{"id":3209,"date":"2010-01-06T15:31:12","date_gmt":"2010-01-06T15:31:12","guid":{"rendered":"http:\/\/541"},"modified":"2010-01-06T15:31:12","modified_gmt":"2010-01-06T15:31:12","slug":"marina-nordera","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/marina-nordera\/","title":{"rendered":"Marina NORDERA"},"content":{"rendered":"
* <\/strong>Marina.nordera@unice.fr<\/a>
\n <\/strong><\/span><\/div>\n

\n <\/strong><\/span><\/div>\n
PR Danse, Centre Transdisciplinaire d\u2019Epist\u00e9mologie de la Litt\u00e9rature et des Arts Vivants (EA 6307) * Universit\u00e9 de Nice Sophia Antipolis * Histoire de la danse, XV-XVIIIe<\/sup> si\u00e8cles<\/strong>
\n <\/span><\/div>\n

\n <\/em><\/span><\/div>\n
Histoire de la danse, Histoire du corps, M\u00e9thodologie de la recherche en danse, Danse et genre \u00e0 l’\u00e9poque moderne<\/em>
\n <\/span><\/div>\n

\n OUVRAGES<\/strong><\/span>
\n – La Construction de la f\u00e9minit\u00e9 dans la danse<\/em>, catalogue de l’exposition, Paris, CND, 2004. <\/span><\/div>\n

– (avec H. Marqui\u00e9) Perspectives genr\u00e9es sur les femmes dans l\u2019histoire de la danse<\/em>, num\u00e9ro sp\u00e9cial de\u00a0Recherches en danse<\/em>, 3, 2015 [En ligne]<\/a>.<\/span><\/p>\n


\n ARTICLES<\/strong><\/span>
\n – \u00ab\u00a0“Essere liberamente signore della sua persona e del suo piede”. Corpo, gesto e genere nella danza italiana del ‘400\u00bb, in A. Pontremoli &\u00a0C. Gelmetti (dir.), Guglielmo Ebreo da Pesaro : la danza nel quattrocento<\/em>, Milano, Alessandro Baldacchini Editore, 2015. <\/span><\/div>\n
– \u00ab Immaginari corporei e rappresentazioni di genere tra danza, scrittura e societ\u00e0 : Approcci, riflessioni e prospettive \u00bb, in L. Guidi &\u00a0M. R. Pelizzari (dir.), Nuove frontiere per la storia di genere<\/em>, Atti del V Congresso della Societ\u00e0 Italiana delle Storiche, Napoli, 2013, p. 249-254. <\/span><\/div>\n
– \u00ab Danser seule au XVIIIe si\u00e8cle : un espace f\u00e9minin de cr\u00e9ation et transmission ?\u00bb, Recherches en danse<\/em>, 3, 2015 [En ligne]<\/a>. <\/span><\/div>\n
– \u00ab Rien n\u2019irrite plus un homme qu\u2019une femme qui danse \u00bb, Sorci\u00e8res<\/em>, Rep\u00e8res. Cahier de danse<\/em>, 30, novembre 2012, p. 25-28. <\/span><\/div>\n
– \u00ab Ser bailarina en el siglo XVIII: el cuerpo femenino entre la sociedad y la escena \u00bb, in B. Martinez del Fresno (dir.), Coreografiar la historia europea: Cuerpo, pol\u00edtica, identidad y g\u00e9nero en la danza de la edad moderna y contempor\u00e1nea<\/em>, Universit\u00e9 de Oviedo, 2011, p. 116-137.<\/span><\/div>\n
– \u00ab Comment construire une danseuse? Marie Madeleine Guimard entre vie et sc\u00e8ne \u00bb, in I. Launay et S. Pages (dir.), Histoire et m\u00e9moire en danse<\/em>, Paris, L\u2019Harmattan,\u00a02010, p. 269-84. <\/span><\/div>\n
– \u00ab Getting through French revolution as a female dancer : life and works of Marie Madeleine Guimard \u00bb, in 2. Rothenfelser Tanzsymposion : vom Sch\u00e4feridyll zur Revolution. Europ\u00e4ische Tanzkultur im 18. Jahrhundert,<\/em> Fa-Gisis, Friburg, 2008, p.175-181.
\n – \u00ab Come costruire una danzatrice. Marie Madeleine Guimard tra vita e scena \u00bb, Teatro e Storia<\/em>, 28, 2007, p.381-93.
\n – \u00ab Gender underway. Notes for histories yet to be written \u00bb, in S. Franco e M. Nordera (dir.), Dance Discourses. Keywords for Methodologies in Dance Research<\/em>, Routledge, New York-London, 2007, p.169-86.
\n – \u00ab Women dancing out norms in 16th century Italy \u00bb, in Proceedings of the Thirtieth Conference CORD<\/em>, SHDS, CND, 2007, p.480-486.
\n – \u00ab Generi in corso. Note per storie ancora da scrivere \u00bb, in S. Franco et M. Nordera (dir.), I discorsi della danza. Parole chiave per una metodologia della ricerca<\/em>, Torino, UTET, 2005, p.203-226.
\n – \u00ab Move a libere danze il pi\u00e9 baccante. Danze femminili tra citt\u00e0 e contado (XVI-XVII scolo) \u00bb, in C. Alberti (dir.), La Teatralit\u00e0 nel Veneto,<\/em> vol. III : Le Stanze del teatro,<\/em> Milano, Motta Editore, 2002, p.80-99 (Danses f\u00e9minines)<\/em>.
\n – \u00ab La maniera che la Dama dover\u00e0 usare ballando. La donna che danza tra XV e XVIII secolo \u00bb, La Danza in Europa<\/em>, Roma, Associazione Italiana per la Musica e la Danza Antica, 1995, p.17-26 [Danse et femmes XV-XVIIIe si\u00e8cles].
\n – La Donna in ballo. Danza e genere nella prima et\u00e0 moderna<\/em>, Th\u00e8se en Histoire et Civilisation, dir. Luisa Passerini, Institut Universitaire Europ\u00e9en, Florence 2001.
\n <\/span><\/div>\n
\u00a0<\/span><\/div>\n
NON PUBLI\u00c9<\/strong><\/span>
\n – La Donna in ballo. Danza e genere nella prima et\u00e0 moderna,<\/em> Th\u00e8se en Histoire et Civilisation, dir. Luisa Passerini, Institut Universitaire Europ\u00e9en, Florence 2001.<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

* Marina.nordera@unice.fr PR Danse, Centre Transdisciplinaire d\u2019Epist\u00e9mologie de la Litt\u00e9rature et des Arts Vivants (EA 6307) * Universit\u00e9 de Nice Sophia Antipolis * Histoire de la danse, XV-XVIIIe si\u00e8cles Histoire de la danse, Histoire du corps, M\u00e9thodologie de la recherche en danse, Danse et genre \u00e0 l’\u00e9poque moderne OUVRAGES – La Construction de la f\u00e9minit\u00e9 […]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3209","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3209"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3209\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3209"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3209"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}