{"id":3201,"date":"2010-01-05T10:56:06","date_gmt":"2010-01-05T10:56:06","guid":{"rendered":"http:\/\/533"},"modified":"2010-01-05T10:56:06","modified_gmt":"2010-01-05T10:56:06","slug":"vicki-mistacco","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/vicki-mistacco\/","title":{"rendered":"Vicki E. MISTACCO"},"content":{"rendered":"
Department of French, Wellesley College Wellesley, MA 02481-8203, USA * <\/span><\/strong>vmistacco@wellesley.edu<\/span><\/a>
\n<\/span><\/strong><\/div>\n
Professor emerita of French * Wellesley College * Langue et litt\u00e9rature fran\u00e7aises, XVIIIe<\/sup> et XXe<\/sup> si\u00e8cles<\/span><\/strong><\/div>\n
\u00a0<\/div>\n
\u00c9crivaines fran\u00e7aises du Moyen \u00c2ge \u00e0 nos jours, Impulsion anthologique : la promotion de la litt\u00e9rature f\u00e9minine fran\u00e7aise par les femmes (1750-1970, anthologies, compilations, dictionnaires biographiques et autres recueils), Louise de K\u00e9ralio<\/span><\/em><\/div>\n

\nOUVRAGE<\/strong><\/span>
\n– Les Femmes et la tradition litt\u00e9raire : Anthologie du Moyen \u00c2ge \u00e0 nos jours. Premi\u00e8re partie : XIIe-XVIIIe si\u00e8cles<\/em><\/a>, New Haven et Londres, Yale UP, 2006 (2e partie, XIX-XXI s., 2007).<\/span><\/div>\n

\nARTICLES<\/strong><\/span>
\n– \u00ab Encountering Women Writers and Their Texts: Louise de Keralio’s Pioneering Anthology. \u00bb Encounters in the Arts, Literature, and Philosophy: Chance and Choice<\/em>. Ed. Virginie Greene and J\u00e9rome Brillaud. London: Bloomsbury, 2021. Pp. 93-106.
\n– \u00ab Le corps petit, mais l’\u00e2me grande”: Voicing a Woman’s Ambition in Louise de Keralio. \u00bb Selected Essays from the Women in French International Conference 2018. Special Issue Women in French Studies<\/em>. Ed. Aim\u00e9e Boutin, Julia Frengs, Reinier Leushuis (2019), Pp. 83-92.
\n– \u00ab Le masculin, une vieille histoire. Riccoboni et Sand. \u00bb Le Masculin dans les \u0153uvres d’\u00e9crivaines fran\u00e7aises: “Il faut beaucoup aimer les hommes.”<\/em> Ed. Fran\u00e7oise R\u00e9tif. Paris: Classiques Garnier, 2016. Pp. 133-169.
\n– \u00ab La femme auteur. \u00bb Dictionnaire des Femmes des Lumi\u00e8res.<\/em> Ed. Huguette Krief and Val\u00e9rie Andr\u00e9. Paris: Champion, 2015. Pp. 465-473.
\n– \u00ab Genlis \u00e0 contre-courant : De l’influence des femmes<\/em> \u00bb, in F. Bessire & M. Reid (dir.), Madame de Genlis. Litt\u00e9rature et \u00e9ducation<\/a>,<\/em> Mont-Saint-Aignan, PU de Rouen et du Havre, 2008.
\n– \u00ab The Metamorphoses of Philomel \u00bb, in C. Yandell & M. Rice-Defosse (\u00e9d.), \u00c9criture courante : Critical Perspectives on French and Francophone Women, <\/em>Special issue, Women in French Studies<\/em> (2005), p.205-218.<\/span><\/div>\n

\nCOMPTES RENDUS<\/strong><\/span>
\n– Catherine Mariette-Clot and Damien Zanone, eds. La Tradition des romans de femmes. XVIIIe<\/sup>-XIXe<\/sup> si\u00e8cles<\/em>. Paris: Honor\u00e9 Champion, 2012. Nineteenth-Century French Studies 42, Nos. 3-4 (Spring-Summer 2014), 276-279.
\n– Norman Shapiro, French Women Poets of Nine Centuries<\/em> : H-France Review<\/em>, vol. 10, 2010, p.580-584 (en ligne<\/a>).
\n– Elizabeth Wanning Harries, Twice Upon a Time : Women Writers and the History of the Fairy Tale <\/em>(Princeton, Princeton UP, 2001) : Eighteenth-Century Book Reviews Online.<\/em><\/span><\/span><\/p>\n

\u00a0<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Department of French, Wellesley College Wellesley, MA 02481-8203, USA * vmistacco@wellesley.edu Professor emerita of French * Wellesley College * Langue et litt\u00e9rature fran\u00e7aises, XVIIIe et XXe si\u00e8cles \u00a0 \u00c9crivaines fran\u00e7aises du Moyen \u00c2ge \u00e0 nos jours, Impulsion anthologique : la promotion de la litt\u00e9rature f\u00e9minine fran\u00e7aise par les femmes (1750-1970, anthologies, compilations, dictionnaires biographiques et […]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"categorie_personnage":[],"class_list":["post-3201","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3201"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3201\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3201"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}