{"id":3203,"date":"2010-01-05T11:07:30","date_gmt":"2010-01-05T11:07:30","guid":{"rendered":"http:\/\/535"},"modified":"2010-01-05T11:07:30","modified_gmt":"2010-01-05T11:07:30","slug":"alicia-c-montoya","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/alicia-c-montoya\/","title":{"rendered":"Alicia C. MONTOYA"},"content":{"rendered":"
Pays-Bas * <\/span><\/strong>A.C.Montoya@rug.nl<\/span><\/a>
<\/strong><\/div>\n

<\/strong><\/div>\n
Assistante universitaire * Universit\u00e9 de Nim\u00e8gue * Litt\u00e9rature fran\u00e7aise, XVIIe et XVIIIe si\u00e8cles <\/span><\/strong><\/div>\n
\u00a0<\/div>\n
Marie-Anne Barbier, M\u00e9di\u00e9valisme <\/span><\/em><\/div>\n
\n


\u00c9DITIONS CRITIQUES<\/strong><\/span>
– (avec A. Evain), Marie-Anne Barbier : Arrie et Petus<\/em> et Le Faucon<\/em>, in A. Evain, P. Gethner & H. Goldwyn (dir.), <\/span>T<\/span>h\u00e9<\/span><\/em><\/a>\u00e2tre de femmes de l’Ancien R\u00e9gime, <\/em>vol.3 XVIIe-XVIIIe si\u00e8cle<\/em><\/a>, Saint-\u00c9tienne, PUSE, 2011, p<\/span><\/span>.353-472.<\/span>
–<\/span> <\/span>(avec V. Schr\u00f6der), Marie-Anne Barbier : Corn\u00e9lie, m\u00e8re des Gracques (1703)<\/em><\/a>, Toulouse, Soci\u00e9t\u00e9 de Litt\u00e9ratures Classiques, 2005.<\/span><\/p>\n<\/div>\n


OUVRAGES <\/strong><\/span>
– (dir.), Madame de Genlis et la pens\u00e9e des lumi\u00e8res,<\/em> Open Access journal RELIEF- Revue \u00e9lectronique de litt\u00e9rature fran\u00e7aise, vol. 7, 1, 2013, en ligne : www.revue-relief.org.
<\/a>– (avec Anke Geiller et Suzan van Dijk, dir.), Women Writing Back – Writing Women Back. Transnational Perspectives from the Late Middle Ages to the Dawn of the Modern Era<\/em><\/a>, <\/a>Leiden, Brill, 2010.
– <\/a>Marie-Anne Barbier et la trag\u00e9die post-classique<\/em><\/a>, Paris, H. Champion, 2007. <\/span><\/div>\n

