{"id":3225,"date":"2010-01-07T15:48:25","date_gmt":"2010-01-07T15:48:25","guid":{"rendered":"http:\/\/557"},"modified":"2010-01-07T15:48:25","modified_gmt":"2010-01-07T15:48:25","slug":"bertrand-porot","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/bertrand-porot\/","title":{"rendered":"Bertrand POROT"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">France * <\/span><\/strong><a href=\"mailto:bertrand.porot@gmail.fr\"><span style=\"font-size: small;\">bertrand.porot@gmail.fr<\/span><\/a><strong><span style=\"font-size: small;\"> <\/span><br \/>\n<\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><br \/>\n<\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Ma\u00eetre de conf\u00e9rences * Universit\u00e9 de Reims-CERHIC <\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><em><span style=\"font-size: small;\">Musicologie, XVIIe-XVIIIe * Op\u00e9ra fran\u00e7ais, musique vocale, vie musicale <\/span><\/em><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>ARTICLES <\/strong><\/span><br \/>\n&#8211; \u00ab Po\u00e9tique de la haine dans Amadis de Jean-Baptiste Lully et Philippe Quinault (1684) \u00bb, in M. Deleplace (dir.), <em>Discours de la haine<\/em>, Villeneuve d\u2019Ascq, PU du Septentrion, 2009, p.153-164. <em>(autour des figures de femmes dans Amadis de Lully)<\/em> <br \/>\n&#8211; \u00ab &#8220;Les Gens de go\u00fbt&#8221; : les amateurs de clavecin dans les paratextes des XVIIe et XVIIIe si\u00e8cles \u00bb, in <em>Le Jardin de musique<\/em> (Assoc. Musique ancienne en Sorbonne, \u00c9quipe Patrimoines musicaux), 2008. <em>(Autour des femmes clavecinistes)<\/em>.2008. <em>(Autour des femmes clavecinistes)<\/em>. <br \/>\n&#8211; \u00ab Mademoiselle Certain, femme illustre, claveciniste du Grand Si\u00e8cle, savante musicienne\u2026 \u00bb, in<em> Femmes illustres, Donne illustri,<\/em> (D\u00e9pt d\u2019\u00c9tudes Fran\u00e7aises, Universit\u00e9 de G\u00eanes), publif@rum, 2, 2005, <a href=\"http:\/\/http :\/\/www.farum.it\/publifarumv\/n\/02\/porot.php\">en ligne<\/a>. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>NOTICES <\/strong><\/span><br \/>\n&#8211; \u00ab Marie-Fran\u00e7oise Certain \u00bb &#8211; \u00ab Catherine Lemaure \u00bb &#8211; \u00ab Marie P\u00e9lissier \u00bb &#8211; \u00ab Rosalie Levasseur \u00bb, in V. Andr\u00e9 &#038; H. Krief (dir.), <em>Dictionnaire des Femmes des Lumi\u00e8res,<\/em> Paris, H. Champion (\u00e0 para\u00eetre). <\/p>\n<p><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>France * bertrand.porot@gmail.fr Ma\u00eetre de conf\u00e9rences * Universit\u00e9 de Reims-CERHIC Musicologie, XVIIe-XVIIIe * Op\u00e9ra fran\u00e7ais, musique vocale, vie musicale ARTICLES &#8211; \u00ab Po\u00e9tique de la haine dans Amadis de Jean-Baptiste Lully et Philippe Quinault (1684) \u00bb, in M. Deleplace (dir.), Discours de la haine, Villeneuve d\u2019Ascq, PU du Septentrion, 2009, p.153-164. (autour des figures de [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3225","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3225"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3225\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3225"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}