{"id":3296,"date":"2010-02-22T19:30:45","date_gmt":"2010-02-22T19:30:45","guid":{"rendered":"http:\/\/630"},"modified":"2010-02-22T19:30:45","modified_gmt":"2010-02-22T19:30:45","slug":"cathy-yandell","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/cathy-yandell\/","title":{"rendered":"Cathy YANDELL"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong>USA * <\/strong><a href=\"mailto:cyandell@carleton.edu\">cyandell@carleton.edu<\/a><\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">\u00a0<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong>PR * Carleton College * Litt\u00e9rature fran\u00e7aise, XVI<sup>e<\/sup> si\u00e8cle<\/strong><\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">\u00a0<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><em>Pol\u00e9mique et Guerres de religion, Chanson pol\u00e9mique, Litt\u00e9rature de voyage, Po\u00e9sie, Dialogue, Discours, Temporalit\u00e9, Politique et p\u00e9dagogie, Blasons anatomiques du corps f\u00e9minin, Corps et connaissance, Rh\u00e9torique et \u00ab genre \u00bb <\/em><\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><br \/>\n <span style=\"color: #800000;\"><strong>OUVRAGES<\/strong><\/span><br \/>\n &#8211; (avec D. P. LaGuardia, dir.) <em>Memory and Community in Sixteenth-Century France<\/em>, Farnham, Burlington, Ashgate, 2015. [articles sur Jeanne d\u2019Albret, Marguerite de Navarre, Catherine de M\u00e9dicis, et les sorciers et sorci\u00e8res du Carroi de Marlou]<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">&#8211; (avec Colette H. Winn, dir.)\u00a0<a href=\"1\/\"><em>Vieillir \u00e0 la Renaissance<\/em><\/a>, Paris, H. Champion, 2009 [plusieurs chapitres sur les femmes et la masculinit\u00e9 vieillissante].<br \/>\n &#8211; (avec Mary Rice-DeFosse, dir.) <em>\u00c9criture courante : Critical Perspectives on French and Francophone<\/em>, num\u00e9ro sp\u00e9cial de <em>Women in French Studies<\/em>, 2005.<br \/>\n &#8211; <em>Carpe Corpus : Time and Gender in Early Modern France<\/em>, Newark\/London, Univ. of Delaware Press\/Associated UP, 2000. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><br \/>\n <span style=\"color: #800000;\"><strong>ARTICLES<\/strong><\/span><br \/>\n &#8211; \u00ab Anatomy of a Political Pamphlet, Ronsard\u2019s Discours \u00e0 la Royne \u00bb, in J. DeVos &amp; B.Hayes (dir.), <em>The Construction of a Vernacular Literature in France. In Honor of Edwin Duval<\/em>, Yale French Studies (\u00e0 para\u00eetre, 2017). <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">&#8211; \u00ab &#8220;Foolish, Lascivious Songs&#8221;, Contrafacta, and Religious Conflict in Sixteenth-Century France \u00bb, in K. Loysen &amp;\u00a0Colette H. Winn (dir.), <em>Storytelling in Sixteenth-Century France<\/em>, (\u00e0 para\u00eetre).<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"> &#8211; \u00ab Le corps dialogique dans l\u2019autoportrait de Catherine des Roches\u00bb, in C. Trotot (dir.), <em>Savoirs, identit\u00e9s et repr\u00e9sentations des femmes \u00e0 l\u2019\u00e9poque moderne<\/em>, Paris, Garnier (\u00e0 para\u00eetre, 2017). <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">&#8211; \u00ab Iconography and Iconoclasm : The Female Breast in French Renaissance Culture \u00bb, <em>French Review<\/em>, 83, 3, f\u00e9vrier 2010, p. 540-558. <br \/>\n &#8211; \u00ab The French Renaissance Chanson and Cultural Context in the Heptameron \u00bb, in C. H. Winn (dir.), <em>Approaches to Teaching Marguerite de Navarre\u2019s Heptameron<\/em>, New York, Modern Language Association, 2007, p.191-97.