ARTICLES<\/span><\/strong><\/span>
– <\/span>(avec S. van Dijk et A. Gilleir), \u00ab Before NEWW (New approaches to European Women\u2019s Writing). Prolegomena to the Launching of an International Project \u00bb, Tulsa Studies in Women\u2019s Literature<\/em>, 27, 1, 2008, p.151-157, en ligne<\/a>.
– \u00ab Contes du style des troubadours. The Memory of the Medieval in 17th-century French Fairy Tales \u00bb, Studies in Medievalism<\/em>, XVI, 2008, p.1-24.
– \u00ab A Woman Translator of Montaigne. Appreciation and Appropriation in Maria Heyns\u2019s Bloemhof der Doorluchtige Voorbeelden <\/em>(1647) \u00bb, in P.J. Smith (dir.), Montaigne and the Low Countries,<\/em> Leiden, Brill, 2007, p.223-245.
– \u00ab Th\u00e9orie et pratique des citations de Corneille et Racine chez Marie-Anne Barbier \u00bb, Litt\u00e9ratures Classiques<\/em>, 52, 2004, p.61-73.
– \u00ab French and English women writers in Dutch library (auction) catalogues, 1700-1800. Some methodological considerations and preliminary results \u00bb, in S. Van Dijk, P. Broomans, J. Van der Meulen & P. Van Oostrum (dir.), “I have heard about you”, Foreign women’s writing crossing the Dutch border : from Sappho to Selma Lagerl\u00f6f<\/em>, Hilversum, Verloren, 2004.
– \u00ab Republican Overtones : Marie-Anne Barbier’s tragedies translated, 1728-1774 \u00bb, in S. Van Dijk, P. Broomans, J. Van der Meulen & P. Van Oostrum (dir.), \u00ab I have heard about you \u00bb, Foreign women’s writing crossing the Dutch border : from Sappho to Selma Lagerl\u00f6f,<\/em> Hilversum, Verloren, 2004.
– \u00ab La femme forte et ses avatars dans les trag\u00e9dies de Marie-Anne Barbier \u00bb, Biblio 17<\/em>, 144, 2003 (\u00ab Les Femmes au Grand Si\u00e8cle \u00bb).
– \u00ab Noble z\u00e8le ou exemple s\u00e9ditieux ? Corn\u00e9lie et Ca\u00efus Gracchus sur sc\u00e8ne, Paris, Amsterdam et Gen\u00e8ve \u00bb, in M.C. Cook & M.E. Plagnol-Di\u00e9val (dir.), R\u00e9-\u00e9critures, <\/em>Bern, Berlin etc., Peter Lang, 2002, p.229-242.<\/span>
– (avec Suzan van Dijk) \u00ab Madame Leprince de Beaumont, Mademoiselle Bonne en hun Nederlandse lezers \u00bb, De Achttiende Eeuw. Documentatieblad van de werkgroep achttiende eeuw<\/em>, 34-1, 2002, p.5-32.
– \u00ab Le Faucon <\/em>(1719) de Marie-Anne Barbier en dialogue avec Mme de Villedieu et La Fontaine \u00bb, in S. Van Dijk & M. Van Strien-Chardonneau (dir.), F\u00e9minit\u00e9s et masculinit\u00e9s dans le texte narratif avant 1800. La question du \u00ab gender \u00bb,<\/em> Louvain\/Paris, Peeters, 2002.
– \u00ab Caesar the Father in Marie-Anne Barbier’s La Mort de C\u00e9sar <\/em>(1709) \u00bb, in K.A.E. Enenkel, J.L. de Jong & J. de Landtheer (dir.), Recreating Ancient History : Episodes from the Greek and Roman Past in the Arts and Literatures of the Early Modern Period<\/em> (Intersections 1), Leiden, Brill, 2001, p.319-337. <\/span><\/div>\n

NOTICE <\/strong><\/span>
– \u00ab Marie-Anne Barbier<\/a> \u00bb, in Dictionnaire des femmes de l’Ancienne France,<\/em> SIEFAR, 2006. <\/span><\/div>\n

NON PUBLI\u00c9 <\/strong><\/span>
– Apr\u00e8s Corneille, apr\u00e8s Racine : Marie-Anne Barbier et la trag\u00e9die post-classique, <\/em>th\u00e8se soutenue en 2005, Universit\u00e9 de Leyden (Pays-Bas). <\/span><\/div>\n

DIVERS<\/strong><\/span>
– Contributions \u00e0 la base de donn\u00e9es Women writers before 1900. Authors, works, reception, consultable sur Internet : http :\/\/www.roquade.nl<\/a>.<\/span><\/span><\/p>\n

 <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Pays-Bas * A.C.Montoya@rug.nl Assistante universitaire * Universit\u00e9 de Nim\u00e8gue * Litt\u00e9rature fran\u00e7aise, XVIIe et XVIIIe si\u00e8cles \u00a0 Marie-Anne Barbier, M\u00e9di\u00e9valisme \u00c9DITIONS CRITIQUES – (avec A. Evain), Marie-Anne Barbier : Arrie et Petus et Le Faucon, in A. Evain, P. Gethner & H. Goldwyn (dir.), Th\u00e9\u00e2tre de femmes de l’Ancien R\u00e9gime, vol.3 XVIIe-XVIIIe si\u00e8cle, Saint-\u00c9tienne, PUSE, […]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3203","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3203"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3203\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3203"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3203"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}