{"id":3151,"date":"2009-12-30T12:04:00","date_gmt":"2009-12-30T12:04:00","guid":{"rendered":"http:\/\/479"},"modified":"2009-12-30T12:04:00","modified_gmt":"2009-12-30T12:04:00","slug":"daniele-james-raoul","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/daniele-james-raoul\/","title":{"rendered":"Dani\u00e8le JAMES-RAOUL"},"content":{"rendered":"<p class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Paris, France * <\/span><\/strong><a href=\"mailto:daniele.james-raoul@wanadoo.fr\"><span style=\"font-size: small;\">daniele.james-raoul@wanadoo.fr <\/span><\/a><strong><br \/> <\/strong><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">PR * Universit\u00e9 Bordeaux Montaigne * Langue et litt\u00e9rature du Moyen \u00c2ge <\/span><\/strong><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><em><span style=\"font-size: small;\">Silence et parole dans la litt\u00e9rature arthurienne, Repr\u00e9sentations du monde, des femmes et du f\u00e9minin, Rh\u00e9torique et stylistique des textes m\u00e9di\u00e9vaux <\/span><\/em><span style=\"font-size: small;\"><br \/> <\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"font-size: small;\"><span style=\"color: #800000;\"><strong>ARTICLES<\/strong><\/span><br \/>&#8211;\u00a0\u00ab\u00a0F\u00e9minin \/ Masculin-\u00a0Neutre. Questions de genre dans la langue fran\u00e7aise\u00a0\u00bb, in F. Bouchet &amp; D. James-Raoul (dir.), <em>&#8220;Desir n\u2019a repos&#8221;. M\u00e9langes offerts \u00e0 Danielle Bohler<\/em>, Pessac, PUB, p.\u00a0379-395.<\/span><\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"font-size: small;\">&#8211; \u00ab\u00a0F\u00e9minin \/ Masculin \/ Neutre dans le <em>Roman de Silence<\/em> de Heldris de Cornu\u00e4lle et dans <em>Le Chevalier Silence<\/em> de Jacques Roubaud\u00a0\u00bb, in N. Pelletier, P. Sauvanet &amp;\u00a0P. Kuon (dir.), <em>Contrainte et Cr\u00e9ation<\/em>, Pessac, PUB, 117, 2015, p.\u00a059-76. <\/span><\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"font-size: small;\">&#8211; \u00ab\u00a0Le &#8220;royaume de Femenie&#8221; entre utopie et dystopie\u00a0: les Amazones dans les textes encyclop\u00e9diques m\u00e9di\u00e9vaux\u00a0\u00bb, in P. Kuon &amp;\u00a0G. Peylet (dir.), <em>L\u2019Eutopie entre utopie et dystopie<\/em>, Pessac, PUB, 2014, p.\u00a043-57. <\/span><\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"font-size: small;\">&#8211;\u00a0\u00ab\u00a0Du monstre f\u00e9minin \u00e0 la femme monstrueuse\u00a0: la naissance de la sorci\u00e8re dans la\u00a0litt\u00e9rature romanesque du\u00a0Moyen\u00a0\u00c2ge\u00a0\u00bb, in D. James-Raoul &amp;\u00a0P. Kuon (dir.), <em>Le Monstrueux et l\u2019humain<\/em>, Pessac, PUB, 2012, p.\u00a085-103. <\/span><\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"font-size: small;\">&#8211;\u00a0\u00ab\u00a0Travestissements du <em>Roman de Silence<\/em>\u00a0: d\u2019un motif \u00e0 une esth\u00e9tique\u00a0\u00bb, in P. Kuon &amp;\u00a0G. Peylet (dir.), <em>M\u00e9tamorphoses et identit\u00e9s<\/em>, Heidelberg, Universit\u00e4tsverlag Winter, 2009, p.\u00a055-66. <\/span><\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"font-size: small;\">&#8211; \u00ab Les Amazones au Moyen \u00c2ge, autres fa\u00e7ons de penser la femme \u00bb, in D. James-Raoul &amp; C. Thomasset (dir.), <em>En qu\u00eate d&#8217;utopies<\/em>, Paris, PU de Paris-Sorbonne, 2004, p.195-230.<\/span><\/span><\/p>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<p><span style=\"font-size: small;\"><span style=\"font-size: small;\">&#8211; \u00ab Le rire des femmes dans le monde arthurien \u00bb, <em>\u00c9tudes m\u00e9di\u00e9vales<\/em> (Amiens, Universit\u00e9 de Picardie-Jules Verne), 2, 2000, p.72-84.<\/span><\/span><\/p>\n<p><span style=\"font-size: small;\"><span style=\"font-size: small;\">&#8211; \u00ab Les discours des m\u00e8res. Aper\u00e7us dans les romans des XIIe et XIIIe si\u00e8cles \u00bb, in <em>La M\u00e8re au Moyen \u00c2ge, Bien dire et bien aprandre<\/em>, (Centre d&#8217;\u00c9tudes M\u00e9di\u00e9vales et Dialectales de Lille III, Villeneuve d&#8217;Ascq), 16, 1998, p.145-157.<\/span><\/span><\/p>\n<p><span style=\"font-size: small;\"><span style=\"font-size: small;\">&#8211; \u00ab L&#8217;impossible d\u00e9claration f\u00e9minine : hardiesses, subtilit\u00e9s ou d\u00e9sarroi de la dame \u00bb, in N. Gelas &amp; C. Kerbrat-Orecchioni (dir.), <em>La Dichirazione d&#8217;amore, La d\u00e9claration d&#8217;amour,<\/em> Genova, Erga ed., 1998, p.320-339.<\/span><\/span><\/p>\n<p><span style=\"font-size: small;\"><span style=\"font-size: small;\">&#8211; \u00ab La femme mal\u00e9fique dans la litt\u00e9rature romanesque de la fin du Moyen \u00c2ge \u00bb, in <em>Le Mal et le diable. Leurs figures \u00e0 la fin du Moyen \u00c5ge<\/em>, Paris, Beauchesne, 1996, p.11-33.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Paris, France * daniele.james-raoul@wanadoo.fr PR * Universit\u00e9 Bordeaux Montaigne * Langue et litt\u00e9rature du Moyen \u00c2ge Silence et parole dans la litt\u00e9rature arthurienne, Repr\u00e9sentations du monde, des femmes et du f\u00e9minin, Rh\u00e9torique et stylistique des textes m\u00e9di\u00e9vaux ARTICLES&#8211;\u00a0\u00ab\u00a0F\u00e9minin \/ Masculin-\u00a0Neutre. Questions de genre dans la langue fran\u00e7aise\u00a0\u00bb, in F. Bouchet &amp; D. James-Raoul (dir.), &#8220;Desir [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3151","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3151"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3151\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3151"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}