{"id":3192,"date":"2010-01-05T10:25:40","date_gmt":"2010-01-05T10:25:40","guid":{"rendered":"http:\/\/524"},"modified":"2010-01-05T10:25:40","modified_gmt":"2010-01-05T10:25:40","slug":"catherine-masson","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/catherine-masson\/","title":{"rendered":"Catherine MASSON"},"content":{"rendered":"
Courbevoie, France * <\/span><\/strong>cmasson@wellesley.edu<\/span><\/a>
<\/strong><\/div>\n

<\/strong><\/div>\n
PR * Wellesley College (Massachusetts) <\/span><\/strong><\/div>\n

<\/em><\/div>\n
Th\u00e9\u00e2tre, XVIe, XVIIIe, XIXe, XXe * Femmes et th\u00e9\u00e2tre, George Sand <\/span><\/em><\/div>\n

EDITION CRITIQUE <\/strong><\/span>
– (avec Nancy Erickson Bouzrara, en collab. avec Aurore Evain) Marguerite de Navarre : L’Inquisiteur, Le Malade, Trop, Prou, Peu, Moins, La Com\u00e9die des quatre femmes, La Com\u00e9die de Mont-de-Marsan, Les Parfaits amants, Com\u00e9die de la nativit\u00e9, Com\u00e9die du d\u00e9sert,<\/em> in A. Evain, P. Gethner et H. Goldwyn (dir.), Th\u00e9\u00e2tre de femmes de l’Ancien R\u00e9gime<\/em>, Vol. 1, le XVIe si\u00e8cle<\/em><\/a>, Saint-Etienne, PU, 2006 \/ r\u00e9\u00e9d. Paris, Classiques Garnier, 2014. <\/span><\/div>\n

ARTICLE<\/strong><\/span>
– \u00ab Olympe de Gouges, anti-esclavagiste et non-violente \u00bb, Women in French Studies<\/em>, 10, 2002. <\/span><\/div>\n

NON PUBLI\u00c9<\/strong><\/span>
– Recherches sur les femmes \u00e0 la Com\u00e9die-Fran\u00e7aise et sur le th\u00e9\u00e2tre de Marguerite de Navarre : communications orales.<\/span><\/span><\/p>\n

 <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Courbevoie, France * cmasson@wellesley.edu PR * Wellesley College (Massachusetts) Th\u00e9\u00e2tre, XVIe, XVIIIe, XIXe, XXe * Femmes et th\u00e9\u00e2tre, George Sand EDITION CRITIQUE – (avec Nancy Erickson Bouzrara, en collab. avec Aurore Evain) Marguerite de Navarre : L’Inquisiteur, Le Malade, Trop, Prou, Peu, Moins, La Com\u00e9die des quatre femmes, La Com\u00e9die de Mont-de-Marsan, Les Parfaits amants, […]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"categorie_personnage":[],"class_list":["post-3192","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3192"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3192\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3192"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3192"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3192"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}