{"id":3265,"date":"2010-02-12T14:45:39","date_gmt":"2010-02-12T14:45:39","guid":{"rendered":"http:\/\/598"},"modified":"2010-02-12T14:45:39","modified_gmt":"2010-02-12T14:45:39","slug":"sophie-tonolo","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/sophie-tonolo\/","title":{"rendered":"Sophie TONOLO"},"content":{"rendered":"
France * <\/strong>asophie.tonolo@free.fr<\/a>
\n <\/strong><\/span><\/div>\n

\n <\/strong><\/span><\/div>\n
PRAG * Service du Dictionnaire de l\u2019Acad\u00e9mie fran\u00e7aise (r\u00e9dactrice) \/ Universit\u00e9 de Versailles-Saint-Quentin-en-Yvelines * Litt\u00e9rature fran\u00e7aise, XVIIe<\/sup> si\u00e8cle<\/strong><\/span><\/div>\n
\u00a0<\/span><\/div>\n
Po\u00e9sie mondaine du XVIIe<\/sup> si\u00e8cle, \u00e9p\u00eetre en vers, litt\u00e9rature \u00e9pistolaire, po\u00e9sie f\u00e9minine de la seconde moiti\u00e9 du XVIIe<\/sup> si\u00e8cle <\/em><\/span><\/div>\n

\n \u00c9DITION CRITIQUE<\/strong><\/span>
\n – Antoinette Deshouli\u00e8res : Po\u00e9sies<\/a>,<\/em> Paris, Classiques Garnier, 2010.
\n <\/span><\/div>\n

\n ARTICLES <\/strong><\/span><\/span><\/div>\n
– \u00ab L’all\u00e9gorie, en image et en texte, dans les Almanachs<\/em> d’\u00e9poque Louis XIV conserv\u00e9s \u00e0 la Biblioth\u00e8que de l’Institut (1645-1690) \u00bb, in M.-C. Pioffet &\u00a0A. Spica (dir.), S\u2019exprimer autrement\u00a0: po\u00e9tique et enjeux de l’all\u00e9gorie \u00e0 l’\u00e9poque classique<\/em>, T\u00fcbingen, Narr, 2016, p. 49-63. <\/span><\/div>\n
– \u00ab Les m\u00e9tamorphoses d’Anacr\u00e9on chez Mme Deshouli\u00e8res : effets d’une tradition philologique et philosophique sur son lyrisme pastoral \u00bb, in P. Chom\u00e9ty &\u00a0C. Poulouin, Revue Fontenelle <\/em>(PURH),\u00a010, 2013 (\u00ab Le Si\u00e9cle pastoral \u00bb), p. 181-197. <\/span><\/div>\n
-\u00ab Rh\u00e9torique du c\u0153ur et \u00e9criture intime. L\u2019art \u00e9pistolaire d\u2019Antoinette Deshouli\u00e8res \u00bb, in C. La Charit\u00e9 et R. Roy (dir.), Femmes, rh\u00e9torique et \u00e9loquence sous l\u2019Ancien R\u00e9gime<\/a><\/em>, Saint-\u00c9tienne, PUSE, 2012.
\n -\u00ab Le tissage du vers et de la prose dans l\u2019\u00e9p\u00eetre galante \u00bb,Revue de l\u2019Aire<\/em>, 31, d\u00e9c. 2005 (\u00ab Lettre et po\u00e9sie \u00bb, dir. G. Haroche-Bouzinac, N. Masson & S. Menant), p.33-44.
\n – \u00ab De la froideur de Diane au Palais de la Volupt\u00e9 : quelques aspects de la chasse dans la po\u00e9sie mondaine au XVIIe si\u00e8cle \u00bb, XVIIe si\u00e8cle<\/em>, 226, janv. 2005 (\u00ab Chasse et for\u00eat au XVIIe si\u00e8cle \u00bb, dir. J.-M. Berc\u00e9), p.41-53.
\n – \u00ab La m\u00e9taphore du nourrisson \u00e0 l\u2019\u00e9poque mondaine. Autour de quatre \u00e9p\u00eetres \u00bb, Cahiers Tristan L\u2019Hermite<\/em>, XXVI, 2004, p.67-78.<\/span><\/p>\n

 <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

France * asophie.tonolo@free.fr PRAG * Service du Dictionnaire de l\u2019Acad\u00e9mie fran\u00e7aise (r\u00e9dactrice) \/ Universit\u00e9 de Versailles-Saint-Quentin-en-Yvelines * Litt\u00e9rature fran\u00e7aise, XVIIe si\u00e8cle \u00a0 Po\u00e9sie mondaine du XVIIe si\u00e8cle, \u00e9p\u00eetre en vers, litt\u00e9rature \u00e9pistolaire, po\u00e9sie f\u00e9minine de la seconde moiti\u00e9 du XVIIe si\u00e8cle \u00c9DITION CRITIQUE – Antoinette Deshouli\u00e8res : Po\u00e9sies, Paris, Classiques Garnier, 2010. ARTICLES – \u00ab […]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3265","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3265","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3265"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3265\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3265"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3265"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3265"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}