{"id":3280,"date":"2010-02-15T15:57:02","date_gmt":"2010-02-15T15:57:02","guid":{"rendered":"http:\/\/614"},"modified":"2010-02-15T15:57:02","modified_gmt":"2010-02-15T15:57:02","slug":"gabrielle-verdier","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/gabrielle-verdier\/","title":{"rendered":"Gabrielle VERDIER"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">USA * <\/span><\/strong><a href=\"mailto:verdier@uwm.edu\"><span style=\"font-size: small;\">verdier@uwm.edu<\/span><\/a><strong><span style=\"font-size: small;\"> <\/span><br \/>\n<\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><br \/>\n<\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">University of Wisconsin-Milwaukee * PR * Lettres modernes, Litt\u00e9rature et langues fran\u00e7aises, XVII<sup>e<\/sup>, XVIII<sup>e<\/sup> si\u00e8cles<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><em><span style=\"font-size: small;\">Roman, Conte de f\u00e9es, Th\u00e9\u00e2tre, M\u00e9moires <\/span><\/em><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>OUVRAGE<\/strong><\/span><br \/>\n&#8211; (dir., avec Martine Debaisieux), <em>Violence et fiction jusqu&#8217;\u00e0 la R\u00e9volution <\/em><em>(une dizaine d&#8217;articles sur des femmes)<\/em>, Tubingen, Narr Verlag, 1998. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"color: rgb(128, 0, 0);\"><strong><span style=\"font-size: small;\"><br \/>\nARTICLES<\/span><\/strong><\/span><span style=\"font-size: small;\"><br \/>\n&#8211; \u00ab Femmes-objets ? Femmes de t\u00eate ? L&#8217;ind\u00e9cidable sexe f\u00e9minin dans l&#8217;Histoire comique de Francion \u00bb, <em>Litt\u00e9ratures classiques<\/em>, 41, hiver 2001, p.109-121.<br \/>\n&#8211; \u00ab Olympe de Gouges et le divorce sur la sc\u00e8ne r\u00e9volutionnaire : Adieu au mariage d&#8217;Ancien R\u00e9gime ? \u00bb, <em>Dalhousie French Studies,<\/em> 56, Fall 2001, p.154-164.<br \/>\n&#8211; \u00ab Memoirs, Publishing, Scandal : The Case of Mme D*** <em>(d&#8217;Aulnoy)<\/em> \u00bb, in C. Winn &#038; D. Kuizenga (dir.), <em>Women Writers in Pre-Revolutionary France : Strategies of Emancipation<\/em>, New York\/London, Garland Publishing, 1997, p.397-414.<br \/>\n&#8211; \u00ab Comment l&#8217;auteur des F\u00e9es \u00e0 la mode devint &#8220;Mother Bunch&#8221; : M\u00e9tamorphoses de la Comtesse d&#8217;Aulnoy en Angleterre \u00bb, <em>Marvels and Tales,<\/em> X, 2, Dec. 1996, p.285-309.<br \/>\n&#8211; \u00ab F\u00e9erie et utopie dans les contes de f\u00e9es f\u00e9minins \u00bb, <em>Parabasis <\/em>(Edmonton), 7, 1995 (\u00ab Utopie et fictions narratives \u00bb), p.139-148.<br \/>\n&#8211; \u00ab From Reform to Revolution : The Social Theater of Olympe de Gouges \u00bb, in C. R. Montfort (dir.), <em>Literate Women and the French Revolution of 1789<\/em>, Birmingham, Summa Publications, 1994, p.189-221.<br \/>\n&#8211; \u00ab Figures de la conteuse dans les contes de f\u00e9es f\u00e9minins \u00bb, <em>Dix-septi\u00e8me si\u00e8cle<\/em>, 180, juillet-septembre 1993, p.481-499.<br \/>\n&#8211; \u00ab Libertine, Philanthropist, Revolutionary : Ninon&#8217;s Metamorphoses in the \u00c2ge of the Enlightenment \u00bb, <em>Continuum : Problems in French Literature from the Late Renaissance to the Early Enlightenment<\/em> (New York, AMS Press), 4, 1992, p.1-47<br \/>\n&#8211; \u00ab Masculin\/F\u00e9minin : la r\u00e9\u00e9criture de l&#8217;histoire dans la nouvelle historique \u00bb, in N. Boursier &#038; D. Trott (dir.), <em>La Naissance du roman en France<\/em>, Biblio 17, 1990, p.38-54.<br \/>\n&#8211; \u00ab Mademoiselle de Montpensier et le plaisir du texte \u00bb, <em>Papers on French Seventeenth-Century Literature<\/em>,18, 1983, p.11-33.<br \/>\n&#8211; \u00ab Gender and Rhetoric in Some Seventeenth-Century Love Letters \u00bb, <em>L&#8217;Esprit cr\u00e9ateur<\/em>, XXIII, 2, Summer 1983, p.45-57.<br \/>\n&#8211; \u00ab Les &#8220;Lucr\u00e8ces sortent du grenier&#8221; : portraits de femmes dans les Lettres de Madame de S\u00e9vign\u00e9 \u00bb, <em>Papers on French Seventeenth-Century Literature<\/em>, 15-2, 1981, p.71-87. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>NOTICES<\/strong><\/span><br \/>\n&#8211; \u00ab Marthe Marguerite de Caylus \u00bb &#8211; \u00ab Marguerite de Staal-Delaunay \u00bb, in S. I. Spencer (dir.),<em> Dictionary of Literary Biography. The French Enlightenment<\/em> (\u00e0 para\u00eetre). <br \/>\n&#8211; \u00ab <a href=\"1\/\">Marguerite-Jeanne de Staal-Delaunay<\/a> \u00bb, in <em>Dictionnaire des femmes de l&#8217;Ancienne France<\/em>, SIEFAR, 2005. <br \/>\n&#8211; \u00ab Marguerite de La Sabli\u00e8re \u00bb &#8211; \u00ab Hortense Mancini \u00bb &#8211; \u00ab Marie Mancini \u00bb &#8211; \u00ab Mlle de Montpensier \u00bb &#8211; \u00ab Ninon de Lenclos \u00bb, in E. Martin Sartori (dir.), <em>The Feminist Encyclopedia of French Literature,<\/em> Westport (Connect.), Greenwood Press, 1999. <\/p>\n<p><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>USA * verdier@uwm.edu University of Wisconsin-Milwaukee * PR * Lettres modernes, Litt\u00e9rature et langues fran\u00e7aises, XVIIe, XVIIIe si\u00e8cles Roman, Conte de f\u00e9es, Th\u00e9\u00e2tre, M\u00e9moires OUVRAGE &#8211; (dir., avec Martine Debaisieux), Violence et fiction jusqu&#8217;\u00e0 la R\u00e9volution (une dizaine d&#8217;articles sur des femmes), Tubingen, Narr Verlag, 1998. ARTICLES &#8211; \u00ab Femmes-objets ? Femmes de t\u00eate ? [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3280","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3280","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3280"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3280\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3280"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3280"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3280"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}