{"id":3126,"date":"2009-12-27T15:41:51","date_gmt":"2009-12-27T15:41:51","guid":{"rendered":"http:\/\/454"},"modified":"2009-12-27T15:41:51","modified_gmt":"2009-12-27T15:41:51","slug":"hope-glidden","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/hope-glidden\/","title":{"rendered":"Hope GLIDDEN"},"content":{"rendered":"
\u2020 PR * Tulane University, New Orleans * Litt\u00e9rature XVIe si\u00e8cle<\/span><\/strong><\/div>\n
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Historiographie, Ludique & po\u00e9tique, Genres, L’inconscient dans les textes masculins, Marie de Gournay, Marguerite de Navarre <\/span>
\n<\/em><\/div>\n

\nARTICLES<\/strong><\/span>
\n– \u00ab L’Epop\u00e9e d\u00e9cal\u00e9e de Rabelais \u00bb, in G. Mathieu-Castellani (dir.), Le Plaisir de l’\u00e9pop\u00e9e, <\/em>Saint-Denis, PU de Saint-Denis, 2000, p.313-330.
\n– \u00ab Self-Portraiture, Marie de Gournay, and the Color of Rhetoric \u00bb, Montaigne Studies<\/em>, 8, October 1996 (\u00ab Women’s Place : Within and Without the Essais \u00bb), p.159-172.
\n– \u00ab Gender, Essence, and the Feminine (L’Heptameron<\/em>, 43) \u00bb, in Critical Tales : New Studies of the Heptameron and Early-Modern Writing,<\/em> Philadelphia, Univ. of Pennsylvania Press, 1993, p.25-40.
\n– \u00ab Rabelais, Panurge, and the Anti-Courtly Body \u00bb, Etudes Rabelaisiennes<\/em>, 25, 1991, p.35-60. <\/p>\n

<\/span><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"

\u2020 PR * Tulane University, New Orleans * Litt\u00e9rature XVIe si\u00e8cle Historiographie, Ludique & po\u00e9tique, Genres, L’inconscient dans les textes masculins, Marie de Gournay, Marguerite de Navarre ARTICLES – \u00ab L’Epop\u00e9e d\u00e9cal\u00e9e de Rabelais \u00bb, in G. Mathieu-Castellani (dir.), Le Plaisir de l’\u00e9pop\u00e9e, Saint-Denis, PU de Saint-Denis, 2000, p.313-330. – \u00ab Self-Portraiture, Marie de Gournay, […]<\/p>\n","protected":false},"author":4,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14],"tags":[],"categorie_personnage":[],"class_list":["post-3126","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3126"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3126\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3126"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}