{"id":3213,"date":"2010-01-06T15:49:44","date_gmt":"2010-01-06T15:49:44","guid":{"rendered":"http:\/\/545"},"modified":"2010-01-06T15:49:44","modified_gmt":"2010-01-06T15:49:44","slug":"margaret-a-oppenheimer","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/margaret-a-oppenheimer\/","title":{"rendered":"Margaret A. OPPENHEIMER"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">USA <\/span><br \/>\n<\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><br \/>\n<\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Responsable d&#8217;Art Solutions * Art history, XVIII<sup>e<\/sup>-XIX<sup>e<\/sup> si\u00e8cle<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"> <\/span><em><span style=\"font-size: small;\">Anne-Louis Girodet-Trioson, L&#8217;art de la R\u00e9volution fran\u00e7aise et le Premier Empire, Les femmes artistes \u00e0 Paris (1789-1815) <\/span><\/em><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>ARTICLES<\/strong><\/span><br \/>\n&#8211; \u00ab Four &#8220;Davids&#8221;, a &#8220;Regnault&#8221;, and a &#8220;Girodet&#8221; reattributed \u00bb, <em>Apollo<\/em>, 145, 424 (June 1997), p.38-44. <em>(Les six tableaux sont r\u00e9attribu\u00e9s \u00e0 des femmes artistes.)<\/em><br \/>\n&#8211; \u00ab Three Newly-Identified Paintings by Marie-Guillelmine Benoist \u00bb, <em>Metropolitan Museum Journal<\/em>, 31, 1996, p.143-50.<br \/>\n&#8211; \u00ab Nisa Villers, n\u00e9e Lemoine (1774-1821) \u00bb, <em>Gazette des Beaux-Arts<\/em>, 127, 1527 (April 1996), p.167-80. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: rgb(128, 0, 0);\"><strong>NOTICE<\/strong><\/span><br \/>\n&#8211; \u00ab <a href=\"1\/\">Ad\u00e8le de Romance<\/a> \u00bb &#8211; \u00ab <a href=\"1\/\">Marie-Denise Villers<\/a> \u00bb &#8211; \u00ab Charpentier, Julie \u00bb, in <em>Dictionnaire des femmes de l&#8217;Ancienne France<\/em>, SIEFAR, 2004, 2007. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"color: rgb(128, 0, 0);\"><strong><br \/>\nNON PUBLI\u00c9<\/strong><\/span><br \/>\n&#8211; <em>Women Artists in Paris, 1791-1814<\/em>, Ph.D. diss., Institute of Fine Arts, New York University, 1996. <a href=\"http:\/\/http :\/\/www.umi.com\/hp\/Products\/Dissertations.html \">http :\/\/www.umi.com\/hp\/Products\/Dissertations.html <\/a><\/p>\n<p><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>USA Responsable d&#8217;Art Solutions * Art history, XVIIIe-XIXe si\u00e8cle Anne-Louis Girodet-Trioson, L&#8217;art de la R\u00e9volution fran\u00e7aise et le Premier Empire, Les femmes artistes \u00e0 Paris (1789-1815) ARTICLES &#8211; \u00ab Four &#8220;Davids&#8221;, a &#8220;Regnault&#8221;, and a &#8220;Girodet&#8221; reattributed \u00bb, Apollo, 145, 424 (June 1997), p.38-44. (Les six tableaux sont r\u00e9attribu\u00e9s \u00e0 des femmes artistes.) &#8211; \u00ab [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3213","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3213"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3213\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3213"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}