{"id":3148,"date":"2009-12-27T18:58:39","date_gmt":"2009-12-27T18:58:39","guid":{"rendered":"http:\/\/476"},"modified":"2009-12-27T18:58:39","modified_gmt":"2009-12-27T18:58:39","slug":"janine-incardona","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/janine-incardona\/","title":{"rendered":"Janine INCARDONA"},"content":{"rendered":"
Facultat de Filologia, Departament de Filologia Francesa i Italiana, Avinguda Blasco Ibanez 32, 46010 Valencia, Espagne * <\/span><\/strong>Janine.Incardona@uv.es<\/span><\/a>
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Universit\u00e9 de Valencia * Prof. Contratado Doctor (Ma\u00eetresse de Conf\u00e9rence) * Litt\u00e9rature fran\u00e7aise, XVe, XVIe si\u00e8cles<\/span><\/strong><\/div>\n
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H\u00e9lisenne de Crenne, Jeanne Flore, Genre narratif sentimental fin XVe et 1\u00e8re moiti\u00e9 XVIe si\u00e8cle <\/span><\/em><\/div>\n

OUVRAGES <\/strong><\/span>
– (avec Mich\u00e8le Cl\u00e9ment, dir.) L’\u00c9mergence litt\u00e9raire des femmes \u00e0 Lyon, 1520-1550<\/em><\/a>, Saint-\u00c9tienne, PUSE, 2008.
– Le Genre narratif sentimental en France au XVIe si\u00e8cle: Structures et jeux onomastiques autour des Angoysses douloureuses qui procedent d’amours d’H\u00e9lisenne de Crenne, <\/em>Publicacions de la Universitat de Val\u00e8ncia, 2006 (en ligne<\/a>). <\/span><\/div>\n

EDITION CRITIQUE<\/strong><\/span>
– (avec Pascale Mounier), Urbain le mescongneu filz de l\u2019empereur Federic Barberousse.<\/a>Traduit par Claudine Sc\u00e8ve, <\/a><\/span><\/span><\/em>Paris, Droz, Cahiers d\u2019Humanisme et Renaissance, avril 2013.<\/span><\/span><\/span><\/div>\n

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ARTICLES<\/strong><\/span>
– <\/span>\u00ab Le p\u00e8lerinage amoureux de Gu\u00e9nelic dans<\/span>Les Angoysses douloureuses d’H\u00e9lisenne de Crenne <\/em>\u00bb, <\/span>in M. Sanz & J. Verdegal (dir.), Construcci\u00f3n de identidades y cultura del debate en los estudios en lengua francesa,<\/i><\/span>Castell\u00f3 de la Plana, <\/span>Publicacions de la Universitat Jaume I, Colecci\u00f3n “e-Estudis Filol\u00f2gics”, 4, 2011, p.360-374.
– (avec Pascale Mounier), \u00ab L\u2019\u00e9dition v\u00e9nitienne d\u2019Urbano et sa traduction vers 1533 : la construction d\u2019un Bocccace lyonnais \u00bb, Studi francesi, <\/em>164, 2011, p.237-254.
– \u00ab Les pr\u00e9noms \u201cLucresse\u201d et \u201cH\u00e9lisenne\u201d, deux strat\u00e9gies onomastiques similaires dansLystoire des deux vrays amans Eurial et la belle Lucresse<\/em>d\u2019Enea Silvio Piccolomini et<\/span>Les Angoysses douloureuses qui procedent d\u2019amours<\/em>d\u2019H\u00e9lisenne de Crenne <\/span>\u00bb, <\/span>in C. Calvo & al. (dir.), Miradas Cruzadas : estudios franco-italianos<\/em>, Publicacions de la Universitat de Valencia, 2010, p.20-30<\/span>.<\/span>
– \u00ab “Impareil mariage” et parcours onomastique dans les Comptes amoureux <\/em>de Jeanne Flore \u00bb, in L’\u00c9mergence litt\u00e9raire des femmes \u00e0 Lyon \u00e0 la Renaissance, 1520-1560<\/em>, voir supra<\/em>, 2008, p. 211-222.
– \u00ab Les espaces de l’amour et du d\u00e9samour dans le roman sentimental du XVIe si\u00e8cle \u00bb, in E. Real (dir.), Topograf\u00edas extranjeras y ex\u00f3ticas del amor en la literatura francesa<\/em>, Valencia, Publ. de la Universitat de Val\u00e8ncia, 2008, p. 33-47.
– \u00ab Jeux onomastiques dans les Comptes amoureux <\/em>de Madame Jeanne Flore \u00bb, in F. Lafarga & M. Segarra (dir.), Renaissance et Classicisme, Homenatge a Caridad Mart\u00ednez<\/em>, Barcelona, PPU, 2004, p.169-187.
– \u00ab Jeux de portraits dans Les Angoysses douloureuses qui procedent d’amours<\/em> \u00bb, in J.-P. Beaulieu & D. Desrosiers-Bonin (dir.), H\u00e9lisenne de Crenne. L’\u00e9criture et ses doubles<\/em>, Paris, H. Champion, 2004, p.35-53.
– \u00ab H\u00e9lisenne de Crenne, femme et \u00e9crivain \u00bb, Anejo no XLIX de la Revista Cuadernos de Filolog\u00eda<\/em> (Universitat de Valencia), 2002 (\u00ab Homenaje a Josefa Mar\u00eda Castellv\u00ed \u00bb), p.161-174.
– \u00ab La s\u00e9duction f\u00e9minine dans l’Histoire amoureuse de France<\/em> ou la fuite en avant \u00bb, in D. Jim\u00e9nez & E. Real Ramos (dir.), El Arte de la seduccion en los siglos XVII y XVIII,<\/em> Valencia, Universitat de Valencia, 1997, p.131-140.
– \u00ab Les Angoysses douloureuses qui procedent d’amours<\/em> (1538), une vision ambigu\u00eb de l’amour \u00bb, RHR\/R\u00e9forme, Humanisme, Renaissance,<\/em> 42, 1996, p.7-28.
– \u00ab \u00c9criture et parole dans Les Angoysses douloureuses qui procedent d’amours <\/em>(1538) \u00bb, Quaderns de filologia, Estudis literaris<\/em> (Universitat de Valencia), 1, 1995 (\u00ab Homenatge a Amelia Garcia-Valdecasa \u00bb), p.433-448.<\/span><\/span><\/span><\/p>\n

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Facultat de Filologia, Departament de Filologia Francesa i Italiana, Avinguda Blasco Ibanez 32, 46010 Valencia, Espagne * Janine.Incardona@uv.es Universit\u00e9 de Valencia * Prof. Contratado Doctor (Ma\u00eetresse de Conf\u00e9rence) * Litt\u00e9rature fran\u00e7aise, XVe, XVIe si\u00e8cles \u00a0 H\u00e9lisenne de Crenne, Jeanne Flore, Genre narratif sentimental fin XVe et 1\u00e8re moiti\u00e9 XVIe si\u00e8cle OUVRAGES – (avec Mich\u00e8le Cl\u00e9ment, […]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3148"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3148\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3148"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}