{"id":3337,"date":"2011-05-24T13:26:00","date_gmt":"2011-05-24T13:26:00","guid":{"rendered":"http:\/\/671"},"modified":"2011-05-24T13:26:00","modified_gmt":"2011-05-24T13:26:00","slug":"raphaelle-legrand","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/raphaelle-legrand\/","title":{"rendered":"Rapha\u00eblle LEGRAND"},"content":{"rendered":"
Paris, France * <\/span><\/strong>raphaelle.legrand@paris-sorbonne.fr<\/span><\/a>
<\/strong><\/div>\n

<\/strong><\/div>\n
PR * Universit\u00e9 Paris-Sorbonne * Musicologie, XVIIIe s.<\/span><\/strong><\/div>\n
\u00a0<\/div>\n
Les chanteuses au XVIIIe si\u00e8cle, L\u2019op\u00e9ra et l\u2019op\u00e9ra-comique au XVIIIe si\u00e8cle, L\u2019oeuvre lyrique et th\u00e9orique de Jean-Philippe Rameau, L\u2019esth\u00e9tique baroque en musique<\/span><\/em><\/div>\n

ARTICLES<\/strong><\/span>
– \u00ab Libertines et femmes vertueuses : l’image des chanteuses d’op\u00e9ra et d’op\u00e9ra-comique en France au XVIIIe si\u00e8cle \u00bb, in H. Marqui\u00e9 & N. Burch (dir.), \u00c9mancipation sexuelle ou contrainte des corps ?<\/em>, Paris, L’Harmattan, 2006, p. 157-175.
– \u00ab Les Amours de Bastien et Bastienne <\/em>de Marie-Justine Favart et Harny de Guerville : parodie ou \u00e9loge du Devin du village<\/em> de Jean-Jacques Rousseau ? \u00bb, in P. Saby (dir.), Rousseau et la musique, Jean-Jacques et l\u2019op\u00e9ra\u2026<\/em>, Lyon, Universit\u00e9 Lumi\u00e8re Lyon 2, 2006, p.173-194.
– \u00ab Baguettes et mouchoirs : les h\u00e9ro\u00efnes des trag\u00e9dies en musique \u00bb, in Musique : Filiation et ruptures<\/em>, Paris, Cit\u00e9 de la Musique, 2005, p.89-96.
– \u00ab Les d\u00e9buts de Sophie Arnould \u00e0 l\u2019Op\u00e9ra (1757-1760) : images de l\u2019 “actrice chantante” et de son r\u00e9pertoire \u00bb, Musurgia<\/em>, XI, 1-2, 2004, p.21-36.
– \u00ab Sophie Arnould : une trop touchante Argie \u00bb, L’Avant Sc\u00e8ne Op\u00e9ra<\/em>, 219, mars-avril 2004 (\u00ab Rameau, Les Paladins \u00bb), p.76-83.<\/span><\/div>\n

NOTICE<\/strong><\/span>
– Notices sur les chanteuses du XVIIIe s., in Marcelle Beno\u00eet (dir.), Dictionnaire de la musique en France aux XVIIe et XVIIIe si\u00e8cles<\/em>, Paris, Fayard, 1992.<\/span><\/div>\n

DIVERS<\/strong><\/span>
– \u00ab Portrait de Marie Fel en Folie \u00bb, in Jean-Philippe Rameau, Plat\u00e9e<\/em>, Paris, Op\u00e9ra National de Paris, (1999)<\/em>, p.67-70. (notice de programme)<\/em><\/span><\/div>\n
\u00a0<\/div>\n","protected":false},"excerpt":{"rendered":"

Paris, France * raphaelle.legrand@paris-sorbonne.fr PR * Universit\u00e9 Paris-Sorbonne * Musicologie, XVIIIe s. \u00a0 Les chanteuses au XVIIIe si\u00e8cle, L\u2019op\u00e9ra et l\u2019op\u00e9ra-comique au XVIIIe si\u00e8cle, L\u2019oeuvre lyrique et th\u00e9orique de Jean-Philippe Rameau, L\u2019esth\u00e9tique baroque en musique ARTICLES – \u00ab Libertines et femmes vertueuses : l’image des chanteuses d’op\u00e9ra et d’op\u00e9ra-comique en France au XVIIIe si\u00e8cle \u00bb, […]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"categorie_personnage":[],"class_list":["post-3337","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3337","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3337"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3337\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3337"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3337"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3337"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3337"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}