{"id":3284,"date":"2010-02-15T16:39:06","date_gmt":"2010-02-15T16:39:06","guid":{"rendered":"http:\/\/618"},"modified":"2010-02-15T16:39:06","modified_gmt":"2010-02-15T16:39:06","slug":"marcel-jean-vilcosqui","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/marcel-jean-vilcosqui\/","title":{"rendered":"Marcel Jean VILCOSQUI"},"content":{"rendered":"<div style=\"text-align: justify;\" class=\"corpsTexte\"><strong><span style=\"font-size: small;\">France * <\/span><\/strong><a href=\"mailto:marc.vilmar@voila.fr\"><span style=\"font-size: small;\">marc.vilmar@voila.fr<\/span><\/a><strong><span style=\"font-size: small;\"> <\/span><br \/>\n<\/strong><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><strong><br \/>\n<\/strong><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><strong><span style=\"font-size: small;\">Musicologue<\/span><\/strong><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><em><br \/>\n<\/em><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><em><span style=\"font-size: small;\">Musiciennes et musiciens, Litt\u00e9rature et musique (Madame de S\u00e9vign\u00e9, Alphonse Daudet), Titres des oeuvres pour clavecin de Couperin et Dandrieu, Informatique\/musique et p\u00e9dagogie. <\/span><\/em><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>OUVRAGES<\/strong><\/span><br \/>\n&#8211; <em>La Femme dans la musique fran\u00e7aise de 1774 \u00e0 1871<\/em> (en pr\u00e9paration).<br \/>\n&#8211; <em><a href=\"1\/\">La Femme dans la musique fran\u00e7aise sous l&#8217;Ancien R\u00e9gime, illustrations de Crilou<\/a>,<\/em> Paris, les Editions du Panth\u00e9on, 2001. <\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>ARTICLES<\/strong><\/span><br \/>\n&#8211; \u00ab La Musique au temps de madame de S\u00e9vign\u00e9 et le &#8220;Clicquot&#8221; du Marais \u00bb, <em>La Cit\u00e9, Soci\u00e9t\u00e9 historique et arch\u00e9ologique des IIIe, IVe, XIe et XIIe arrondissements de Paris<\/em> (\u00e0 para\u00eetre).<br \/>\n&#8211; \u00ab Une m\u00e9lomane au XVIIe si\u00e8cle : Madame de S\u00e9vign\u00e9 (1626-1696) \u00bb, <em>\u00ab Recherches \u00bb sur la Musique fran\u00e7aise classique<\/em>, XVII, 1977, p.31-93. <\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>NON PUBLI\u00c9S<\/strong><\/span><br \/>\n&#8211; <em>Candeille l&#8217;Ambigu\u00eb.<\/em><br \/>\n&#8211; <em>La Femme dans la musique fran\u00e7aise (1643-1774)<\/em>. Premier prix de musicologie du Conservatoire National Sup\u00e9rieur de Paris, 1973.<br \/>\n&#8211; <em>La Femme dans la musique fran\u00e7aise de 1671 \u00e0 1871, \u00c9tude d&#8217;histoire musicale et sociale<\/em>. Th\u00e8se de 3e cycle, Paris-Sorbonne, 1977.<br \/>\n&#8211; <em>La Femme dans la musique fran\u00e7aise de 1871 \u00e0 1946, \u00c9tude d&#8217;histoire musicale et sociale.<\/em> Th\u00e8se d&#8217;Etat, Paris-Sorbonne, 1986. <\/p>\n<p><\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"color: rgb(128, 0, 0);\"><strong><span style=\"font-size: small;\">SITE INTERNET<\/span><\/strong><\/span><br \/>\n<span style=\"font-size: small;\">&#8211; <\/span><a href=\"http:\/\/www.femmes-et-musique.fr\"><span style=\"font-size: small;\">www.femmes-et-musique.fr<\/span><\/a><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>France * marc.vilmar@voila.fr Musicologue Musiciennes et musiciens, Litt\u00e9rature et musique (Madame de S\u00e9vign\u00e9, Alphonse Daudet), Titres des oeuvres pour clavecin de Couperin et Dandrieu, Informatique\/musique et p\u00e9dagogie. OUVRAGES &#8211; La Femme dans la musique fran\u00e7aise de 1774 \u00e0 1871 (en pr\u00e9paration). &#8211; La Femme dans la musique fran\u00e7aise sous l&#8217;Ancien R\u00e9gime, illustrations de Crilou, Paris, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3284","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3284"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3284\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3284"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3284"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3284"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}