{"id":3124,"date":"2009-12-27T15:37:58","date_gmt":"2009-12-27T15:37:58","guid":{"rendered":"http:\/\/452"},"modified":"2009-12-27T15:37:58","modified_gmt":"2009-12-27T15:37:58","slug":"severine-genieys-kirk","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/severine-genieys-kirk\/","title":{"rendered":"S\u00e9verine GENIEYS-KIRK"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong>School of Literatures, Languages and Cultures, Univ. Of Edinburgh, Edimburgh, UK * <\/strong><\/span><a href=\"mailto:sgenieyskirk@yahoo.ie\"><span style=\"font-size: small;\">sgenieyskirk@yahoo.ie<\/span><\/a><span style=\"font-size: small;\"><strong><br \/> <\/strong><\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong><br \/> <\/strong><\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong> Ma\u00eetresse de conf\u00e9rence * Universit\u00e9 d&#8217;Edimbourg * Litt\u00e9rature anglaise et fran\u00e7aise, XVIIe si\u00e8cle <\/strong><\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\u00a0<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><em>Repr\u00e9sentation de la femme dans l&#8217;oeuvre de Lady Mary Wroth (The Countess of Montgomery&#8217;s Urania) et de Madeleine de Scud\u00e9ry (Cl\u00e9lie) <\/em><br \/> <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\u00a0<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"color: #800000;\"><strong>EDITION CRITIQUE<\/strong><\/span><br \/> &#8211; Madeleine-Ang\u00e9lique de Gomez : <em>Habis<\/em> et<em> Marsidie, reine des Cimbres<\/em>, in A. Evain, P. Gethner &amp; H. Goldwyn (dir.), <\/span><a href=\"publications-articles\/theatre-de-femmes-de-l-ancien-regime-vol-3-xviie-xviiie-siecle.html\"><span style=\"font-size: small;\"><em>Th\u00e9\u00e2tre de femmes de l\u2019Ancien R\u00e9gime, <\/em>vol.3<em> XVIIe-XVIIIe si\u00e8cle<\/em><\/span><\/a><span style=\"font-size: small;\">, Saint-\u00c9tienne, PUSE, 2011, p.473-599.<br \/> <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\u00a0<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"color: #800000;\"><strong>ARTICLES<\/strong><\/span><br \/> -\u00ab&#8221;J\u2019ai beau prendre la plus \u00e9clatante de mes voix, les hommes ne veulent point l\u2019entendre&#8221; : Madeleine-Ang\u00e9lique de Gomez, une militante oubli\u00e9e\u00bb, in D.Haase-Dubosc &amp; M.-E.Henneau,<\/span><em style=\"font-size: small;\"><a href=\"1\/\"><span style=\"font-size: small;\">Revisiter la \u00ab querelle des femmes \u00bb, vol. 2 : Discours sur l\u2019\u00e9galit\u00e9\/in\u00e9galit\u00e9 des sexes, de 1600 \u00e0 1750<\/span><\/a><\/em><span style=\"font-size: small;\">, Saint-Etienne, PUSE, 2013.<br \/> &#8211; \u00ab Madeleine-Angelique de Gomez (1684-1770) : historiographer of women \u00bb, in M. Brophy, P. Gaffney &amp; M. Gallagher (dir.), <em>Reverberations : Staging Relations in French Since 1500<\/em>, Dublin, UCD Press, 2008. <br \/> &#8211; \u00ab \u00c9rudition et ludisme dans les<em> Journ\u00e9es amusantes <\/em>(1722-31) de Madeleine-Ang\u00e9lique Gomez \u00bb, in W. Brooks &amp; R. Zaiser (dir.), <em>Theatre, Fiction, and Poetry in the French Long Seventeenth Century. Le Th\u00e9\u00e2tre, le roman, et la po\u00e9sie \u00e0 l&#8217;\u00e2ge classique<\/em>, Oxford \/ Bern\u2026, Peter