44:05","slug":"sylvie-granger","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/sylvie-granger\/","title":{"rendered":"Sylvie GRANGER"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong>Le Mans, France * <\/strong><\/span><a href=\"mailto:Sylvie.Granger@univ-lemans.fr\"><span style=\"font-size: small;\">Sylvie.Granger@univ-lemans.fr<\/span><\/a><span style=\"font-size: small;\"><strong><br \/> <\/strong><\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong><br \/> <\/strong><\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong>MC * Universit\u00e9 du Maine (Le Mans) * Histoire moderne * XVIIIe si\u00e8cle et 1\u00e8re moiti\u00e9 XIXe si\u00e8cle<\/strong><\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><em><br \/> <\/em><\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><em>Prosopographie des m\u00e9tiers de la musique et de la danse, Les circulations culturelles et les sociabilit\u00e9s li\u00e9es aux pratiques culturelles (danse, musique, th\u00e9\u00e2tre, livre et lecture\u2026), Musiciens et musiciennes des \u00e9glises \u00e0 la veille de la R\u00e9volution, A<\/em><i>cc\u00e8s des musiciennes \u00e0 la reconnaissance professionnelle<\/i><\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"color: #800000;\"><strong>OUVRAGE<\/strong><\/span><br \/> &#8211; (avec Serge Bertin)<em>Femmes en Sarthe, Actrices de leur temps<\/em>, Le Mans, Libra-Diffusio, 2012<em>(272 p., pr\u00e9sentant 120 portraits de Sarthoises d\u2019hier \u00e0 aujourd\u2019hui)<\/em>.<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\u00a0<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"font-size: small;\"><span style=\"color: #800000;\"><strong>ARTICLES<\/strong><\/span><br \/> &#8211; (avec Bernard Dompnier et Isabelle Langlois) \u00ab Deux mille musiciens et musiciennes d\u2019\u00c9glise en 1790 \u00bb,in C. Demeulenaere-Douy\u00e8re &amp; A. Le Goff (dir.), <em>Histoires individuelles, histoires collectives, Sources et approches nouvelles<\/em>, Paris, \u00c9d. du Comit\u00e9 des travaux historiques et scientifiques, 2012, p.221-235.<br \/> -(avec Fran\u00e7ois Caillou et Christophe Maillard) \u00ab Deux g\u00e9n\u00e9rations de musiciens au XVIIIe si\u00e8cle : la famille Dobet de Chartres \u00e0 Ch\u00e2teaudun, 1713-1839 \u00bb,<em>Revue Historique<\/em>,662, avril 2012, p.391-419<em>(un p\u00e8re, ses deux fils et sa fille, elle aussi musicienne)<\/em>.<br \/> &#8211; \u00ab Deux Organistes aux destins voisins : Marie-Claude Renault-Bainville (1724-1803) &amp; Jeanne-Marie Bertrand-Jannot (1738-1804) \u00bb, <em>Annales Historiques de la R\u00e9volution fran\u00e7aise<\/em>, 4, 2011, p.3-27.<br \/> &#8211; \u00ab Les musiciennes de 1790, aper\u00e7us sur l\u2019invisibilit\u00e9 \u00bb, <em>Revue de Musicologie<\/em>, 94\/2, 2008, p. 289-308.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Mans, France * Sylvie.Granger@univ-lemans.fr MC * Universit\u00e9 du Maine (Le Mans) * Histoire moderne * XVIIIe si\u00e8cle et 1\u00e8re moiti\u00e9 XIXe si\u00e8cle Prosopographie des m\u00e9tiers de la musique et de la danse, Les circulations culturelles et les sociabilit\u00e9s li\u00e9es aux pratiques culturelles (danse, musique, th\u00e9\u00e2tre, livre et lecture\u2026), Musiciens et musiciennes des \u00e9glises \u00e0 [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"categorie_personnage":[],"class_list":["post-3353","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3353","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3353"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3353\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3353"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3353"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3353"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}