{"id":3293,"date":"2010-02-22T19:14:28","date_gmt":"2010-02-22T19:14:28","guid":{"rendered":"http:\/\/627"},"modified":"2010-02-22T19:14:28","modified_gmt":"2010-02-22T19:14:28","slug":"mary-beth-winn","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/mary-beth-winn\/","title":{"rendered":"Mary Beth WINN"},"content":{"rendered":"
USA * <\/span><\/strong>mbwinn@albany.edu<\/span><\/a><\/span>
\n<\/strong><\/div>\n

\n<\/strong><\/div>\n
State University of New York, Albany, NY * PR * Litt\u00e9rature fran\u00e7aise, XVe<\/sup>, XVIe<\/sup> si\u00e8cles <\/span><\/strong><\/div>\n
<\/div>\n
Histoire du livre, Musique (chanson fran\u00e7aise de la Renaissance), Livres d’heures, M\u00e9c\u00e9nat <\/span><\/em><\/div>\n

\nOUVRAGE<\/strong><\/span>
\n– Anthoine V\u00e9rard, <\/em>Parisian publisher, 1485-1512 : Prologues, Poems, and Presentations<\/em> (a travaill\u00e9 pour Anne de Bretagne, Louise de Savoie, Anne de Beaujeu)<\/em>, Gen\u00e8ve, Droz, 1997. <\/span><\/div>\n

\n\u00c9DITIONS CRITIQUES<\/strong><\/span>
\n– (avec Laura Youens et Barton Hudson) Thomas Crecquillon : Opera Omnia <\/em>(comprend des chansons sur des femmes)<\/em>, Corpus Mensurabilis Musicae<\/em>, 63, American Institute of Musicology, Cantiones Quatuor Vocum<\/em>, XIV, 1998 ; XV, 2000 ; XVI, 2003 ; XVII, 2005 ; XVIII (\u00e0 para\u00eetre) ; Cantiones Quinque Vocum,<\/em> XIX, 2001 ; Cantiones Tres, Sex, Septem, et Duodecum Vocum<\/em>, vol. XX (\u00e0 para\u00eetre).
\n– Octovien de Saint-Gelais (attribu\u00e9 \u00e0) : La Chasse d’Amours <\/em>(Paris, A. V\u00e9rard, 1509) (contient une apologie de la femme)<\/em>, Gen\u00e8ve, Droz, 1984.<\/span><\/div>\n

