{"id":3153,"date":"2009-12-30T12:10:45","date_gmt":"2009-12-30T12:10:45","guid":{"rendered":"http:\/\/481"},"modified":"2009-12-30T12:10:45","modified_gmt":"2009-12-30T12:10:45","slug":"geraldine-a-johnson","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/geraldine-a-johnson\/","title":{"rendered":"Geraldine A. JOHNSON"},"content":{"rendered":"
Dept. of History of Art, University of Oxford, Oxford OX1 1PT, Angleterre * <\/span><\/strong>geraldine.johnson@hoa.ox.ac.uk<\/span><\/a>
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\n<\/strong><\/div>\n
University Lecturer in History of Art * University of Oxford * Histoire de l’art XIVe, XVe, XVIe, XVIIe siècles <\/span><\/strong><\/div>\n
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Women, Art and Culture in Early Modern Europe, History of Sculpture (Late Medieval to Present), History of Photography, Historiography and Methodology of Art History <\/span><\/em><\/div>\n

\nOUVRAGE <\/strong><\/span>
\n– (dir., avec Sara F. Matthews Grieco) Picturing Women in Renaissance and Baroque Italy<\/em>, Cambridge, Cambridge UP, 1997. <\/span><\/div>\n

\nARTICLES <\/strong><\/span>
\n– « Book review of Lavinia Fontana by C. Murphy », Burlington Magazine<\/em>, 145, 2003, p.862-863.
\n– « Beautiful Brides and Model Mothers : The Devotional and Talismanic Functions of Early Modern Marian Reliefs », in A. McClanan & K. Encarnacion (dir.), The Material Culture of Sex, Procreation and Marriage in Pre-Modern Europe<\/em>, New York, St. Martin’s Press, 2002, p.135-161.
\n– « Family Values : Sculpture and the Family in 15th-Century Florence », in G. Ciappelli & P. Rubin (dir.), Art, Memory and Family in Early Renaissance Florence<\/em>, Cambridge (U.K.), Cambridge UP, 2000, p.215-233.
\n– « Marie de Médicis : mariée, mère, méduse », in K. Wilson-Chevalier & E. Viennot (dir), Royaume de Fémynie, Pouvoirs, contraintes, espaces de liberté des femmes, de la Renaissance à la Fronde<\/em>, Paris, H. Champion, 1999, p.103-120.
\n– (avec S.M. Grieco) « Women and the Visual Arts : Breaking Boundaries », in G. A. Johnson & S. M. Grieco (dir.), Picturing Women<\/em> (1997)<\/em>, p.1-13.
\n– « Idol or Ideal ? The Power and Potency of Female Public Sculpture », in G. A. Johnson & S. M. Grieco (dir.), Picturing Women<\/em> (1997)<\/em>, p.222-245.
\n– « Imagining Images of Powerful Women : Maria de’ Medici’s Patronage of Art and Architecture », in C. Lawrence (dir.), Women and Art in Early Modern Europe<\/em>, University Park, Pennsylvania State UP, 1997, p.126-153.
\n– « Art or Artefact ? Madonna and Child Reliefs in the Early Renaissance », in S. Currie & P. Motture (dir.), The Sculpted Object, 1400-1700<\/em>, Aldershot (U.K.), Scolar Press \/ Ashgate, 1997, p.1-24.
\n– « Pictures fit for a Queen : Peter Paul Rubens and the Marie de’ Medici Cycle », Art History<\/em>, 16, 1993, p.447-469 [republié in N. Broude & M. Garrard (dir.), Reclaiming Female Âgency : Feminist Art History in the Postmodern Era<\/em>, Berkeley, University of California Press (à paraître)]. <\/p>\n

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Dept. of History of Art, University of Oxford, Oxford OX1 1PT, Angleterre * geraldine.johnson@hoa.ox.ac.uk University Lecturer in History of Art * University of Oxford * Histoire de l’art XIVe, XVe, XVIe, XVIIe siècles Women, Art and Culture in Early Modern Europe, History of Sculpture (Late Medieval to Present), History of Photography, Historiography and Methodology of […]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3153","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3153"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3153\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3153"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3153"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3153"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}