{"id":3291,"date":"2010-02-15T17:19:50","date_gmt":"2010-02-15T17:19:50","guid":{"rendered":"http:\/\/625"},"modified":"2010-02-15T17:19:50","modified_gmt":"2010-02-15T17:19:50","slug":"kathleen-wilson-chevalier","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/kathleen-wilson-chevalier\/","title":{"rendered":"Kathleen WILSON-CHEVALIER"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">France * <\/span><\/strong><a href=\"mailto:kathleen.wilson-chevalier@wanadoo.fr \"><span style=\"font-size: small;\">kathleen.wilson-chevalier@wanadoo.fr <\/span><\/a><strong><br \/>\n<\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><br \/>\n<\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">PR associ\u00e9 * American University of Paris * Histoire de l&#8217;art XVI<sup>e<\/sup> si\u00e8cle, Gender Studies<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"> <em>Fontainebleau, L&#8217;estampe en France, Les femmes dans l&#8217;orbite de Fran\u00e7ois Ier<\/em> <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>OUVRAGES <\/strong><\/span><br \/>\n&#8211; <a href=\"1\/\"><em>Patronnes et m\u00e9c\u00e8nes \u00e0 la Renaissance, d&#8217;Anne de France \u00e0 Catherine de M\u00e9dicis<\/em><\/a>, Saint-\u00c9tienne, PUSE, 2007.<br \/>\n&#8211; (dir. avec \u00c9liane Viennot) <em>Royaume de f\u00e9mynie : Pouvoirs, contraintes, espaces de libert\u00e9 des femmes, de la Renaissance \u00e0 la Fronde,<\/em> Paris, H. Champion, 1999. <br \/>\n&#8211; <em>Fontainebleau et l&#8217;Estampe en France au XVIe si\u00e8cle : Iconographie et contradictions <\/em><em>(chastet\u00e9 et \u00e9rotisme, peur de la femme, viol, violence)<\/em>, Catalogue d&#8217;exposition, Ch\u00e2teau-Mus\u00e9e de Nemours, 1985-1986. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>ARTICLES <\/strong><\/span><br \/>\n&#8211; \u00ab Patronnes et m\u00e9c\u00e8nes au c\u0153ur de la Renaissance fran\u00e7aise \u00bb, in E. L\u2019Estrange &#038; L. Fagnart (dir.), <em><a href=\"1\/\">Le M\u00e9c\u00e9nat f\u00e9minin en France et en Bourgogne, XIV-XVIe si\u00e8cles<\/a><\/em>, num\u00e9ro sp\u00e9cial de <em>Le Moyen \u00c2ge<\/em>, 117, 2011.<br \/>\n&#8211; \u00ab Feminising the Warrior at Francis I&#8217;s Fontainebleau \u00bb, in P. Ford &#038; P. White (dir.), <em>Masculinities in Sixteenth-Century France : Proceedings of the Eighth, Cambridge<\/em>, Cambridge French Colloquia, 2006.<br \/>\n&#8211; \u00ab La repr\u00e9sentation de la lectrice bellifontaine et le syst\u00e8me de civilit\u00e9 \u00e0 la cour de Fran\u00e7ois Ier \u00bb, in I. Brouard-Arends (dir.), <em>Lectrices d&#8217;Ancien R\u00e9gime, <\/em>Rennes, PUR, 2003, p.493-522.<br \/>\n&#8211; \u00ab L&#8217;appartement des Bains \u00e0 Fontainebleau \u00bb <em>(Anne de Pisseleu, duchesse d&#8217;Etampes et les repr\u00e9sentations de la d\u00e9esse Diane)<\/em>, <em>Albineana<\/em>, XIV, 2002 (\u00ab Le Mythe de Diane en France \u00e0 la Renaissance \u00bb).<br \/>\n&#8211; \u00ab Art patronage and women (including Habsburg) in the orbit of King Francis I \u00bb, <em>Renaissance Studies,<\/em> 2002, 16-4, p.474-524.<br \/>\n&#8211; \u00ab Femmes, cour, pouvoir : la Chambre de la duchesse d&#8217;\u00c9tampes \u00e0 Fontainebleau \u00bb, in <em>Royaume de f\u00e9mynie&#8230; <\/em><em>(1999)<\/em>, p.203-236. <br \/>\n&#8211; \u00ab Alexander the Great at Fontainebleau \u00bb <em>(Anne de Pisseleu, duchesse d&#8217;Etampes ; \u00e9rotisme et pouvoir \u00e0 la Renaissance)<\/em>, in N. Hadjinicolaou (dir.), <em>Catalogue de l&#8217;exposition Alexander the Great in European Art <\/em>(Thessalonique, Gr\u00e8ce, Sept. 1997-Jan. 1998), p.25-35.<br \/>\n&#8211; \u00ab On the Other Side of the Renaissance : Sebastian Brant, Luca Penni, and the Justice and the Seven Deadly Sins \u00bb, <em>Art Bulletin<\/em>, LXXVIII, 2, 1996, p.236-263. <br \/>\n&#8211; \u00ab Women on Top at Fontainebleau \u00bb, <em>The Oxford Art Journal, <\/em>16-I, 1993, p.34-48. <br \/>\n&#8211; \u00ab Le Songe dans l&#8217;art bellifontain \u00bb <em>(femmes et factions politiques, repr\u00e9sentations de la nuit, l&#8217;amour, le p\u00e9ch\u00e9)<\/em>, in F. Charpentier (dir.), <em>Le Songe \u00e0 la Renaissance,<\/em> Saint-\u00c9tienne, PUSE, 1990, p.113-122. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>NOTICE<\/strong><\/span><br \/>\n&#8211; \u00ab <a href=\"1\/\">Anne d&#8217;Heilly, duchesse d&#8217;\u00c9tampes<\/a> \u00bb, in <em>Dictionnaire des femmes de l&#8217;Ancienne France<\/em>, SIEFAR, 2002. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"color: rgb(128, 0, 0);\"><strong><br \/>\nCOMPTE RENDU<\/strong><\/span><br \/>\n&#8211; \u00ab Peintures pour un ch\u00e2teau. Cinquante tableaux (XVIe-XIXe si\u00e8cle) des collections du ch\u00e2teau de Fontainebleau \u00bb (Catalogue d&#8217;exposition) : <em>Bulletin de l&#8217;Association des Historiens de l&#8217;Art Italien<\/em>, 5, 1998-1999 p.44-47. <\/p>\n<p><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>France * kathleen.wilson-chevalier@wanadoo.fr PR associ\u00e9 * American University of Paris * Histoire de l&#8217;art XVIe si\u00e8cle, Gender Studies Fontainebleau, L&#8217;estampe en France, Les femmes dans l&#8217;orbite de Fran\u00e7ois Ier OUVRAGES &#8211; Patronnes et m\u00e9c\u00e8nes \u00e0 la Renaissance, d&#8217;Anne de France \u00e0 Catherine de M\u00e9dicis, Saint-\u00c9tienne, PUSE, 2007. &#8211; (dir. avec \u00c9liane Viennot) Royaume de f\u00e9mynie [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3291","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3291"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3291\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3291"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}