{"id":3266,"date":"2010-02-12T14:50:20","date_gmt":"2010-02-12T14:50:20","guid":{"rendered":"http:\/\/599"},"modified":"2010-02-12T14:50:20","modified_gmt":"2010-02-12T14:50:20","slug":"isabelle-tremblay","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/isabelle-tremblay\/","title":{"rendered":"Isabelle TREMBLAY"},"content":{"rendered":"
Canada * <\/strong>Isabelle.Tremblay@rmc.ca<\/a>
<\/strong><\/span><\/div>\n

<\/strong><\/span><\/div>\n
PR adjointe * Coll\u00e8ge militaire royal du Canada * Litt\u00e9rature fran\u00e7aise * XVIIIe<\/sup> si\u00e8cle<\/strong><\/span><\/div>\n
\u00a0<\/span><\/div>\n
Roman des femmes des Lumi\u00e8res, Roman \u00e9pistolaire, Bonheur, Amiti\u00e9<\/em><\/span><\/div>\n
\u00a0<\/span><\/div>\n
OUVRAGE<\/strong><\/span>
– Le Bonheur au f\u00e9minin. Strat\u00e9gies narratives des romanci\u00e8res des Lumi\u00e8res<\/em><\/a>, Montr\u00e9al, PU de Montr\u00e9al, 2012.
<\/span><\/div>\n
\u00a0<\/span><\/div>\n
ARTICLES<\/strong><\/span>
– \u00ab La pseudo-traduction, strat\u00e9gie de l\u00e9gitimation d\u2019un discours critique des pratiques de la sociabilit\u00e9 fran\u00e7aise sous la plume de Mme Riccoboni \u00bb, Nottingham French Studies<\/em>, 57, 1, 2018 (\u00e0 para\u00eetre). <\/span><\/div>\n
– \u00ab\u00a0La fiction des romanci\u00e8res des Lumi\u00e8res ou l\u2019art de la contestation\u00a0\u00bb, Dix-huiti\u00e8me si\u00e8cle<\/em>, 48, 2016, p. 311-328. <\/span><\/div>\n
– \u00ab\u00a0De la solitude \u00e0 la solidarit\u00e9 sous la plume de Mlle Poulain de Nogent\u00a0\u00bb, in E. Hugueny-L\u00e9ger &\u00a0C. Verdier (dir.), Solitaires, Solidaires\u00a0: Conflict and Confluence in Women\u2019s Writings in French<\/em>, Cambridge, Cambridge Scholars Publishing, 2015, p. 27-43. <\/span><\/div>\n
– \u00ab\u00a0La Providence dans le roman sentimental de Sophie Cottin\u00a0\u00bb, Cahiers de l\u2019Association internationale des \u00e9tudes fran\u00e7aises (AIEF)<\/em>, 68, mai 2016 (\u00ab\u00a0Les Providences romanesques aux XVIIe et XVIIIe si\u00e8cles\u00a0\u00bb), p. 209-224. <\/span><\/div>\n
–\u00a0\u00ab\u00a0La construction de l\u2019interlocutrice absente en amie chez Mlle Poulain de Nogent\u00a0\u00bb, Topiques, \u00c9tudes Satoriennes<\/em>, 1, 2015 (\u00ab Topiques de l’amiti\u00e9 dans les litt\u00e9ratures fran\u00e7aises d’Ancien R\u00e9gime\u00a0\u00bb [En ligne<\/a>]. <\/span><\/div>\n
–\u00a0\u00ab\u00a0Le roman \u00e9pistolaire monophonique ou la construction d\u2019un discours fant\u00f4me \u00bb, Litt\u00e9rature, histoire, th\u00e9orie (LHT)<\/em>, 13, 2014 (\u00ab\u00a0La Biblioth\u00e8que des textes fant\u00f4mes\u00a0\u00bb) [En ligne<\/a>]. <\/span><\/div>\n
– \u00ab\u00a0La fiction de Mme de Genlis, espace d\u2019interrogation sur la vertu\u00a0\u00bb, Revue \u00e9lectronique de litt\u00e9rature fran\u00e7aise<\/em>, 7, 1, 2013, p. 19-32. <\/span><\/div>\n
– \u00a0\u00ab\u00a0La manipulation rh\u00e9torique \u00e0 l\u2019\u0153uvre dans le roman \u00e9pistolaire monophonique\u00a0\u00bb, Orbis litterarum<\/em>, 68, 5, 2013, p. 442-456. <\/span><\/div>\n
– \u00ab Le Masque de l\u2019aveu comme strat\u00e9gie de l\u00e9gitimation de l\u2019\u00e9criture f\u00e9minine \u00bb, Women in French Studies<\/em>, 18, 2010, p.43-54..
– \u00ab Bonheur et intimit\u00e9 dans quatre romans d\u2019Isabelle de Charri\u00e8re \u00bb, Women in French Studies,<\/em> 15, 2007, p.23-38.
– \u00ab Le pouvoir lib\u00e9rateur du rire chez Mme d\u2019\u00c9pinay et Mme Riccoboni \u00bb, Bor\u00e9al n\u00ba 1 Litt\u00e9rature, cin\u00e9ma et libert\u00e9,<\/em> Univ. de Victoria, 2007.<\/span><\/div>\n

