{"id":3133,"date":"2009-12-27T17:48:40","date_gmt":"2009-12-27T16:48:40","guid":{"rendered":"http:\/\/461"},"modified":"2009-12-27T17:48:40","modified_gmt":"2009-12-27T16:48:40","slug":"andrea-grewe","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/andrea-grewe\/","title":{"rendered":"Andrea GREWE"},"content":{"rendered":"<p class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Osnabr\u00fcck, Allemagne * <\/span><\/strong><a href=\"mailto:andrea.grewe@uni-osnabrueck.de\"><span style=\"font-size: small;\">andrea.grewe@uni-osnabrueck.de<\/span><\/a><strong><br \/> <\/strong><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">PR * Universit\u00e4t Osnabr\u00fcck, Fachbereich Sprach- und Literaturwissenschaft * Litt\u00e9ratures fran\u00e7aise et italienne, XVIe, XVIIe, XVIIIe et XXe si\u00e8cles <\/span><\/strong><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><em><span style=\"font-size: small;\">La Querelle des femmes dans le th\u00e9\u00e2tre italien et fran\u00e7ais, transfert culturel (voyages, traduction), m\u00e9moires f\u00e9minins, m\u00e9c\u00e9nat f\u00e9minin, la r\u00e9ception de Marie-Madeleine de Lafayette dans les pays germanophones, th\u00e9\u00e2tre fran\u00e7ais des XVIIe et XVIIIe si\u00e8cles, th\u00e9\u00e2tre fran\u00e7ais et italien contemporain, Yasmina Reza, cin\u00e9ma italien, Alberto Savinio<\/span><\/em><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>ARTICLES <\/strong><\/span><br \/> \u2212 \u00ab Herrschaftszeremoniell und Zeremonien der Gastlichkeit. Italienische Festkultur in den Reiseberichten Ferdinand Albrechts von Braunschweig-L\u00fcneburg und Sophies von der Pfalz \u00bb, in S. Meine &amp; N. K. Strohmann (dir.), <em>Musik und Vergn\u00fcgen am Hohen Ufer. Fest- und Kulturtransfer zwischen Hannover und Venedig in der Fr\u00fchen Neuzeit<\/em>, Regensburg, Schnell &amp; Steiner, 2016, 161-178. <\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">\u2212 \u00ab Italien und Frankreich in den Memoiren der Kurf\u00fcrstin Sophie von Hannover. Zwischen Anziehung und Absto\u00dfung \u00bb, in W. Adam, Y.-G. Mix &amp; J. Mondot (dir.), <em>Gallotropismus im Spannungsfeld von Attraktion und Abweisung<\/em>, Heidelberg, Winter, 2016, p. 195\u2212212. <\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">\u2212 \u00ab\u00a0Nouvelles pi\u00e8ces d\u00e9di\u00e9es aux femmes fortes. Sur les d\u00e9dicataires f\u00e9minines du th\u00e9\u00e2tre corn\u00e9lien des ann\u00e9es 1630\u00a0\u00bb, <em>\u0152uvres et critiques<\/em>, XL,1, 2015, p.49-64. <\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">\u2212 \u00ab O\u00f9 sont les dames d\u2019antan \u2013 Erinnerungsl\u00fccken im literarischen Ged\u00e4chtnis. Das Werk Marie-Madeleine de Lafayettes im deutschen Sprachraum \u00bb, in J. Standke &amp; H. Dainat (dir.), <em>Gebundene Zeit. Zeitlichkeit in Literatur, Philologie und Wissenschaftsgeschichte<\/em>, Heidelberg, Winter, 2014, p.570-582. <\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">\u2212 \u00ab Polemica dei sessi e\/o polemica letteraria\u00a0? Veronica Franco e le sue poesie come terreno ed oggetto della polemica \u00bb, in R. v. Kulessa, D. Perocco &amp; S. Meine (dir.), <em>Conflitti culturali a Venezia dalla prima et\u00e0 moderna ad oggi<\/em>, Firenze, Franco Cesati, 2014, p.221-232. <\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">\u2212 \u00ab\u00a0La nouvelle historique &#8211; un genre f\u00e9minin? L\u2019\u0153uvre de Marie-Madeleine de Lafayette entre historiographie et fiction\u00a0\u00bb, in A. Keilhauer et L. Steinbr\u00fcgge (dir.), <em>Pour une histoire genr\u00e9e des litt\u00e9ratures romanes<\/em>, T\u00fcbingen, Narr Francke Attempto Verlag, 2013, p. 57-70.