{"id":3181,"date":"2010-01-03T14:05:20","date_gmt":"2010-01-03T14:05:20","guid":{"rendered":"http:\/\/512"},"modified":"2010-01-03T14:05:20","modified_gmt":"2010-01-03T14:05:20","slug":"sandrine-lely","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/sandrine-lely\/","title":{"rendered":"Sandrine LELY"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Paris, France * <\/span><\/strong><a href=\"mailto:lely.sandrine@free.fr\"><span style=\"font-size: small;\">lely.sandrine@free.fr<\/span><\/a><strong><br \/> <\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><br \/> <\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Paris-IV Sorbonne * Doctorante * Histoire de l&#8217;art, XVIIe, XVIIIe si\u00e8cles<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\u00a0<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><em><span style=\"font-size: small;\">Femmes artistes en France, Port-Royal, Philippe de Champaigne, Th\u00e9orie de l&#8217;art XVIIe-XVIIIe si\u00e8cles. <\/span><\/em><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>ARTICLES<\/strong><\/span><br \/> &#8211;<\/span><span style=\"font-size: small;\">\u00ab La massue d\u2019Hercule soulev\u00e9e par la main des Gr\u00e2ces \u00bb. Le d\u00e9bat sur la place des femmes dans l\u2019art, entre 1747 et 1793 \u00bb, in E. Viennot (dir.), <em><a href=\"1\/\">Revisiter la \u00ab querelle des femmes \u00bb : Discours sur l\u2019\u00e9galit\u00e9\/in\u00e9galit\u00e9 des sexes, de 1750 aux lendemains de la R\u00e9volution<\/a><\/em>, Saint-Etienne, PUSE, 2012.<br \/> &#8211;<\/span><span style=\"font-size: small;\">\u00ab Le voyage de Mme Vig\u00e9e Le Brun en Flandre et aux Pays-Bas. Autoportrait en &#8220;grand ma\u00eetre&#8221; \u00bb, in N. Pellegrin (dir.),<\/span><em style=\"font-size: small;\">Femmes, histoire, voyages<\/em><span style=\"font-size: small;\">, num\u00e9ro sp\u00e9cial de<\/span><em style=\"font-size: small;\">Genre &amp; Histoire<\/em><span style=\"font-size: small;\">, 8, 2011 (<\/span><a style=\"font-size: small;\" href=\"http:\/\/genrehistoire.revues.org\/index1124.html\">en ligne<\/a><span style=\"font-size: small;\">).<br \/> &#8211; \u00ab Corps d\u00e9figur\u00e9s, corps figur\u00e9s. Le regard des artistes avant l\u2019invention du &#8220;handicap&#8221;, XVIe-XVIIIe s. \u00bb, in Marie-Claude Saint-P\u00e9 &amp; Sandrine Lely (dir.), <em>L\u2019Approche de genre dans la d\u00e9construction sociale du handicap<\/em>, Paris, 2IRA, 2009, p.21-34 (<a href=\"http:\/\/http :\/\/www.2ira.org\/PublicationsSet.html\">en ligne<\/a>).<br \/> &#8211; \u00ab Des femmes d&#8217;exception : l&#8217;exemple de l&#8217;Acad\u00e9mie royale de peinture et de sculpture \u00bb, in D. Naudier &amp; B. Rollet (dir.), <em>Genre et l\u00e9gitimit\u00e9 culturelle. Quelle reconnaissance pour les femmes ?<\/em>, Paris, L&#8217;Harmattan, 2007, p.21-36.<br \/> &#8211; \u00ab La controverse religieuse dans les trait\u00e9s f\u00e9ministes de Poullain de la Barre \u00bb, in R. Dekoninck, J. Desmulliez &amp; M. Watthee-Delmotte (dir.), <em>Controverses et pol\u00e9miques religieuses. Antiquit\u00e9-Temps modernes<\/em>, Paris L&#8217;Harmattan, 2007, p.109-119. <br \/> &#8211; \u00ab Peintresses ou artistes ? Les femmes dans la vie artistique de province au XVIIIe si\u00e8cle \u00bb, in J.-P. Lethuillier (dir.),<em> Peintres et peinture en province de la fin du Moyen \u00c2ge au d\u00e9but du XXe si\u00e8cle<\/em>, Rennes, PUR, 2002, p.99-106.<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"> <br \/> <span style=\"color: #800000;\"><strong>NOTICES<\/strong><\/span><br \/> &#8211; \u00ab <a href=\"1\/\">Bahuche, Marguerite<\/a> \u00bb &#8211; \u00ab <a href=\"1\/\">Duchemin, Catherine<\/a> \u00bb &#8211; \u00ab <a href=\"1\/\">H\u00e9rault, Antoinette<\/a> \u00bb (2004) &#8211; \u00ab <a href=\"1\/\">Boullongne, Genevi\u00e8ve de<\/a> \u00bb &#8211; \u00ab <a href=\"1\/\">Boullongne, Madeleine de <\/a>\u00bb (2003), in <em>Dictionnaire des femmes de l&#8217;Ancienne France<\/em>, SIEFAR. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"font-size: small;\"><br \/> <a href=\"1\/\">Th\u00e8se en cours<\/a> : <em>Femmes peintres en France (1650-1791)<\/em><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Paris, France * lely.sandrine@free.fr Paris-IV Sorbonne * Doctorante * Histoire de l&#8217;art, XVIIe, XVIIIe si\u00e8cles \u00a0 Femmes artistes en France, Port-Royal, Philippe de Champaigne, Th\u00e9orie de l&#8217;art XVIIe-XVIIIe si\u00e8cles. ARTICLES &#8211;\u00ab La massue d\u2019Hercule soulev\u00e9e par la main des Gr\u00e2ces \u00bb. Le d\u00e9bat sur la place des femmes dans l\u2019art, entre 1747 et 1793 \u00bb, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"categorie_personnage":[],"class_list":["post-3181","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3181"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3181\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3181"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3181"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3181"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}