{"id":3227,"date":"2010-01-11T09:23:26","date_gmt":"2010-01-11T09:23:26","guid":{"rendered":"http:\/\/559"},"modified":"2010-01-11T09:23:26","modified_gmt":"2010-01-11T09:23:26","slug":"maria-teresa-ramos-gomez","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/maria-teresa-ramos-gomez\/","title":{"rendered":"Maria Teresa RAMOS GOMEZ"},"content":{"rendered":"<div style=\"text-align: justify;\" class=\"corpsTexte\"><strong><span style=\"font-size: small;\">Espagne * <\/span><\/strong><a href=\"mailto:mtramos@fyl.uva.es\"><span style=\"font-size: small;\">mtramos@fyl.uva.es<\/span><\/a><strong><br \/>\n<\/strong><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><strong><br \/>\n<\/strong><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><strong><span style=\"font-size: small;\"> MC * Universit\u00e9 de Valladolid * Litt\u00e9rature fran\u00e7aise, XVIII<sup>e<\/sup> si\u00e8cle <\/span><\/strong><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><em><span style=\"font-size: small;\">Roman, conte et th\u00e9\u00e2tre du XVIIIe si\u00e8cle, R\u00e9cit fantastique<\/span><\/em><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>ARTICLES <\/strong><\/span><br \/>\n&#8211; \u00ab Deux transpositions de Marivaux au cin\u00e9ma : notes sur <em>La Fausse Suivante<\/em> (Jacquot, 2000) et <em>Triumph of Love <\/em>(Peploe, 2001) \u00bb, in <\/span><span style=\"font-size: small;\">Ana Clara Santos (dir.), <\/span><em><span style=\"font-size: small;\">Descontinuidades e conflu\u00eancias de olhares nos estudos franc\u00f3fonos<\/span><\/em><span style=\"font-size: small;\">,<\/span><span style=\"font-size: small;\">Faro (Portugal),<\/span><span style=\"font-size: small;\"> Universidade do Algarve, 2010, p. 455-468 (\u00e0 propos de la repr\u00e9sentation de la femme marivaudienne).<br \/>\n&#8211; <\/span><span style=\"font-size: small;\">\u00ab <em>La Fausse Suivante<\/em>, ou la dynamique du triangle \u00bb, <em>\u00c7\u00e9dille<\/em>, 5, 2009 (<a href=\"http:\/\/http :\/\/webpages.ull.es\/users\/cedille\/\">en ligne<\/a>). <\/span><span style=\"font-size: small;\"><br \/>\n&#8211; \u00ab Le mariage dans <em>L\u2019\u00c9preuve <\/em>de Marivaux : une gageure sociale \u00bb, in \u00c0. Santa &#038; C. Sol\u00e9 (dir.), <em>Texto y Sociedad en las letras francesas y franc\u00f3fonas<\/em>, Departament de Filologia Cl\u00e0ssica, Francesa i Hisp\u00e0nica de la Universitat de Lleida (Espagne), 2009, p.148-156. <br \/>\n&#8211; \u00ab L&#8217;Adaptation au go\u00fbt litt\u00e9raire : <em>Les Chevaliers du Cygne<\/em> de Mme de Genlis \u00bb, <em>Litt\u00e9ratures <\/em>(Universit\u00e9 de Toulouse-Le Mirail), 16, 1987, p.13-24.<br \/>\n&#8211; \u00ab Mme Fagnan o la subversi\u00f3n del cuento de hadas \u00bb, in <em>La Litt\u00e9rature au f\u00e9minin, Grupo de Investigaci\u00f3n de Filolog\u00eda Francesa<\/em>, Universidad de Granada, 2002, p.575-588 [analyse de deux contes de f\u00e9es de Madame Fagnan, Kanor et Minet-Bleu et Louvette].<\/p>\n<p><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Espagne * mtramos@fyl.uva.es MC * Universit\u00e9 de Valladolid * Litt\u00e9rature fran\u00e7aise, XVIIIe si\u00e8cle Roman, conte et th\u00e9\u00e2tre du XVIIIe si\u00e8cle, R\u00e9cit fantastique ARTICLES &#8211; \u00ab Deux transpositions de Marivaux au cin\u00e9ma : notes sur La Fausse Suivante (Jacquot, 2000) et Triumph of Love (Peploe, 2001) \u00bb, in Ana Clara Santos (dir.), Descontinuidades e conflu\u00eancias de [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3227","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3227"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3227\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3227"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3227"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}