<\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">\u2212 \u00ab Rollenspiele. Zum Wandel der Geschlechterrollen im Theater der Fr\u00fchen Neuzeit \u00bb, in S. Rode-Breymann (dir.), <em>Orte der Musik. Kulturelles Handeln von Frauen in der Stadt<\/em>, K\u00f6ln\/Weimar\/Wien, B\u00f6hlau, 2007, p.185-199. <\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&#8211; \u00ab Margarete von Navarra und der Hof von N\u00e9rac \u00bb, in G. Stedman &amp;\u00a0M. Zimmermann (dir.), <em>H\u00f6fe-Salons-Akademien. Kulturtransfer und Gender im Europa der Fr\u00fchen Neuzeit, <\/em>Hildesheim\/Z\u00fcrich\/New York, \u00e9d. Olms, 2007, p.19-40. <\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&#8211; \u00ab Nel regno di Silvia. Sulla presenza del dramma pastorale italiano nel teatro comico francese tra Sei- e Settecento \u00bb, in R. Lohse (dir.), <em>Horizonte 10. Sonderband Renaissancetheater : Italien und die europ\u00e4ische Rezeption\/Teatro del Rinascimento : Italia e la ricezione europea,<\/em> T\u00fcbingen, \u00e9d. Gunter Narr, 2007, p.85-98. <\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&#8211; \u00ab L\u2019historiographie des femmes. L\u2019exemple de Brant\u00f4me \u00bb, <em>Cahiers V.L. Saulnier<\/em>, 19, 2002 (\u00ab L\u2019histoire en marge de l\u2019histoire \u00e0 la renaissance \u00bb), p.113-127. <\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&#8211; \u00ab Von der passion zur compassion. Affekte und Affektsteuerung in H\u00e9lisenne de Crennes Roman <em>Les angoysses douloureuses qui procedent d\u2019amours<\/em> \u00bb, <em>Querelles. Jahrbuch f\u00fcr Frauenforschung<\/em>, 7, 2002 (\u00ab Kulturen der Gef\u00fchle im Mittelalter und Fr\u00fcher Neuzeit \u00bb), p.122-137.\u00a0<\/span><\/p>\n<p class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"color: #800000;\"><strong>NOTICES<\/strong><\/span><br \/>&#8211; \u00ab Margarete von Navarra (1492-1549) \u00bb &#8211; \u00ab H\u00e9lisenne de Crenne (1510 ?-1552 ?) \u00bb, in M. Zimmermann &amp; R. B\u00f6hm (dir.), <em>Franz\u00f6sische Frauen der Fr\u00fchen Neuzeit. Dichterinnen<\/em>, Malerinnen, M\u00e4zeninnen, Darmstadt, \u00e9d. Wissenschaftliche Buchgesellschaft, 1999, p.29-44, 253-254 et p.55-64 et 258-260.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Osnabr\u00fcck, Allemagne * andrea.grewe@uni-osnabrueck.de PR * Universit\u00e4t Osnabr\u00fcck, Fachbereich Sprach- und Literaturwissenschaft * Litt\u00e9ratures fran\u00e7aise et italienne, XVIe, XVIIe, XVIIIe et XXe si\u00e8cles La Querelle des femmes dans le th\u00e9\u00e2tre italien et fran\u00e7ais, transfert culturel (voyages, traduction), m\u00e9moires f\u00e9minins, m\u00e9c\u00e9nat f\u00e9minin, la r\u00e9ception de Marie-Madeleine de Lafayette dans les pays germanophones, th\u00e9\u00e2tre fran\u00e7ais des XVIIe [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3133","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3133"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3133\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3133"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}