<br \/>\n &#8211; \u00ab Rhetoric and Virility in Ronsard\u2019s <em>Les Folastries<\/em> \u00bb, in P. Ford et P. White (dir.), <em><a href=\"1\/\">Masculinities in Sixteenth-Century France : Proceedings of the Eighth<\/a>,<\/em> Cambridge, Cambridge French Colloquia, 2006, p. 85-102 ; r\u00e9\u00e9d. in M. Lee (dir.), Poetry Criticism, Detroit, Gale Publishing (\u00e0 para\u00eetre). <br \/>\n &#8211; \u00ab Les roses de Ronsard: humanisme et subjectivit\u00e9 \u00bb, in D. de Courcelles (dir.), Nature et paysage. L\u2019\u00e9mergence d\u2019une nouvelle subjectivit\u00e9 \u00e0 la Renaissance, Paris, \u00c9cole des Chartes, 2006, p. 29-38 <em>(Masculinit\u00e9s : le po\u00e8te assume le r\u00f4le de la femme dans son imagerie de la nature)<\/em>.<br \/>\n &#8211; \u00ab Seeking the Other in Early Modern Literature \u00bb, in C. Rutz &amp; S. Singer (dir.), <em>Reflections on Learning as Teachers,<\/em> Northfield, College City Press, 2004, p.137-146.<br \/>\n &#8211; \u00ab Les ames sans corps et les corps sans ames, la p\u00e9dagogie dialectique de Catherine des Roches \u00bb, in I. Brouard-Arends (dir.), <em><a href=\"1\/\">Lectrices d&#8217;Ancien R\u00e9gime<\/a>, <\/em>Rennes, PUR, 2003, p.557-66.<br \/>\n &#8211; \u00ab L&#8217;amour au f\u00e9minin ? Ronsard and Pontus de Tyard Writing as Women \u00bb, in C. H. Winn (dir.),<em> Ronsard : figure de la vari\u00e9t\u00e9<\/em>, Gen\u00e8ve, Droz, 2002, p.65-83.<br \/>\n &#8211; \u00ab Louise Lab\u00e9&#8217;s Transgressions \u00bb, in K. Perry Long (dir.), <em>High Anxiety : Masculinity in Crisis in Early Modern France<\/em>, Kirksville, Sixteenth Century Studies, 2002, p.1-17.<br \/>\n &#8211; \u00ab &#8220;L&#8217;habit de fait pas la nonne&#8221; : Controversy and Authority in Anne de Marquets \u00bb, <em>Medi\u00e6valia<\/em>, 22, 1999, p.157-180.<br \/>\n &#8211; \u00ab Raconter le temps : la r\u00e9flexivit\u00e9 dans <em>Les Mis\u00e8res de la femme mari\u00e9e<\/em> de Nicole Estienne \u00bb, in J.-Ph. Beaulieu &amp; D. Desrosiers-Bonin (dir.), <em>Dans les miroirs de l&#8217;\u00e9criture. La r\u00e9flexivit\u00e9 chez les femmes \u00e9crivains d&#8217;Ancien R\u00e9gime<\/em>, Montr\u00e9al, Paragraphes, 1998, p.49-60.<br \/>\n &#8211; \u00ab Carpe Diem, Poetic Immortality and the Gendered Ideology of Time \u00bb, in A.R. Larsen &amp; C. H. Winn (dir.), <em>Renaissance Women Writers : French Texts\/American Contexts,<\/em> Detroit, Wayne State UP, 1994, p.115-129.<br \/>\n &#8211; \u00ab Of Lice and Women : <em>La Puce <\/em>de Madame des Roches \u00bb, <em>Journal of Medieval and Renaissance Studies<\/em>, 20, 1990, p.123-135. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><br \/>\n <span style=\"color: #800000;\"><strong>NOTICES<\/strong><\/span><br \/>\n &#8211; \u00ab Nicole Estienne \u00bb, in A. R. Larsen (dir.), <a href=\"1\/'var_mode=calcul\"><em>Encylopedia on Women in the Renaissance<\/em><\/a>, ABC-CLIO, 2007.<br \/>\n &#8211; \u00ab <a href=\"1\/\">Nicole Estienne<\/a> \u00bb, in <em>Dictionnaire des femmes de l&#8217;Ancienne France,<\/em> SIEFAR, 2003.<br \/>\n &#8211; \u00ab Carpe Diem \u00bb, in E. Sartori (dir.), T<em>he Feminist Encyclopedia of French Literature, <\/em>Westport (Connect.), Greenwood Press, 1999, p.76-78.<\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>USA * cyandell@carleton.edu \u00a0 PR * Carleton College * Litt\u00e9rature fran\u00e7aise, XVIe si\u00e8cle \u00a0 Pol\u00e9mique et Guerres de religion, Chanson pol\u00e9mique, Litt\u00e9rature de voyage, Po\u00e9sie, Dialogue, Discours, Temporalit\u00e9, Politique et p\u00e9dagogie, Blasons anatomiques du corps f\u00e9minin, Corps et connaissance, Rh\u00e9torique et \u00ab genre \u00bb OUVRAGES &#8211; (avec D. P. LaGuardia, dir.) Memory and Community in [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3296","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3296","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3296"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3296\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3296"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3296"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3296"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}