{"id":3185,"date":"2010-01-03T14:21:59","date_gmt":"2010-01-03T14:21:59","guid":{"rendered":"http:\/\/517"},"modified":"2010-01-03T14:21:59","modified_gmt":"2010-01-03T14:21:59","slug":"jacqueline-letzter","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/jacqueline-letzter\/","title":{"rendered":"Jacqueline LETZTER"},"content":{"rendered":"
University Park, USA * <\/span><\/strong>jletzter@umd.edu <\/span><\/a>
<\/strong><\/div>\n

<\/strong><\/div>\n
Associate PR * University of Maryland * Litt\u00e9rature fran\u00e7aise, XVIII, XIXe si\u00e8cles <\/span><\/strong><\/div>\n
\u00a0<\/div>\n
Autrices, Musique, Op\u00e9ra, Th\u00e9\u00e2tre, Compositrices, La Belgique sous l’occupation fran\u00e7aise <\/span><\/em><\/div>\n

OUVRAGES<\/strong><\/span>
– (avec Robert Adelson), Women Writing Opera : Creativity and Controversy in the \u00c2ge of the French Revolution<\/em>, Berkeley, University of California Press, 2001.
– Intellectual Tacking : Questions of Education in the Works of Isabelle de Charri\u00e8re<\/em>, Amsterdam and Atlanta, Rodopi, 1998. <\/span><\/div>\n

ARTICLES<\/strong><\/span>
– (avec Robert Adelson) \u00ab The Legacy of a One-Woman Show : A Performance History of Julie Candeille’s Catherine ou la belle fermi\u00e8re<\/em> \u00bb, Nineteenth-Century French Studies<\/em> (\u00e0 para\u00eetre).
– \u00ab Staging Sappho : Feminism and Performativity in Constance de Salm’s Sapho<\/em> (1794) \u00bb, Eighteenth-Century Women<\/em> (\u00e0 para\u00eetre).
– (avec Robert Adelson) \u00ab Isabelle de Charri\u00e8re and Opera \u00bb, Proceedings of the international symposium on Isabelle de Charri\u00e8re<\/em> (April 2002, sponsored by the Beinecke Library, Yale University) (\u00e0 para\u00eetre). <\/span><\/span><\/div>\n
– (avec Robert Adelson) \u00ab La harpe virile : Mme de Genlis et la carri\u00e8re manqu\u00e9e de Casimir Baecker \u00bb, in F. Bessire & M. Reid (dir.), Madame de Genlis. Litt\u00e9rature et \u00e9ducation<\/em><\/a>, Mont-Saint-Aignan, PU de Rouen et du Havre, 2008.
– \u00ab Women and Creativity in Early Modern France \u00bb, in A. Seef & M. Mikesell (dir.), <\/span><\/span><\/span>Culture and Change<\/span><\/span>: Attending to Early Modern Women<\/span><\/span><\/span><\/em>,<\/em><\/span> Delaware, Delaware UP, 2003.
– (avec Robert Adelson) \u00ab French Women Opera Composers and the Esthetics of Rousseau \u00bb, Feminist Studies, <\/em>26, 1, 2000, p.69-100.
– (avec Robert Adelson) \u00ab Women Opera Composers Face the Parisian comit\u00e9s de lecture : Where Institutional Barriers Meet Social Barriers to Performance \u00bb, Studies on Voltaire and the Eighteenth Century<\/em> (Oxford), 2000, 5, p.355-69.
– \u00ab Making a Spectacle of Oneself : French Revolutionary Opera by Women \u00bb, Cambridge Opera Journal,<\/em> 11, 3, 1999, p.215-232.
– \u00ab Isabelle de Charri\u00e8re versus Germaine de Sta\u00ebl : Textual Tactics in the Debate about Rousseau \u00bb, Studies on Voltaire and the Eighteenth Century <\/em>(Oxford), 362, 1998, p.27-40.
– \u00ab Isabelle de Charri\u00e8re’s Sainte Anne or a Woman’s Wayward Quest for Knowledge \u00bb, Studies in Eighteenth-Century Culture<\/em>, 26, 1997, p.223-244.
– (avec Robert Adelson) \u00ab Un drame d’ambitions d\u00e9\u00e7ues : les op\u00e9ras d’Isabelle de Charri\u00e8re \u00bb, Revue d’Histoire du Th\u00e9\u00e2tre<\/em>, 195, 1997, p.235-54.
– (avec Robert Adelson) \u00ab Re-constructing the Author-Function : Naming the Forgotten Women of Eighteenth-Century Opera \u00bb, Women of Note Quarterly<\/em>, 5, 1997, p.13-27.
– (avec Robert Adelson) \u00ab Isabelle de Charri\u00e8re, compositeur d’op\u00e9ras \u00bb, Lettre de Zuylen<\/em>, 22, 1997, p.17-25.
– \u00ab Lire ou ne pas lire : Questions d’\u00e9ducation dans l’oeuvre d’Isabelle de Charri\u00e8re \u00bb, in Une Europ\u00e9enne : Isabelle de Charri\u00e8re en son monde<\/em>, Neuch\u00e2tel, Gilles Attinger, 1994, p.209-216. <\/span><\/div>\n

NOTICES<\/strong><\/span>
– (avec Robert Adelson) \u00ab Lucile Gr\u00e9try<\/a> \u00bb, in Dictionnaire des femmes de l’Ancienne France,<\/em> SIEFAR, 2004.
– (avec Julian Rushton, Julie Anne Sadie & Robert Adelson) \u00ab Candeille, Julie \u00bb, in The New Grove Dictionary of Music and Musicians<\/em> (2nd edition), Macmillan, 2000), vol.4, p.928-29.
– (avec Robert Adelson) \u00ab Jeanne-Hippolyte Devismes \u00bb, in The New Grove Dictionary of Music and Musicians <\/em>(2nd edition), Macmillan, 2000, vol.7, p.268-69. <\/span><\/div>\n

COMPTES RENDUS<\/strong><\/span>
– Joan B. Landes, Visualizing the Nation : Gender, Representation, and Revolution in Eighteenth-Century France<\/em> (Cornell UP, 2001) : L’Esprit Createur <\/em>(\u00e0 para\u00eetre).
– Lori Jo Marso, (Un)Manly Citizens : Jean-Jacques Rousseau and Germaine de Sta\u00ebl’s Subversive Women<\/em> (Baltimore and London : The Johns Hopkins UP, 1999) : Eighteenth-Century Women<\/em> (\u00e0 para\u00eetre). <\/span><\/div>\n

DIVERS <\/strong><\/span>
– To Read or Not to Read : Questions of Education in the Works of Isabelle de Charri\u00e8re (1740-1805)<\/em>, Ph. D. Dissertation, Harvard University, 1995 (Advisers : Christie McDonald and Nadine B\u00e9renguier).<\/span><\/span><\/p>\n

 <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

University Park, USA * jletzter@umd.edu Associate PR * University of Maryland * Litt\u00e9rature fran\u00e7aise, XVIII, XIXe si\u00e8cles \u00a0 Autrices, Musique, Op\u00e9ra, Th\u00e9\u00e2tre, Compositrices, La Belgique sous l’occupation fran\u00e7aise OUVRAGES – (avec Robert Adelson), Women Writing Opera : Creativity and Controversy in the \u00c2ge of the French Revolution, Berkeley, University of California Press, 2001. – Intellectual […]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"categorie_personnage":[],"class_list":["post-3185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3185"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3185\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3185"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}