{"id":3193,"date":"2010-01-05T10:30:30","date_gmt":"2010-01-05T10:30:30","guid":{"rendered":"http:\/\/525"},"modified":"2010-01-05T10:30:30","modified_gmt":"2010-01-05T10:30:30","slug":"gisele-mathieu-castellani","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/gisele-mathieu-castellani\/","title":{"rendered":"Gis\u00e8le MATHIEU-CASTELLANI"},"content":{"rendered":"
Paris, France <\/span>
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PR * Universit\u00e9 Paris VII-Denis Diderot * Litt\u00e9rature fran\u00e7aise, XVIe si\u00e8cle<\/span><\/strong><\/div>\n

<\/strong><\/div>\n
Po\u00e9tique, Rh\u00e9torique<\/span> <\/em><\/div>\n

OUVRAGES<\/strong><\/span>
– La Quenouille et la Lyre. La repr\u00e9sentation du f\u00e9minin \u00e0 la Renaissance<\/em>, Paris, Jos\u00e9 Corti, 1998.
– La Conversation conteuse. Les Nouvelles de Marguerite de Navarre<\/em>, Paris, PUF, I992. <\/span><\/div>\n

\u00c9DITION CRITIQUE<\/strong><\/span>
– Marguerite de Navarre : Heptam\u00e9ron<\/em>, Paris, Hachette, 1999. <\/span><\/div>\n

ARTICLES <\/strong><\/span>
– \u00ab “C\u2019est une femme qui parle” : la voix f\u00e9minine dans le dialogue amoureux \u00bb, in A. Paupert & C. Liaroutzos (dir.), La Discorde des deux langages. Repr\u00e9sentations des discours masculins et f\u00e9minins du Moyen \u00c2ge \u00e0 l\u2019\u00c2ge classique<\/em>, Paris, PU Paris Diderot, 2006.
– \u00ab \u00c9ros masqu\u00e9 : figures mythiques de l’homosexualit\u00e9 \u00bb, in P. Ford & P. White (dir.), Masculinities in Sixteenth-Century France : Proceedings of the Eighth, <\/em>Cambridge, Cambridge French Colloquia, 2006.
– \u00ab Po\u00e9tique de la liste : les figures de l’excellence f\u00e9minine, de Corneille Agrippa \u00e0 Marie de Gournay \u00bb, in G. Mallary-Masters, R. Reynolds-Cornell & Roberto Campo (dir.), La Dignit\u00e9 de l’Homme et de la Femme<\/em>, Paris, H. Champion (\u00e0 para\u00eetre).
– \u00ab L’image de la femme chez Th\u00e9ophile de Viau \u00bb, in La Femme au XVIIe si\u00e8cle, <\/em>Biblio 17, 138, 2002.
– \u00ab La figure de Diane aux XVIe et XVIIe si\u00e8cles : de la dramatisation \u00e0 la d\u00e9coloration du mythe \u00bb, Albineana<\/em>, XIV, 2002 (\u00ab Le Mythe de Diane en France \u00e0 la Renaissance \u00bb).
– \u00ab La r\u00e9vision des savoirs et la question de la diff\u00e9rence sexuelle \u00bb, in D. de Courcelles (dir.), Fonder les savoirs, fonder les pouvoirs<\/em>, Etudes et rencontres de l’Ecole des Chartes, 2000.
– \u00ab Les m\u00e9tamorphoses de Corn\u00e9lia \u00bb, in P. Ford & G. Jondorf (dir.), Women’s Writing in the French Renaissance<\/em>, Cambridge, Cambridge French Colloquia, 1999.
– \u00ab Marie de Gournay et la cause des femmes \u00bb, in M. T\u00e9tel (dir.), Montaigne et Marie de Gournay<\/em>, Paris, H. Champion, 1997.
– \u00ab La quenouille ou la lyre. Marie de Gournay et L’Egalit\u00e9 des hommes et des femmes<\/em> \u00bb, Journal of Medieval and Renaissance Studies<\/em>, 32-3, 1995-1996.
– \u00ab L’Heptam\u00e9ron<\/em> : l’\u00e8re du soup\u00e7on \u00bb, in M. Tetel (dir.), Les Visages et les voix de Marguerite de Navarre<\/em>, Paris, Klincksieck, 1995, p.123-134.
– \u00ab Rien nouveau sous le soleil \u00bb, in N. Cazauran & J. Dauphin\u00e9 (dir.), Marguerite de Navarre, 1492-1992<\/em>, Mont-de-Marsan, \u00c9ditions InterUniversitaires, 1995, p.719-729.
– \u00ab Donnant donnant : les structures de l’\u00e9change dans l’Heptam\u00e9ron <\/em>\u00bb, Cahiers Textuel<\/em>, 1er trimestre 1992 (\u00ab Marguerite de Navarre \u00bb).
– \u00ab Les marques du f\u00e9minin dans la parole amoureuse de Louise Lab\u00e9 \u00bb, in G. Demerson (dir.), Louise Lab\u00e9, les voix du lyrisme,<\/em> Saint-\u00c9tienne\/Paris, PUSE\/\u00c9d. du CNRS, 1990. R\u00e9ed. in B. Alonso et E. Viennot, Louise Lab\u00e9 2005, <\/em>Saint-\u00c9tienne, PUSE, 2004.
– \u00ab Parole d’\u00c9cho ? Pernette au miroir des Rymes <\/em>\u00bb, L’Esprit Cr\u00e9ateur<\/em>, 30-4, 1990, Winter (\u00ab Writing in the Feminine in the Renaissance \u00bb).
– \u00ab La parole ch\u00e9tive. Les Rymes <\/em>de Pernette du Guillet \u00bb, Litt\u00e9rature<\/em>, 73, 1986.
– \u00ab Lune, femme. L’image de Diane chez Th\u00e9ophile et Tristan \u00bb, in Onze nouvelles \u00e9tudes sur l’image de la femme dans la litt\u00e9rature du XVIIe si\u00e8cle<\/em>, 1984.
– \u00ab La 26e Nouvelle de l’Heptam\u00e9ron <\/em>et Le Lys dans la vall\u00e9e<\/em> \u00bb, L’Ann\u00e9e balzacienne<\/em>, 2, 1981.
– \u00ab L’image mythique de Diane dans l’H\u00e9catombe <\/em>d’Aubign\u00e9 \u00bb, Revue d’Histoire Litt\u00e9raire de la France<\/em>, 1, 1978.
– \u00ab Le jeu de l’histoire et du discours dans l’Heptam\u00e9ron <\/em>\u00bb, Cahiers Froissart<\/em>, 3, 1978.
– \u00ab La 18e nouvelle de l’Heptam\u00e9ron <\/em>et la structure de l’\u00e9preuve \u00bb, RHR\/Renaissance Humanisme R\u00e9forme,<\/em> 1976.<\/span><\/span><\/p>\n

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Paris, France PR * Universit\u00e9 Paris VII-Denis Diderot * Litt\u00e9rature fran\u00e7aise, XVIe si\u00e8cle Po\u00e9tique, Rh\u00e9torique OUVRAGES – La Quenouille et la Lyre. La repr\u00e9sentation du f\u00e9minin \u00e0 la Renaissance, Paris, Jos\u00e9 Corti, 1998. – La Conversation conteuse. Les Nouvelles de Marguerite de Navarre, Paris, PUF, I992. \u00c9DITION CRITIQUE – Marguerite de Navarre : Heptam\u00e9ron, Paris, […]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"categorie_personnage":[],"class_list":["post-3193","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3193"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3193\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3193"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}