{"id":3303,"date":"2010-09-13T17:10:21","date_gmt":"2010-09-13T17:10:21","guid":{"rendered":"http:\/\/637"},"modified":"2010-09-13T17:10:21","modified_gmt":"2010-09-13T17:10:21","slug":"sarah-nelson","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/sarah-nelson\/","title":{"rendered":"Sarah NELSON"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\"> USA * <\/span><\/strong><a href=\"mailto:snelson@uidaho.edu\"><span style=\"font-size: small;\">snelson@uidaho.edu<\/span><\/a><strong><br \/>\n<\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><br \/>\n<\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Associate Professor of French * University of Idaho* Fran\u00e7ais * XVI<sup>e<\/sup>, XVII<sup>e<\/sup> si\u00e8cles <\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><em><br \/>\n<\/em><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><em><span style=\"font-size: small;\">Femmes \u00e9crivains du XVIIe, Hortense Mancini, duchesse Mazarin, Marie Mancini, conn\u00e9table Colonne, Llitt\u00e9rature de la Renaissance\/R\u00e9forme, D\u2019Aubign\u00e9<\/span><\/em><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>EDITION CRITIQUE<\/strong><\/span> <br \/>\n&#8211; (trad. et \u00e9d.) Hortense et Marie Mancini : <em>Memoirs<\/em>, Chicago, University of Chicago Press, 2008.<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<strong><span style=\"color: rgb(128, 0, 0);\">ARTICLE<\/span><\/strong><br \/>\n&#8211; \u00ab The Poet\u2019s War on Mothers : Iconoclasm in Agrippa d\u2019Aubign\u00e9\u2019s L<em>es Tragiques<\/em> \u00bb, <em>Cincinnati Romance Review<\/em>, 20, 2001, p.91-103<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>NON PUBLI\u00c9<\/strong><\/span><br \/>\n&#8211; <em>The Dynamics of Androgyny in Agrippa d\u2019Aubign\u00e9\u2019s <\/em>Les Tragiques, th\u00e8se de doctorat sous la direction d\u2019Ullrich Langer, University of Wisconsin (USA), 1997. <em>(Traite de la repr\u00e9sentation de figures androgynes ou hermaphrodites dans Les Tragiques ; comprend un chapitre sur Catherine de M\u00e9dicis et Elisabeth d\u2019Angleterre.)<\/em><\/p>\n<p><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>USA * snelson@uidaho.edu Associate Professor of French * University of Idaho* Fran\u00e7ais * XVIe, XVIIe si\u00e8cles Femmes \u00e9crivains du XVIIe, Hortense Mancini, duchesse Mazarin, Marie Mancini, conn\u00e9table Colonne, Llitt\u00e9rature de la Renaissance\/R\u00e9forme, D\u2019Aubign\u00e9 EDITION CRITIQUE &#8211; (trad. et \u00e9d.) Hortense et Marie Mancini : Memoirs, Chicago, University of Chicago Press, 2008. ARTICLE &#8211; \u00ab The [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3303","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3303"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3303\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3303"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}