{"id":3183,"date":"2010-01-03T14:10:13","date_gmt":"2010-01-03T14:10:13","guid":{"rendered":"http:\/\/515"},"modified":"2010-01-03T14:10:13","modified_gmt":"2010-01-03T14:10:13","slug":"sophie-anne-leterrier","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/sophie-anne-leterrier\/","title":{"rendered":"Sophie-Anne LETERRIER"},"content":{"rendered":"

Arras, France * <\/strong>sophieleterrier@free.fr<\/a>
<\/strong><\/span><\/p>\n

PR * Universit\u00e9 d’Artois * Histoire des Arts, XIXe si\u00e8cle<\/strong><\/span><\/p>\n

Historiographie, Histoire de la musique, Histoire culturelle <\/em><\/span><\/p>\n


ARTICLES<\/strong><\/span>
<\/em>– \u00ab Jeanne d’Arc sur la sc\u00e8ne lyrique \u00bb, in J. Maurice &\u00a0D. Couty (dir.), Images de Jeanne d’Arc<\/em><\/em>, Paris, PUF, 2000, p. 253-258. <\/span><\/p>\n

– \u00ab Le c\u0153ur et la raison\u00a0: H\u00e9lo\u00efse et Ab\u00e9lard au XIXe si\u00e8cle \u00bb, in H\u00e9lo\u00efse et Ab\u00e9lard entre passion, raison et religion – le point sur la question<\/em><\/em>, Paris, \u00c9ditions du patrimoine, Paris, 2001, p. 39-44. <\/span><\/p>\n

– (avec J. Deramond) \u00ab\u00a0Sc\u00e8ne lyrique et histoire, Jeanne d\u2019Arc au XIXe si\u00e8cle\u00a0\u00bb, Monitor<\/em>, Z.S.A.<\/em> <\/em>(revue slov\u00e8ne d\u2019anthropologie), 8, 1-2, 2006 (\u00ab\u00a0Reflections on Opera\u00a0\u00bb), p. 57-77.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Arras, France * sophieleterrier@free.fr PR * Universit\u00e9 d’Artois * Histoire des Arts, XIXe si\u00e8cle Historiographie, Histoire de la musique, Histoire culturelle ARTICLES – \u00ab Jeanne d’Arc sur la sc\u00e8ne lyrique \u00bb, in J. Maurice &\u00a0D. Couty (dir.), Images de Jeanne d’Arc, Paris, PUF, 2000, p. 253-258. – \u00ab Le c\u0153ur et la raison\u00a0: H\u00e9lo\u00efse et […]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"categorie_personnage":[],"class_list":["post-3183","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3183"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3183\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3183"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}