{"id":3167,"date":"2009-12-30T13:30:52","date_gmt":"2009-12-30T13:30:52","guid":{"rendered":"http:\/\/496"},"modified":"2009-12-30T13:30:52","modified_gmt":"2009-12-30T13:30:52","slug":"donna-kuizenga","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/donna-kuizenga\/","title":{"rendered":"Donna KUIZENGA"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">College of Liberal Arts, University of Massachusetts-Boston, Boston,\u00a0 USA * <\/span><\/strong><a href=\"mailto:Donna.Kuizenga@umb.edu \"><span style=\"font-size: small;\">Donna.Kuizenga@umb.edu <\/span><\/a><strong><br \/> <\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><br \/> <\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">PR, Doyenne * University of Vermont * Lettres fran\u00e7aises, XVIIe si\u00e8cle <\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><em><br \/> <\/em><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><em><span style=\"font-size: small;\">Roman, Lafayette, Scud\u00e9ry, Villedieu, Trait\u00e9s des passions <\/span><\/em><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>OUVRAGES<\/strong><\/span><br \/> &#8211; (dir., avec Colette Winn) <em>Women Writers in Pre-Revolutionary France : Strategies of Emancipation<\/em>, New York, Garland Publishing, 1997.<br \/> &#8211; <em>Narrative Strategies in La Princesse de Cl\u00e8ves<\/em>, num\u00e9ro sp\u00e9cial de <em>French Forum Monographs<\/em>, 2, Lexington, KY, French Forum, 1976. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>\u00c9DITIONS CRITIQUES<\/strong><\/span><br \/> &#8211; Madame de Villedieu : <em>Memoirs of the Life of Henriette-Sylvie de Moli\u00e8re, A Novel<\/em> (trad. et \u00e9d. critique), Chicago, University of Chicago Press, 2004.<br \/> &#8211; (avec Francis Assaf) Madame de Villedieu : <em>Les M\u00e9moires de la vie de Henriette-Sylvie de Moli\u00e8re<\/em> (extraits ; trad. et introduction), in C. Winn &amp; A. Larson (dir.), <em>Writings by Pre-Revolutionary French Women : From Marie de France to Elisabeth Vig\u00e9e-Le Brun<\/em>, New York, Garland Publishing, 2000 p.361-76. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>ARTICLES<\/strong><\/span><br \/> &#8211; \u00ab Madame de Villedieu Englished : les traductions en anglais des ouvrages de Villedieu au XVIIe si\u00e8cle \u00bb, in E. Keller-Rahb\u00e9 (dir.), <em>Madame de Villedieu. Nouvelles perspectives de recherches<\/em>, Lyon, PUL, 2004.<br \/> &#8211; \u00ab Traductions et trahisons : le sort de trois romans fran\u00e7ais en Angleterre \u00bb, in J.-P. Beaulieu (dir.), <em>D&#8217;une \u00e9criture \u00e0 l&#8217;autre.\u00a0Les femmes et la traduction sous l&#8217;Ancien R\u00e9gime<\/em>, Ottawa, PU d&#8217;Ottawa, 2004, p. 155 et sv.<br \/> &#8211; \u00ab Espaces f\u00e9minins ? La topique des lieux dans les Nouvelles afriquaines et les <em>M\u00e9moires de la vie de Henriette-Sylvie de Moli\u00e8re <\/em>de Mme de Villedieu \u00bb, in N. Ferrand (dir.), <em>Locus in Fab<span style=\"font-size: 10pt;\">ula. <\/span><\/em><\/span><\/span><span style=\"font-size: 10pt;\"><em><span class=\"style_7\">La topique de l\u2019espace dans les fictions fran\u00e7aises <\/span><span class=\"style_7\">d\u2019Ancien R\u00e9gime<\/span><\/em><\/span><span style=\"font-size: small;\"><span style=\"font-size: 10pt;\"><em>, <\/em><\/span>Louvain, Editions Peeters, 2004.<br \/> &#8211; \u00ab Une Alt\u00e9rit\u00e9 voil\u00e9e : images de l&#8217;Afrique dans la fiction de Madame de Villedieu \u00bb, in A. Baccar Bournaz (dir.), <em>L&#8217;Afrique au XVIIe si\u00e8cle. Mythes et r\u00e9alit\u00e9s,<\/em> T\u00fcbingen, Gunter Narr, 2003, p.127-39. <br \/> &#8211; \u00ab Playing to Win : Villedieu&#8217;s Henriette-Sylvie de Moli\u00e8re as Actress \u00bb, in C. Carlin &amp; K. Wine (dir.), <em>Theatrum mundi. Studies in Honor of Ronald W. Tobin, <\/em>Charlottesville (Virginie), Rookwood Press, 2003, p.113-21.