{"id":3160,"date":"2009-12-30T12:48:02","date_gmt":"2009-12-30T12:48:02","guid":{"rendered":"http:\/\/489"},"modified":"2009-12-30T12:48:02","modified_gmt":"2009-12-30T12:48:02","slug":"nancy-d-klein","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/nancy-d-klein\/","title":{"rendered":"Nancy D. KLEIN"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Jacksonville, Florida, USA * <\/span><\/strong><a href=\"mailto:NDKlein@aol.com\"><span style=\"font-size: small;\">NDKlein@aol.com<\/span><\/a><strong> <br \/> <\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><br \/> <\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">College PR, retrait\u00e9e * Romance Languages and Linguistics<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\u00a0<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><em><span style=\"font-size: small;\">Litt\u00e9rature fran\u00e7aise, XVIIe si\u00e8cle * Ecrits de femmes au XVIIe si\u00e8cle, Mme de Villedieu <\/span><\/em><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>OUVRAGE<\/strong><\/span><br \/> &#8211; <em>The Female Protagonist in the nouvelles of Madame de Villedieu<\/em>, New York, Petter Lang Inc., 1993. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>\u00c9DITIONS CRITIQUES<\/strong><\/span><br \/> &#8211; Madame de Villedieu : <em>The Loves of Sundry Philosophers and other Great Men <\/em><em>(Les Amours des grands hommes)<\/em>, Lewiston (NY), The Edwin Mellen Press, 2000.<br \/> &#8211; Madame de Villedieu : <em>Selected Writings<\/em>, New York, Peter Lang Inc., 1995. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>ARTICLES <\/strong><\/span><br \/> &#8211; \u00ab Inscribing the Feminine in 17th-Century Narratives : The Case of Madame de Villedieu \u00bb, in R. Lalande (dir.), <em>A Labor of Love : Critical Reflections of the Writings of Marie-Catherine Desjardins (Madame de Villedieu),<\/em> Cranbury (NJ), Associated UP, 1999, p.87-110.<br \/> &#8211; \u00ab Madame de Villedieu&#8217;s <em>Le Portefeuille<\/em>. Toward a New Esthetics of &#8220;la coquette&#8221; and &#8220;la prude&#8221; \u00bb, <em>Atlantis. A Woman&#8217;s Studies Journal\/Revue d&#8217;\u00e9tudes sur les femmes<\/em>, 19-1, Fall-Winter 1993, p.92-100.<br \/> &#8211; \u00ab Feminine Space in the H\/histoires of Madame de Villedieu \u00bb, <em>Women in French Studies<\/em>, Fall 1994, p.125-134. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>NOTICE<\/strong><\/span><br \/> &#8211; \u00ab Fables \u00bb, in E. Sartori (dir.), <em>The Feminist Encyclopedia of French Literature<\/em>, Westport (Connect.), Greenwood Press, 1999.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Jacksonville, Florida, USA * NDKlein@aol.com College PR, retrait\u00e9e * Romance Languages and Linguistics \u00a0 Litt\u00e9rature fran\u00e7aise, XVIIe si\u00e8cle * Ecrits de femmes au XVIIe si\u00e8cle, Mme de Villedieu OUVRAGE &#8211; The Female Protagonist in the nouvelles of Madame de Villedieu, New York, Petter Lang Inc., 1993. \u00c9DITIONS CRITIQUES &#8211; Madame de Villedieu : The Loves [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"categorie_personnage":[],"class_list":["post-3160","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3160"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3160\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3160"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}