Lang, 2007. <br \/> &#8211; \u00ab Narrating the self in Mme de Murat&#8217;s <em>M\u00e9moires de Madame la Comtesse de M*** avant sa retraite. Servant de r\u00e9ponse aux M\u00e9moires de Mr. Evremond<\/em> (1697) \u00bb, in B. Tribout &amp; R. Wheland (dir.), <em>Narrating the Self in Early Modern Europe. L&#8217;\u00e9criture de soi dans l&#8217;Europe moderne<\/em>, Oxford\/Bern\u2026, Peter Lang, 2007. <br \/> &#8211; \u00ab Madeleine-Ang\u00e9lique Poisson de Gomez : Historiographer of women \u00bb, in M. Brohy, M. Gallagher &amp; P. Gaffney (dir.), <em>Festschrift for Professor Edric Caldicott<\/em>, Dublin, University College Dublin Press (\u00e0 para\u00eetre).<br \/> &#8211; \u00ab Le nu f\u00e9minin dans la <em>Cl\u00e9lie <\/em>\u00bb, in F. E. Beasley &amp; K. Wine (dir.), <em>Intersections. Actes du 35e Congr\u00e8s Annuel de la North American Society for Seventeenth-Century French Literature<\/em>, Biblio 17, (\u00e0 para\u00eetre, 2005).<br \/> &#8211; \u00ab Deux savantes \u00e9trang\u00e8res (La Comtesse de Pembroke et Christine de Su\u00e8de) : du s\u00e9rieux au rire \u00bb, <em>Biblio 17,<\/em> 147, 2003 (\u00ab Le Savoir au dix-septi\u00e8me si\u00e8cle \u00bb), p.205-214.<br \/> &#8211; \u00ab Marie-Anne de Roumier Robert (1705-1771), lectrice des romanci\u00e8res du dix-septi\u00e8me si\u00e8cle \u00bb, in I. Brouard-Arends (dir.), <em>Lectrices d&#8217;Ancien R\u00e9gime<\/em>, Rennes, PU de Rennes, 2003, p.341-349. <br \/> &#8211; \u00ab L&#8217;Androgyn\u00e9it\u00e9 de la &#8220;femme g\u00e9n\u00e9reuse&#8221; dans la <em>Cl\u00e9lie <\/em>de Madeleine de Scud\u00e9ry \u00bb, in J. Britnell &amp; A. Moss (dir.), <em>Female Saints and Sinners : Saintes et Mondaines (France 1450-1650)<\/em>, Durham, Durham UP, 2002, p.233-249. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>NOTICE <\/strong><\/span><br \/> &#8211; \u00ab <\/span><a href=\"http:\/\/www.siefar.org\/dictionnaire\/fr\/Madeleine-Ang%C3%A9lique_Poisson\"><span style=\"font-size: small;\">Mme de Gomez <\/span><\/a><span style=\"font-size: small;\">\u00bb, in <em>Dictionnaire des femmes de l&#8217;Ancienne France<\/em>, SIEFAR, 2005. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>NON PUBLI\u00c9<\/strong><\/span><br \/> &#8211; <em>Picturing Women in the Countess of Montgomery&#8217;s Urania by Lady Mary Wroth and in Cl\u00e9lie by Madeleine de Scud\u00e9ry<\/em>, th\u00e8se, Universit\u00e9 de Glasgow, 2003.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>School of Literatures, Languages and Cultures, Univ. Of Edinburgh, Edimburgh, UK * sgenieyskirk@yahoo.ie Ma\u00eetresse de conf\u00e9rence * Universit\u00e9 d&#8217;Edimbourg * Litt\u00e9rature anglaise et fran\u00e7aise, XVIIe si\u00e8cle \u00a0 Repr\u00e9sentation de la femme dans l&#8217;oeuvre de Lady Mary Wroth (The Countess of Montgomery&#8217;s Urania) et de Madeleine de Scud\u00e9ry (Cl\u00e9lie) \u00a0 EDITION CRITIQUE &#8211; Madeleine-Ang\u00e9lique de Gomez [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3124","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3124"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3124\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3124"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}