{"id":3272,"date":"2010-02-12T15:10:59","date_gmt":"2010-02-12T15:10:59","guid":{"rendered":"http:\/\/605"},"modified":"2010-02-12T15:10:59","modified_gmt":"2010-02-12T15:10:59","slug":"jean-philippe-van-aelbrouck","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/jean-philippe-van-aelbrouck\/","title":{"rendered":"Jean-Philippe VAN AELBROUCK"},"content":{"rendered":"
Belgique * <\/span>Universit\u00e9 Libre de Bruxelles * Arts du spectacle, XVIIIe<\/sup> si\u00e8cle<\/span><\/strong><\/div>\n
\u00a0<\/div>\n
Th\u00e9\u00e2tre, Danse, Com\u00e9diennes et com\u00e9diens <\/span><\/em><\/div>\n

\n OUVRAGE<\/strong><\/span>
\n – Dictionnaire des danseurs, chor\u00e9graphes et ma\u00eetres de danse \u00e0 Bruxelles, de 1600 \u00e0 1830 <\/em>(Danseuses et danseurs)<\/em> Li\u00e8ge, Mardaga, 1994. <\/span><\/div>\n

\n ARTICLES<\/strong><\/span>
\n – \u00ab Comment faire de l’ordre dans une dynastie de com\u00e9diens ? Le cas de la famille Hus \u00e9clair\u00e9 par des documents d’archives \u00bb, in Val\u00e9rie Worth-Stylianou & Mark Bannister (dir.), Actes du Second colloque international CESAR (Calendrier \u00c9lectronique des Spectacles sous l\u2019Ancien R\u00e9gime et sous la R\u00e9volution)<\/em>, en ligne.<\/a>
\n – \u00ab Com\u00e9diens et danseurs du Th\u00e9\u00e2tre de la Monnaie \u00e0 Vienne \u00bb, \u00c9tudes sur le XVIIIe si\u00e8cle<\/em> (Bruxelles, \u00c9ditions de l\u2019Universit\u00e9), XXXII, 2004, p.203-215.
\n – \u00ab Quelques notes sur Ang\u00e9lique D’Hannetaire, muse du prince de Ligne \u00bb, Nouvelles annales prince de Ligne,<\/em> tome XIV, 2001, p.145-158. <\/span><\/div>\n

\n NOTICES<\/strong><\/span>
\n – \u00ab Catherine Billioni \u00bb et \u00ab \u00ab C\u00e9leste Durancy \u00bb, in H. Krief & V. Andr\u00e9 (dir.), Dictionnaire des femmes des Lumi\u00e8res<\/em>, Paris, H. Champion, 2011 (\u00e0 para\u00eetre).
\n – \u00ab Catherine Billioni<\/a> \u00bb – \u00ab Marie-Jeanne Brillant <\/a>\u00bb – \u00ab Ang\u00e9lique-Madeleine C\u00e9nas<\/a> \u00bb – \u00ab Marie-Madeleine Cartilly \u00bb<\/a> – \u00ab Madeleine-C\u00e9leste Durancy<\/a> \u00bb – \u00ab Suzanne Defoye <\/a>\u00bb\u00a0– \u00ab Marie-Anne Nonancourt<\/a> \u00bb , in Dictionnaire des femmes de l’Ancienne France<\/em>, SIEFAR, 2004-2005.
\n <\/span><\/div>\n

\n NON PUBLI\u00c9<\/strong><\/span>
\n – Les Com\u00e9diens itin\u00e9rants \u00e0 Bruxelles au XVIIIe si\u00e8cle <\/em>(Com\u00e9diennes et com\u00e9diens)<\/em>, Th\u00e8se de doctorat (ULB) en Sciences sociales, 2 vol.<\/span><\/span><\/p>\n

 <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Belgique * Universit\u00e9 Libre de Bruxelles * Arts du spectacle, XVIIIe si\u00e8cle \u00a0 Th\u00e9\u00e2tre, Danse, Com\u00e9diennes et com\u00e9diens OUVRAGE – Dictionnaire des danseurs, chor\u00e9graphes et ma\u00eetres de danse \u00e0 Bruxelles, de 1600 \u00e0 1830 (Danseuses et danseurs) Li\u00e8ge, Mardaga, 1994. ARTICLES – \u00ab Comment faire de l’ordre dans une dynastie de com\u00e9diens ? Le cas […]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3272","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3272"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3272\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3272"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3272"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3272"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}