{"id":3294,"date":"2010-02-22T19:19:59","date_gmt":"2010-02-22T19:19:59","guid":{"rendered":"http:\/\/628"},"modified":"2010-02-22T19:19:59","modified_gmt":"2010-02-22T19:19:59","slug":"servanne-woodward","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/servanne-woodward\/","title":{"rendered":"Servanne WOODWARD"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\"> Canada * <\/span><\/strong><a href=\"mailto:swoodwar@uwo.ca\"><span style=\"font-size: small;\">swoodwar@uwo.ca<\/span><\/a><strong><br \/>\n<\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><br \/>\n<\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\"> Associate PR * University of Western Ontario * Litt\u00e9rature fran\u00e7aise, XVIII-XIX<sup>e<\/sup> si\u00e8cles<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><em><span style=\"font-size: small;\">Esth\u00e9tique, Roman, Th\u00e9\u00e2tre, Peinture <\/span><\/em><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>OUVRAGE <\/strong><\/span><br \/>\n&#8211; <em>En retrait : explorations de la repr\u00e9sentation au dix-huiti\u00e8me si\u00e8cle fran\u00e7ais. Chardin, Vig\u00e9e-Lebrun, Diderot, Marivaux <\/em>(Studies in French, 50). Lewiston\/NY, Edwin Mellen Press, 2001. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>EDITION <\/strong><\/span><br \/>\n&#8211; <em>Altered Writings followed by The Public Space of the Domestic Sphere\/ L\u2019espace public de la sph\u00e8re domestique,<\/em> London, Mestengo Press, 1997. <em>(continuation de livre d\u2019auteurs masculins par des auteurs f\u00e9minins ou vice versa)<\/em> <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>ARTICLES <\/strong><\/span><br \/>\n&#8211; \u00ab Les Am\u00e9rindiens dans les <em>M\u00e9moires <\/em>de la marquise de La Tour du Pin (1778-1815) \u00bb, <em>Lumen<\/em>, 24, 2005, p.35-48. <br \/>\n&#8211; \u00ab Les genres esth\u00e9tiques : Mme Sourdis \u00bb, in A. Gural-Migdal (\u00e9d.), <em>L\u2019Ecriture du f\u00e9minin chez Zola et dans la fiction naturaliste,<\/em> Berne, Peter Lang, 2003, p.169-83. <br \/>\n&#8211; \u00ab Les Souvenirs de Vig\u00e9e-Lebrun \u00bb, <em>Dalhousie French Studies<\/em>, 47, 1999, p.75-85. <br \/>\n&#8211; \u00ab Le corps f\u00e9minin de l\u2019<em>Encyclop\u00e9die<\/em> au <em>Deuxi\u00e8me sexe<\/em> \u00bb, <em>Simone de Beauvoir Studies,<\/em> 15, 1998-1999, p.17-28. <br \/>\n&#8211; \u00ab Effets de mim\u00e9tisme. Sophie Volland : Un monde de demoiselles \u00bb, D<em>iderot Studies<\/em>, 27, 1998, p.169-80. <br \/>\n&#8211; \u00ab Sc\u00e8ne de mariage et populationnisme dans le S<em>uppl\u00e9ment au voyage de Bougainville<\/em> \u00bb, <em>Lumen<\/em>, 16, Spring 1998, p.197-209. <br \/>\n&#8211; \u00ab Le lait et ses m\u00e9tamorphoses \u00bb, in S. Albertan-Coppola &#038; A.-M. Chouillet (dir.), <em>La Mati\u00e8re et l\u2019homme dans l\u2019Encyclop\u00e9die<\/em>, Paris, Klincksieck, 1997, p.129-138. <br \/>\n&#8211; \u00ab Definitions of Humanity for Young Ladies by Madame Le Prince de Beaumont \u00bb, <em>Romance Languages Annual<\/em> 1992, 4, 1993, p.184-93. <br \/>\n&#8211; \u00ab Sur l&#8217;\u00e9change \u00e9pistolaire et gastr(onom)ique des lettres \u00e0 Sophie Volland \u00bb, <em>Diderot Studies<\/em>, 25, 1992, p.107-14. <br \/>\n&#8211; \u00ab Dialogue intime avec la post\u00e9rit\u00e9 : les lettres de Diderot \u00e0 Sophie Volland \u00bb, <em>Revue belge de philologie et d&#8217;histoire<\/em>, 70, 3, 1992, p.706-15. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>COMPTE RENDU<\/strong><\/span><br \/>\n&#8211; Clare Haru Crowston, <em>Fabricating Women : The Seamstresses of Old Regime France, 1675-1791<\/em> (Durham, Duke UP, 2001) : <em>Eighteenth-Century Book Reviews On Line <\/em>(ABRO), an ASECS site (<a href=\"http:\/\/http :\/\/back.csulb.edu :8080\/asecs\/\">en ligne<\/a>), sept. 2004. <\/p>\n<p>\n<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Canada * swoodwar@uwo.ca Associate PR * University of Western Ontario * Litt\u00e9rature fran\u00e7aise, XVIII-XIXe si\u00e8cles Esth\u00e9tique, Roman, Th\u00e9\u00e2tre, Peinture OUVRAGE &#8211; En retrait : explorations de la repr\u00e9sentation au dix-huiti\u00e8me si\u00e8cle fran\u00e7ais. Chardin, Vig\u00e9e-Lebrun, Diderot, Marivaux (Studies in French, 50). Lewiston\/NY, Edwin Mellen Press, 2001. EDITION &#8211; Altered Writings followed by The Public Space of [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3294","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3294"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3294\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3294"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3294"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3294"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}