{"id":3244,"date":"2010-01-29T14:12:39","date_gmt":"2010-01-29T14:12:39","guid":{"rendered":"http:\/\/576"},"modified":"2010-01-29T14:12:39","modified_gmt":"2010-01-29T14:12:39","slug":"voichita-maria-sasu","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/voichita-maria-sasu\/","title":{"rendered":"Voichita-Maria SASU"},"content":{"rendered":"<div style=\"text-align: justify;\" class=\"corpsTexte\"><strong><span style=\"font-size: small;\">Roumanie *<span style=\"text-decoration: underline;\"> <\/span><\/span><\/strong><a href=\"mailto:voichita_sasu@yahoo.com\"><span style=\"font-size: small;\">voichita_sasu@yahoo.com<\/span><\/a><strong><br \/>\n<\/strong><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><strong><br \/>\n<\/strong><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><strong><span style=\"font-size: small;\">PR * Universit\u00e9 Babes-Bolyai de Cluj-Napoca * Litt\u00e9rature fran\u00e7aise Moyen \u00c2ge, Renaissance, Litt\u00e9rature qu\u00e9b\u00e9coise XIX<sup>e<\/sup>, XX<sup>e<\/sup> si\u00e8cles<\/span><\/strong><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"> <\/span><em><span style=\"font-size: small;\">Lyrisme f\u00e9minin, Le roman et ses th\u00e8mes <\/span><\/em><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>OUVRAGE<\/strong><\/span><br \/>\n&#8211; <em>L&#8217;Amour dans le lyrisme f\u00e9minin (Moyen \u00c2ge-Renaissance),<\/em> Lasi, Deniiurg, 1997. <\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>ARTICLES<\/strong><\/span><br \/>\n&#8211; \u00ab Le Coffre \u00e0 jouets de Dyane Leger \u00bb, <em>Dalhousie French Studies,<\/em> 62, 2003, p.63-73.<br \/>\n&#8211; \u00ab Le mythe de la cr\u00e9ation dans <em>Angeline de Montbrun <\/em>de Laure Conan \u00bb, in L. Matic (dir.), <em>Le Mythe dans les oeuvres des Auteurs Canadiens,<\/em> Novi Sad, Feljton, 2000.<br \/>\n&#8211; \u00ab Le Chevalier chr\u00e9tien et les Iroquois \u00bb <em>(L&#8217;Oubli\u00e9 de Laure Conan)<\/em>, in A. Ablamowicz (dir.), <em>Le Roman de l&#8217;histoire dans l&#8217;histoire du roman,<\/em> Katowice, Wydawnictwo Unyversitetu Slaskiego, 2000.<br \/>\n&#8211; \u00ab Un cas d&#8217;intertextualit\u00e9 dans l&#8217;<em>Heptam\u00e9ron <\/em>: la nouvelle 70 \u00bb, A<em>cta Universitatis Lodziensis<\/em> (Lodz, Pologne), 1997.<br \/>\n&#8211; \u00ab Id\u00e9ologie amoureuse dans le lyrisme fran\u00e7ais f\u00e9minin du XVIe si\u00e8cle \u00bb, A<em>cta Universitatis Lodziensis <\/em>(Lodz, Pologne), 14, 1985 (\u00ab Folia Literaria \u00bb).<br \/>\n&#8211; \u00ab La lyrique f\u00e9minine fran\u00e7aise du Moyen \u00c2ge et de la Renaissance. Entre rh\u00e9torique et sentiment \u00bb, <em>Ossolineum<\/em> (Lodz, Pologne), 1, 1978 (\u00ab Zagadnienia rodzajow literackich <em>(Probl\u00e8mes des genres litt\u00e9raires)<\/em> \u00bb), <br \/>\n&#8211; \u00ab Le roman v\u00e9cu : H\u00e9lisenne de Crenne et Christiane Rochefort \u00bb, in M. Voda Capusan (dir.),<em> Points de vue sur le roman contemporain,<\/em> Cluj, 1978.<br \/>\n&#8211; \u00ab Christine de Pizan \u00bb, <em>Studia,<\/em> Cluj, 1973. <\/p>\n<p><\/span><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Roumanie * voichita_sasu@yahoo.com PR * Universit\u00e9 Babes-Bolyai de Cluj-Napoca * Litt\u00e9rature fran\u00e7aise Moyen \u00c2ge, Renaissance, Litt\u00e9rature qu\u00e9b\u00e9coise XIXe, XXe si\u00e8cles Lyrisme f\u00e9minin, Le roman et ses th\u00e8mes OUVRAGE &#8211; L&#8217;Amour dans le lyrisme f\u00e9minin (Moyen \u00c2ge-Renaissance), Lasi, Deniiurg, 1997. ARTICLES &#8211; \u00ab Le Coffre \u00e0 jouets de Dyane Leger \u00bb, Dalhousie French Studies, 62, 2003, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3244","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3244"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3244\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3244"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}