NOTICES<\/strong><\/span>
– \u00ab\u00a0Poulain de Nogent, Mlle\u00a0\u00bb<\/a>,\u00a0in Dictionnaire des femmes de l\u2019Ancienne France de la Soci\u00e9t\u00e9 internationale pour l\u2019\u00e9tude des femmes de l\u2019Ancien R\u00e9gime,\u00a0<\/em>SIEFAR, 2014. <\/span><\/div>\n
– \u00ab Bellevaux (Belvo)<\/em>, Catherine Chaussin d\u2019Hurly, marquise de<\/a> \u00bb, in Dictionnaire des femmes de l\u2019Ancienne France<\/em>, SIEFAR, 2008.<\/span><\/div>\n

COMPTES RENDUS<\/strong><\/span>
– Martine Reid, Les femmes dans la critique et l\u2019histoire litt\u00e9raire, Paris, Honor\u00e9 Champion, 2011 : \u00ab\u00a0Enqu\u00eate sur la post\u00e9rit\u00e9 litt\u00e9raire des femmes auteurs\u00a0\u00bb, Women in French Studies<\/em>, 2012, 20, 1, p. 123-124.<\/span><\/div>\n
– \u00ab Pour un support moderne de Caroline de Lichtfield d’Isabelle de Montolieu \u00bb : Eighteenth-Century Fiction, <\/em>22, 4, \u00e9t\u00e9 2010, p.739-741.
– Odile Richard-Pauchet, Diderot dans les Lettres \u00e0 Sophie Volland. Une esth\u00e9tique \u00e9pistolaire <\/em>(Paris, H. Champion, 2007) : \u00ab Pour une topographie des Lettres \u00e0 Sophie Volland, canevas d\u2019une po\u00e9tique \u00e9pistolaire \u00bb, @nalyses<\/em>, XVIIIe si\u00e8cle, 2008, en ligne<\/a>.<\/span><\/div>\n
\u00a0<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

Canada * Isabelle.Tremblay@rmc.ca PR adjointe * Coll\u00e8ge militaire royal du Canada * Litt\u00e9rature fran\u00e7aise * XVIIIe si\u00e8cle \u00a0 Roman des femmes des Lumi\u00e8res, Roman \u00e9pistolaire, Bonheur, Amiti\u00e9 \u00a0 OUVRAGE – Le Bonheur au f\u00e9minin. Strat\u00e9gies narratives des romanci\u00e8res des Lumi\u00e8res, Montr\u00e9al, PU de Montr\u00e9al, 2012. \u00a0 ARTICLES– \u00ab La pseudo-traduction, strat\u00e9gie de l\u00e9gitimation d\u2019un discours […]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3266","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3266"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3266\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3266"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3266"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}