<br \/> &#8211; \u00ab La G\u00e9n\u00e9ricit\u00e9 dans les <em>M\u00e9moires de la vie de Henriette-Sylvie de Moli\u00e8re<\/em> \u00bb, in S. van Dijk et M. van Strien-Chardonneau (dir.), <em>F\u00e9minit\u00e9s et masculinit\u00e9s dans le texte narratif avant 1800. La question du \u00ab gender \u00bb,<\/em> Louvain\/Paris, Peeters, 2002, p.43-54.<br \/> &#8211; \u00ab \u00c9criture \u00e0 la mode\/modes de r\u00e9\u00e9criture : Les Femmes illustres de Madeleine et Georges de Scud\u00e9ry \u00bb, in R. Hodgson (dir.), <em>La Femme au XVIIe si\u00e8cle,<\/em> Biblio 17, 138, 2002, p.151-63.<br \/> &#8211; \u00ab Writing in Drag : Strategic Rewriting in the Early Epistolary Novel \u00bb, <em>Early Modern France<\/em>, 8, 2002, p.149-72.<br \/> &#8211; \u00ab Romanci\u00e8re \u00e0 succ\u00e8s, succ\u00e8s de romanci\u00e8re. Mme de Villedieu et les topoi \u00bb, in N. Ferrand &amp; M. Weil (dir.), <em>Homo narrativus : Recherches sur la topique romanesque dans les fictions de langue fran\u00e7aise avant 1800<\/em>, Montpellier, PU Paul Val\u00e9ry-Montpellier III, 2001, p.285-99.<br \/> &#8211; \u00ab Ce rus\u00e9 d&#8217;Amour : les Ruses des <em>Annales galantes <\/em>\u00bb, in E. Grodek (dir.) <em>\u00c9criture de la ruse, <\/em>Amsterdam, Rodopi, 2000, p.319-33.<br \/> &#8211; \u00ab Les Ruses du roman \u00e9pistolaire sous l&#8217;Ancien R\u00e9gime \u00bb, in E. Grodek (dir.), <em>\u00c9criture de la ruse,<\/em> Amsterdam, Rodopi, 2000, p.197-210. [publi\u00e9 d&#8217;abord sur <a href=\"http:\/\/www.chass.utoronto.ca\/french\/sator\/titre.htm\">http:\/\/www.chass.utoronto.ca\/french\/sator\/titre.htm<\/a>]<br \/> &#8211; \u00ab The Play of Pleasure and the Pleasure of Play in the <em>M\u00e9moires de la vie de Henriette-Sylvie de Moli\u00e8re <\/em>\u00bb, in R. Decker Lalande (dir.), A Labor of Love. Critical Reflections on the Writings of Marie-Catherine Desjardins (Mme de Villedieu), Madison (New Jersey), Fairleigh Dickinson UP, 2000, p.147-61.<br \/> &#8211; \u00ab Cherchez l&#8217;artiste : Artistes et objets d&#8217;art dans l&#8217;oeuvre de Mme de Villedieu \u00bb, in D. Godwin, T. Lassalle &amp; M. Weil (dir.), <em>Actes du Dixi\u00e8me Colloque International de la SATOR,<\/em> Montpellier, PU Paul Val\u00e9ry, 1999, p.9-19.<br \/> &#8211; \u00ab Violences et silences dans l&#8217;oeuvre de Mme de Villedieu \u00bb, in M. Debaisieux &amp; G.Verdier (dir.), <em>Violence et fiction jusqu&#8217;\u00e0 la R\u00e9volution,<\/em> T\u00fcbingen, Gunter Narr, 1998, p.251-62.<br \/> &#8211; \u00ab Sens unique ? Le roman fran\u00e7ais en Angleterre au XVIIe si\u00e8cle \u00bb, in Y. Giraud (dir.), <em>Contacts et \u00e9changes linguistiques au XVIIe si\u00e8cle en France<\/em>, Biblio 17, 106, 1997, p.171-83.<br \/> &#8211; \u00ab &#8220;Fine veuve&#8221; ou &#8220;veuve d&#8217;une haute vertu&#8221; ? Portraits de la veuve chez Mme de Villedieu \u00bb, <em>Cahiers du Dix-Septi\u00e8me<\/em>, 7, 1, 1997, p.227-39.<br \/> &#8211; \u00ab Seizing the Pen : Narrative Power and Gender in Mme de Villedieu&#8217;s <em>M\u00e9moires de la vie de Henriette-Sylvie de Moli\u00e8re <\/em>and Delarivier Manley&#8217;s <em>Adventures of Rivella <\/em>\u00bb, in C. Winn &amp; D. Kuizenga (dir.), <em>Women Writers in Pre-Revolutionary France<\/em>, New York\/London, Garland Publishing, 1997, p.383-95.<br \/> &#8211; \u00ab La Topique du secret chez Lafayette : Histoire et histoires \u00bb, in T. Sousa de Almieda, J. Amaral Frazao &amp; A. Paiva Morais (dir.), <em>Secret et topique romanesque du Moyen \u00c2ge au XVIIIe si\u00e8cle,<\/em> Lisbon, Grupo Portugu\u00eas da SATOR, 1995, p.159-68.