\nARTICLES<\/strong><\/span>
\n– \u00ab Alain Bouchart\u2019s Chroniques de Bretagne<\/em> and Claude de France \u00bb, Wolfenb\u00fctteler Notizen zur Buchgeschichte<\/em>, Jahrg 35, Heft 1, 2010 (\u00e0 para\u00eetre).
\n– \u00ab Gathering the Borders in Hardouyn\u2019s Hours : from the “Accidents de l\u2019homme” to the “Dis des Estas” \u00bb, Papers of the Bibliographical Society of America<\/em>, 103, 2, June 2009, p.141-197.
\n– \u00ab V\u00e9rard\u2019s Editions of Tristan <\/em>\u00bb , Arthuriana<\/em>, 19, 1, 2009, p.47-73.
\n– \u00ab “La Destruction de Jersualem”, bis <\/em>: a “bande dessin\u00e9e” by Guillaume Godard \u00bb, Bulletin du Bibliophile<\/em>, 2008, 1, p.9-41.
\n– \u00ab Louise de Savoie, ses enfants et ses livres : du pouvoir familial au pouvoir d\u2019\u00e9tat \u00bb, in K. Wilson-Chevalier (dir.), Patronnes et m\u00e9c\u00e8nes en France \u00e0 la Renaissance<\/em>, Saint-\u00c9tienne, PUSE, 2007, p.251-281.
\n– \u00ab “A ses bons commandemens” : le livre illustr\u00e9 imprim\u00e9 autour de 1500 \u00bb (femmes m\u00e9c\u00e8nes)<\/em>, in P. Mariaux & A. Br\u00e4m (dir.), La Commande artistique en France au 15e si\u00e8cle : Artistes et m\u00e9c\u00e8nes, de Charles VI \u00e0 Louis XII, <\/em>Lausanne, University of Lausanne (\u00e0 para\u00eetre).
\n– \u00ab “Louenges” envers Louise : un manuscrit enlumin\u00e9 d\u2019Anthoine V\u00e9rard pour Louise de Savoie \u00bb, in A.-M. Legar\u00e9 & B. Schnerb, Livres et lectures de femmes en Europe entre Moyen \u00c2ge et renaissance,<\/em> Turnhout, Brepols Publishers, 2007.
\n– \u00ab Re-sonner les Matines : Martial d\u2019Auvergne in Books of Hours \u00bb, in A. Armstrong & M. Quainton (dir.), Poetry and the Page<\/em>, Aldershot, Ashgate, 2007, p.73-94.
\n– \u00ab Paint, pen, and print : royal presentations in France, 1470-1515 \u00bb, Manuscripta<\/em>, 50, 1, 2006, p.191-212.
\n– \u00ab Anthoine V\u00e9rard \u00bb – \u00ab Hore beate virginis Marie ad usum Sarum \u00bb, Copenhagen, The Royal Library, 2003 (en ligne<\/a>)
\n– \u00ab Louise de Savoie, “Bibliophile” \u00bb, Journal of the Early Book Society<\/em>, 4, 2001, p.228-258.
\n– \u00ab Marguerite of Austria and her Complaintes \u00bb, The Profane Arts\/Les arts profanes<\/em>, VII-2, Autumn 1998, p.152-169.
\n– \u00ab Treasures for the Queen : Anne de Bretagne’s Books from Anthoine V\u00e9rard \u00bb, BHR\/Biblioth\u00e8que d’Humanisme et Renaissance, <\/em>LVIII-3, 1996, p.667-680.
\n– \u00ab Des livres imprim\u00e9s pour Louise de Savoie \u00bb, in A. Paravicini Bagliani (dir.), Les Manuscrits enlumin\u00e9s des comtes et ducs de Savoie<\/em>, Turin, Umberto Allemandi & C., 1990, p.136-146.
\n– (avec Sheila Edmunds) \u00ab V\u00e9rard, Meckenem, and Manuscript B.N. fr. 1686 \u00bb (Louise de Savoie)<\/em>, Romania<\/em>, 430-431, 1987 (1989)<\/em>, p.288-344.
\n– \u00ab Books for a Princess and her Son : Louise de Savoie, Fran\u00e7ois d’Angoul\u00eame, and the Parisian libraire Antoine V\u00e9rard \u00bb, BHR\/Biblioth\u00e8que d’Humanisme et Renaissance<\/em>, XLVI,1984, p.603-617.
\n– \u00ab Offerings for the King : Antoine V\u00e9rard’s Presentation Manuscripts and Printed Books \u00bb, in O. Trapp (dir.), Manuscripts in the Fifty Years after the Invention of Printing<\/em>, London, The Warburg Institute, 1983, p.66-74.
\n– \u00ab Poems by “The Lady” in La Chasse et le d\u00e9part d’Amours<\/em> \u00bb, in J. Plummer (dir.), Vox Feminae : Studies in Medieval Woman’s Song,<\/em> Kalamazoo (MI), Medieval Institute Publications, 1981, p.179-198.
\n– \u00ab “Codrige” and the Apology of Women in La Chasse et le d\u00e9part d’Amour<\/em>s \u00bb, BHR\/Biblioth\u00e8que d’Humanisme et Renaissance, XLII, 1980, p.405-411.
\n– \u00ab Octovien de Saint-Gelais : Complainte sur le d\u00e9part de Marguerite<\/em> \u00bb, Le Moyen Fran\u00e7ais,<\/em> V, 1980, p.65-80.
\n– \u00ab “Apologie de la femme” and “po\u00e9sie de la dame” in La Chasse et le d\u00e9part d’Amours<\/em> \u00bb, Fifteenth Century Studies<\/em>, II, 1979, p.233-240.
\n– \u00ab “Regret” Chansons for Marguerite d’Autriche by Octovien de Saint-Gelais \u00bb, BHR\/Biblioth\u00e8que d’Humanisme et Renaissance<\/em>, XXXIX, 1977, p.23-32. <\/span><\/div>\n

\nNOTICES<\/strong><\/span>
\n– \u00ab Jeanne de France \u00bb, in Dictionnaire des femmes de l\u2019Ancienne France<\/em>, 2010 (\u00e0 para\u00eetre).
\n– \u00ab Amboise, Catherine d\u2019 (ca. 1482-1550) \u00bb, in D. Robin, A. R. Larsen & C. Levin (dir.), Encyclopedia of Women in the Renaissance, Italy, France, and England<\/em>, Santa Barbara, ABC-CLIO, 2007, p.8-9.
\n– \u00ab <\/span>Germaine Guyart<\/span><\/a> \u00bb – <\/span>\u00ab Louise de Savoie<\/a> \u00bb<\/span>, in Dictionnaire des femmes de l’Ancienne France,<\/em> SIEFAR, 2004.
\n– \u00ab Katherine d’Amboise \u00bb – \u00ab Marguerite d’Autriche \u00bb, in E. M. Sartori (dir.), The Feminist Companion to French Literature : 16th Century,<\/em> Westport (Connect.), Greenwood Publishing, 1999, p.14- 16, 31-33. <\/span><\/div>\n

\nNON PUBLI\u00c9<\/strong><\/span>
\n– <\/span>Robert Gobin : Les Loups ravissans<\/em> (Paris, V\u00e9rard, ca. 1505) (comprend une \u00ab danse des morts \u00bb, femmes et hommes)<\/em>,<\/span><\/p>\n

<\/span><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"

USA * mbwinn@albany.edu State University of New York, Albany, NY * PR * Litt\u00e9rature fran\u00e7aise, XVe, XVIe si\u00e8cles Histoire du livre, Musique (chanson fran\u00e7aise de la Renaissance), Livres d’heures, M\u00e9c\u00e9nat OUVRAGE – Anthoine V\u00e9rard, Parisian publisher, 1485-1512 : Prologues, Poems, and Presentations (a travaill\u00e9 pour Anne de Bretagne, Louise de Savoie, Anne de Beaujeu), Gen\u00e8ve, […]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3293","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3293"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3293\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3293"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}