{"id":3315,"date":"2010-10-03T13:34:20","date_gmt":"2010-10-03T13:34:20","guid":{"rendered":"http:\/\/649"},"modified":"2010-10-03T13:34:20","modified_gmt":"2010-10-03T13:34:20","slug":"wafa-elloumi","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/wafa-elloumi\/","title":{"rendered":"Wafa ELLOUMI"},"content":{"rendered":"
Tunisie *<\/span><\/strong> wloumi@yahoo.fr<\/a><\/span><\/div>\n
\u00a0<\/div>\n
Ma\u00eetre-assistante de l\u2019enseignement sup\u00e9rieur * Facult\u00e9 des Lettres et des Sciences Humaines Sfax Tunisie * Litt\u00e9rature, XVIIIe si\u00e8cle<\/span><\/strong><\/div>\n
\u00a0<\/div>\n
Madame Riccoboni, L\u2019\u00e9pistolaire, L\u2019\u00e9criture du moi, L\u2019intime, Le rapport de place masculin\/f\u00e9minin<\/span><\/em><\/div>\n

ARTICLES<\/strong><\/span>
– \u00ab\u00a0La main \u00e9pistolaire aux confins de l\u2019amour et de la souffrance\u00a0\u00bb, in La Main en Litt\u00e9rature, Actes du colloque international (25, 26 et 27 f\u00e9vrier 2016- Sfax\/Tunisie) <\/em>(\u00e0 para\u00eetre)<\/span><\/div>\n
– \u00ab\u00a0Marie-Jeanne Riccoboni, une \u00e9criture de la r\u00e9volte\u00a0\u00bb, in M.L. Paoli et D. Pico (dir.), La cause des femmes au XVIIIe si\u00e8cle<\/em>, Lumi\u00e8res<\/em>, n\u00b0 23, Presses universitaires de Bordeaux, 2015. <\/span><\/div>\n
– \u00ab\u00a0R\u00e9sister \/ C\u00e9der\u00a0: le dilemme du d\u00e9sir f\u00e9minin dans Les Lettres de Fanni Butlerd<\/em> de Marie-Jeanne Riccoboni, in Taieb Haj Sassi (dir.), Les topiques \u00e9rotiques<\/em>, \u00e9d URLDC, Sfax, Facult\u00e9 des Lettres et Sciences Humaines de Sfax, 2015. <\/span><\/div>\n
– \u00abSubversion et transgression du sacr\u00e9, dans la correspondance de Marie-Jeanne Riccoboni\u00a0\u00bb, in L\u2019imaginaire du sacr\u00e9, Actes du colloque \u00a024-26 avril 2014<\/em>, Publications du Laboratoire d\u2019Etudes et de Recherches Interdisciplinaires et Compar\u00e9es.<\/span><\/div>\n
– \u00ab L\u2019\u00e9pistolaire entre \u00e9change et silence : les Lettres de Fanni Butlerd<\/em> de Marie-Jeanne Riccoboni \u00bb, in L. Rammeh (dir.), Le Silence<\/em>, Publication de la facult\u00e9 des Lettres et des Sciences Humaines de Kairouan, 2010.
– \u00ab \u00c9crire en tant que femme au dix-huiti\u00e8me si\u00e8cle : Marginalit\u00e9 et qu\u00eate d\u2019identit\u00e9 \u00bb, in H. Abdelkefi (dir.), La Crise du sens<\/em>, Publications de l\u2019ERCILIS (Univ. de Sfax), 2009.
– \u00ab S\u2019inventer et inventer l\u2019autre par lettres : la correspondance entre Madame Riccoboni, David Garrick et Robert Liston \u00bb, in H. Mejdoub (dir.), Correspondance et Cr\u00e9ation<\/em>, Publications de la FLSHS, 2009.
– \u00ab Madame Riccoboni, une \u00e9criture du d\u00e9passement et de la libert\u00e9 \u00bb, in J. Herman, K. Peeters & P. Pelckmans (dir.), Mme Riccoboni, romanci\u00e8re, \u00e9pistoli\u00e8re, traductrice<\/em>, Louvain\/Paris\/Dudley, \u00c9ditions Peeters, 2007.
– \u00ab Pour une lecture d\u2019un dix-huiti\u00e8me si\u00e8cle sans fronti\u00e8res \u00bb, in H. Abdelkefi (dir.), Le Temps, les fronti\u00e8res, les passions<\/em>, Sfax, Publications de l\u2019ERCILIS (Univ. de Sfax), 2008 (place de l\u2019\u00e9criture femme au XVIIIe si\u00e8cle)<\/em>.<\/span><\/div>\n

NON PUBLI\u00c9<\/strong><\/span>
– Les Romans \u00e9pistolaires de Marie-Jeanne Riccoboni : une \u00e9criture femme<\/em>, th\u00e8se de doctorat, dir. Mohamed Kameleddine Gaha, Univ. de Sousse (Tunisie), 2009-2010.
<\/span><\/div>\n


<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Tunisie * wloumi@yahoo.fr \u00a0 Ma\u00eetre-assistante de l\u2019enseignement sup\u00e9rieur * Facult\u00e9 des Lettres et des Sciences Humaines Sfax Tunisie * Litt\u00e9rature, XVIIIe si\u00e8cle \u00a0 Madame Riccoboni, L\u2019\u00e9pistolaire, L\u2019\u00e9criture du moi, L\u2019intime, Le rapport de place masculin\/f\u00e9minin ARTICLES – \u00ab\u00a0La main \u00e9pistolaire aux confins de l\u2019amour et de la souffrance\u00a0\u00bb, in La Main en Litt\u00e9rature, Actes du […]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"categorie_personnage":[],"class_list":["post-3315","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3315"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3315\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3315"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3315"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}