<br \/> &#8211; \u00ab &#8220;La lecture d&#8217;une si ennuyeuse histoire&#8221; : Topo\u00ef de la lecture et du livre dans les <em>M\u00e9moires de la vie de Henriette-Sylvie de Moli\u00e8re<\/em> \u00bb, in J. Herman &amp; P. Pelckmans (dir.),<em> L&#8217;\u00c9preuve du lecteur. Livres et lectures dans le roman d&#8217;Ancien R\u00e9gime<\/em>, Louvain\/Paris, Editions Peeters, 1995, p.120-28.<br \/> &#8211; \u00ab L&#8217;Utopie dans les oeuvres de Lafayette : Topique utopique ? \u00bb, <em>Parabasis<\/em> (Edmonton), 7, 1995 (\u00ab Utopie et fictions narratives \u00bb), p.129-38.<br \/> &#8211; \u00ab L&#8217;Arc de Triomphe des Dames : H\u00e9ro\u00efsme dans <em>Les Femmes illustres<\/em> de Madeleine et Georges de Scud\u00e9ry \u00bb, in A. Niderst (dir.), <em>Les Trois Scud\u00e9ry<\/em>, Paris, Klincksieck, 1993, p.301-310.<br \/> &#8211; \u00ab <em>La Princesse de Cl\u00e8ves<\/em> : An Inimitable Model ? \u00bb, in P. Henry (dir.), <em>An Inimitable Example. The Case for The Princesse de Cl\u00e8ves,<\/em> Washington (D.C.), Catholic University of America Press, 1992, p.71-83.<br \/> &#8211; \u00ab Les Autres Incipit : Ouvertures des r\u00e9cits intercal\u00e9s chez Lafayette, Scud\u00e9ry et d&#8217;Urf\u00e9 \u00bb, in P. Rodriguez &amp; M. Weil (dir.), <em>Vers un Th\u00e9saurus informatis\u00e9. Topique des Ouvertures narratives avant 1800<\/em>, Montpellier, PU Paul Val\u00e9ry, 1991, p.199-215.<br \/> &#8211; \u00ab &#8220;Des Choses heureusement invent\u00e9es&#8221; : Verisimilitude in <em>Cl\u00e9lie <\/em>\u00bb,<br \/>\n<em>Cahiers du Dix-Septi\u00e8me,<\/em> 3, 1989, p.77-87.<br \/> &#8211; \u00ab Abortive Meaning s : Emma Santos and the Inscription of Self \u00bb, <em>French Forum, <\/em>14, 1989, p.339-50.<br \/> &#8211; \u00ab <em>Za\u00efde <\/em>: Just Another Love Story ? \u00bb,<em> Biblio 17<\/em>, 40, 1988, p.21-28. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>NOTICES <\/strong><\/span><br \/> &#8211; \u00ab <a href=\"1\/\">Mme de Villedieu [Marie-Catherine Desjardins]<\/a> \u00bb, in <em>Dictionnaire des femmes de l&#8217;Ancienne France<\/em>, SIEFAR, 2004.<br \/> &#8211; \u00ab Mme de Villedieu \u00bb, in F. Jaou\u00ebn (dir.), <em>Dictionary of Literary Biography, Seventeenth-Century French Writers <\/em>(Detroit, Gale Group), 268, 2002, p.383-90..<br \/> &#8211; \u00ab Villedieu, Marie-Catherine Desjardins \u00bb, in E. Martin Sartori (dir.), <em>The Feminist Encyclopedia of French Literature<\/em>, Westport (Connect.), Greenwood Press, 1999, p.547-48.<br \/> &#8211; \u00ab Claire Goll \u00bb, in <em>Dictionnaire litt\u00e9raire des femmes de langue fran\u00e7aise<\/em>, in C. P.Makward &amp; M. Cottenet-Hage (dir.), <em>De Marie de France \u00e0 Marie NDiaye,<\/em> Paris, Karthala, 1997, p.281-84.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>College of Liberal Arts, University of Massachusetts-Boston, Boston,\u00a0 USA * Donna.Kuizenga@umb.edu PR, Doyenne * University of Vermont * Lettres fran\u00e7aises, XVIIe si\u00e8cle Roman, Lafayette, Scud\u00e9ry, Villedieu, Trait\u00e9s des passions OUVRAGES &#8211; (dir., avec Colette Winn) Women Writers in Pre-Revolutionary France : Strategies of Emancipation, New York, Garland Publishing, 1997. &#8211; Narrative Strategies in La Princesse [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"categorie_personnage":[],"class_list":["post-3167","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3167"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3167\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3167"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3167"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}